This study brings race and the literary tradition of romance into dialogue.

Race and Romance: Coloring the Past explores the literary and cultural genealogy of colorism, white passing, and white presenting in the romance genre. The scope of the study ranges from Heliodorus’ Aithiopika to the short novels of Aphra Behn, to the modern romance novel Forbidden by Beverly Jenkins. This analysis engages with the troublesome racecraft of “passing” and the instability of racial identity and its formation from the premodern to the present. The study also looks at the significance of white settler colonialism to early modern romance narratives. A bridge between studies of early modern romance and scholarship on twenty-first-century romance novels, this book is well-suited for those interested in the romance genre.

This anthology of four plays written or performed between 1662 and 1677 offers a unique snapshot of the diverse nature of Restoration drama by women. 

Restoration Women’s Drama collects four Restoration plays by women: the highly acclaimed Katherine Philips, the successful professional Aphra Behn, the confidently original Margaret Cavendish, and the obscure pioneer Frances Boothby. This anthology includes Behn’s only tragedy as well as the first printed edition of Boothby’s Marcelia, the first play by a woman to be professionally staged in London, demonstrating the range of early modern drama produced by women in this period. An excellent introduction, it is poised to stimulate new discussions of women’s authorship, theatrical knowledge, and literary affinities. Each play has been edited afresh, and each has been modernized and annotated to facilitate reading, teaching, and performance possibilities.