Written during the 1910s '20s and '30s, these articles offer a wistful and nostalgic image of the waning years of the Austro-Hungarian empire, with portraits of the Habsburgs, culminating in first-hand reports in 1916, from Vienna on the funeral of Emperor Francis Joseph I, and from Budapest on the coronation of Charles IV, the last king of Hungary. Krúdy's reports follow the bloodless democratic revolution of 1918, the Károlyi government and the short-lived Soviet Republic, and present cameos of the leading political figures of the day such as Ferenc Kossuth, Mihály Károlyi and Béla Kun.

In his lively, casual pieces Krúdy displays his intimate knowledge of Hungarian society with a special emphasis on literature and publishing.

A trio of darkly elegant, women-centric novellas from a master of twentieth-century Hungarian literature.
 
Mrs Kleofas’ Rooster brings together three captivating novellas by Gyula Krúdy, originally written in the 1920s and now available in English for the first time. Each story centers on a woman protagonist: a timeless adventuress, a resilient single mother, and a seductive Budapest femme fatale, respectively. In the title novella, a roguish narrator listens to the thrilling life story of an ageless, mysterious woman whose journey takes her from a childhood of suffering to a career as a cunning accomplice in daring schemes. The next story, NN, follows the life of a steadfast single mother, Juliska, amid the rhythms of village life. In Autumn Meeting, Krudy’s sharp wit unfolds through Rizili, a charming yet ruthless socialite who leads a suspended jockey on an intoxicating night through Budapest’s City Park.

The first comprehensive volume in English from one of Hungary’s most popular twentieth-century writers. 

Iván Mándy (1918–1995) has been called “the prose poet of Budapest,” and this volume of short stories presents the first comprehensive collection of his work in English. His early oeuvre created an urban mythology full of picaresque characters inhabiting the seedier neighborhoods of the city: its flea-market stalls, second-run cinemas, and old-fashioned coffeehouses. The stories from the later decades of Mándy’s life, often bordering on the absurd, introduce many autobiographical elements spun around the author’s alter-ego, János Zsámboky, whose hapless adventures on a rare trip abroad constitute this group of stories, including “Postcard from London.” Mándy’s unique style at times borrows techniques from films and radio plays, his quirky cuts creating a flicker of images seen in the mind’s eye. Memory and perception, time and place spin in narrative legerdemain that invites and rewards the reader’s active participation.