front cover of The Complete Tales of Ketzia Gold
The Complete Tales of Ketzia Gold
Kate Bernheimer
University of Alabama Press, 2001
The Complete Tales of Ketzia Gold is a lavishly poetic novel that draws upon the motifs of traditional German, Russian and Yiddish folklore and fairy stories to recount the visionary obsessions of a passionate young woman. The narrative moves freely through time and space, uniting Ketzia Gold's early childhood with her sexual awakenings, creating a dreamscape of haunting vividness. Marked by a logical illogic and disarmingly sane madness, this haunting and innovative fable creates an emotional landscape that's as impossible to escape as it is for young Ketzia to inhabit. Kate Bernheimer interweaves hypnotic imagery and everyday life, moving back and forth through time, piecing together the fragments of memory and imagination with an obsessive lyricism that recalls the poetic fictions of Carol Maso. Bernheimer's story is a rich tapestry, patterned with childhood longings and the luxuriant complexity of womanhood.
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front cover of The Complete Tales of Lucy Gold
The Complete Tales of Lucy Gold
Kate Bernheimer
University of Alabama Press, 2011
As a child, Lucy dreams of talking fairies and lives contentedly in the wooded suburbs of Boston; she grows up to be a successful animator of fairy-tale films. Or does she? She claims at moments to be a witch in the woods.
 
Like her sisters, who appeared in Bernheimer’s first two novels (The Complete Tales of Ketzia Gold and The Complete Tales of Merry Gold), Lucy has a secret, but she is unable to fasten onto anything but brightness. Novelist Donna Tartt writes, “Lucy’s particular brand of optimism, blind to its own shadow, is very American—she is innocence holding itself apart so fastidiously that it becomes its opposite.”
 
This novel is a perfect end to the Gold family series, and the perfect introduction, for new readers, to Bernheimer’s enchanting body of work.
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front cover of Conceptualisms
Conceptualisms
The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art
Edited by Steve Tomasula
University of Alabama Press, 2022
A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators
 
A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.

Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.

Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.

The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.
 
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front cover of Fairy Tale Review, The Blue Issue
Fairy Tale Review, The Blue Issue
The Blue Issue
Kate Bernheimer
University of Alabama Press, 2006

front cover of Fairy Tale Review, The Green Issue
Fairy Tale Review, The Green Issue
The Green Issue
Kate Bernheimer
University of Alabama Press, 2007


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