front cover of Aesop's Human Zoo
Aesop's Human Zoo
Roman Stories about Our Bodies
Phaedrus
University of Chicago Press, 2004
Most of us grew up with Aesop's Fables—tales of talking animals, with morals attached. In fact, the familiar versions of the stories attributed to this enigmatic and astute storyteller are based on adaptations of Aesop by the liberated Roman slave Phaedrus. In turn, Phaedrus's renderings have been rewritten so extensively over the centuries that they do not do justice to the originals. In Aesop's Human Zoo, legendary Cambridge classicist John Henderson puts together a surprising set of up-front translations—fifty sharp, raw, and sometimes bawdy, fables by Phaedrus into the tersest colloquial English verse.

Providing unusual insights into the heart of Roman culture, these clever poems open up odd avenues of ancient lore and life as they explore social types and physical aspects of the body, regularly mocking the limitations of human nature and offering vulgar or promiscuous interpretations of the stuff of social life.

Featuring folksy proverbs and satirical anecdotes, filled with saucy naughtiness and awful puns, Aesop's Human Zoo will amuse you with its eccentricities and hit home with its shrewdly candid and red raw messages. The entertainment offered in this volume of impeccably accurate translations is truly a novelty—a good-hearted and knowing laugh courtesy of classical poetry. Beginning to advanced classicists and Latin scholars will appreciate the original Latin text provided in this bilingual edition. The splash of classic Thomas Bewick wood engravings to accompany the fables renders the collection complete.
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A Conspiracy of Ravens
A Compendium of Collective Nouns for Birds
Compiled by Samuel Fanous
Bodleian Library Publishing, 2014
A charm of goldfinches. An ostentation of peacocks. A murder of crows. The English language brims with witty words for flocks of birds! Thought to have originated from hunting manuals, the practice of inventing collective nouns for birds has since evolved into a sport all its own, with new words striving to perfectly capture the essence of each bird.
           
A Conspiracy of Ravens presents readers with a compendium of collective bird nouns from the distant and not-so-distant past. Some of the nouns are portentous, like a tiding of magpies. Others, like a murmuration of starlings or a chattering of choughs, convey sound. Still more reflect with literary flourish the beauty of the bird: what could be more celebratory than a crown of kingfishers or an exaltation of larks? Featuring songbirds, aquatic birds, garden favorites, and birds of prey, this book collects more than one hundred of the best and most imaginative expressions and illustrates them with charming woodcuts by the eighteenth-century artist and naturalist Thomas Bewick.
           
A beautiful and entertaining read, A Conspiracy of Ravens will delight bird-lovers and word-lovers in equal measure.
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A General History of Quadrupeds
The Figures Engraved on Wood
Thomas Bewick
University of Chicago Press, 2009

In the late eighteenth century, the British took greater interest than ever before in observing and recording all aspects of the natural world. Travelers and colonists returning from far-flung lands provided dazzling accounts of such exotic creatures as elephants, baboons, and kangaroos. The engraver Thomas Bewick (1753–1828) harnessed this newfound interest by assembling the most comprehensive illustrated guide to nature of his day.

A General History of Quadrupeds, first published in 1790, showcases Bewick’s groundbreaking engraving techniques that allowed text and images to be published on the same page. From anteaters to zebras, armadillos to wolverines, this delightful volume features engravings of over four hundred animals alongside descriptions of their characteristics as scientifically understood at the time. Quadrupeds reaffirms Bewick’s place in history as an incomparable illustrator, one whose influence on natural history and book printing still endures today.

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front cover of Nature's Engraver
Nature's Engraver
A Life of Thomas Bewick
Jenny Uglow
University of Chicago Press, 2009

Thomas Bewick’s (1753–1828) History of British Birds was the first field guide for ordinary people, illustrated with woodcuts of astonishing accuracy and beauty. In Nature’s Engraver, Jenny Uglow tells the story of the farmer’s son from Tyneside who became one of Britain’s greatest and most popular engravers. It is a story of violent change, radical politics, lost ways of life, and the beauty of the wild—a journey to the beginning of our lasting obsession with the natural world.

 “A refined and engaging biography, as beautifully wrought, in its way, as Bewick’s woodcuts.”—New York Times

“Uglow’s clear prose sparkles like Bewick’s River Tyne.”—Los Angeles Times

“This is a lovely book, not just in the quality and sympathy of the writing but in the care of its design and illustration. [Uglow] has turned a rich but undramatic life into a vignette as full of interest and details as one of Bewick’s own woodcuts.”—Sunday Telegraph

 

“A splendid biography. But it becomes an endearing one by the scattered presence of so many of Bewick’s woodcuts.”—Washington Post

 

“Another triumph for England’s most innovative biographer, and a marvelous treat for fans of Bewick’s beguiling work.”—Kirkus Reviews

 

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