A collection of essays by experts from around the world
Like the other New Testament Gospels, the Gospel of John repeatedly appeals to Scripture (Old Testament). Preferring allusions and “echoes” alongside more explicit quotations, however, the Gospel of John weaves Scripture as an authoritative source concerning its story of Jesus. Yet, this is the same Gospel that is often regarded as antagonistic toward “the Jews,” especially the Jewish religious leaders, depicted within it.
Introduces and updates readers on the question of John’s employment of Scripture
Showcases useful approaches to more general studies on the New Testament’s use of Scripture, sociological and rhetorical analyses, and memory theory
Explores the possible implications surrounding Scripture usage for the Gospel audiences both ancient and contemporary
The Adam and Eve stories are a foundational myth in the Jewish and Christian worlds, and the way they were recounted reveals a great deal about those doing the retelling. How did the Armenians retell these stories? What values do these retellings express about men and women, their life in the world, sin and redemption? Presented here are twelve hundred years of Armenian telling of the Genesis 1–3 stories in an unparalleled collection of all significant narratives of Adam and Eve in Armenian literature—prose and poetry, homilies and commentaries, calendary and mathematical texts—from its inception in the fifth century to the seventeenth century. This seminal resource contributes to the lively current discussion of how biblical and apocryphal traditions were retold, embroidered, and transformed into the lenses through which the Bible itself was read.
Investigate how Deuteronomy incorporates vulnerable, displaced people
Deuteronomy addresses social contexts of widespread displacement, an issue affecting 65 million people today. In this book Mark R. Glanville investigates how Deuteronomy fosters the integration of the stranger as kindred into the community of Yahweh. According to Deuteronomy, displaced people are to be enfolded within the household, within the clan, and within the nation. Glanville argues that Deuteronomy demonstrates the immense creativity that communities may invest in enfolding displaced and vulnerable people. Inclusivism is nourished through social law, the law of judicial procedure, communal feasting, and covenant renewal. Deuteronomy’s call to include the stranger as kindred presents contemporary nation-states with an opportunity and a responsibility to reimagine themselves and their disposition toward displaced strangers today.
Exploration of the relationship of ancient Israel’s social history to biblical texts
An integrative methodology that brings together literary-historical, legal, sociological, comparative, literary, and theological approaches
A thorough study of Israelite identity and ethnicity
The first study to focus exclusively on the use in the Hebrew Bible of soundplay to allude to and interpret earlier literary traditions
This book focuses on the way the biblical writers used allusive soundplay to construct theological discourse, that is, in service of their efforts to describe the nature of God and God's relationship to humanity. By showing that a variety of biblical books contain examples of allusive soundplay employed for this purpose, Kline demonstrates that this literary device played an important role in the growth of the biblical text as a whole and in the development of ancient Israelite and early Jewish theological traditions.
Demonstrates that allusive soundplay was a productive compositional technique in ancient Israel
Identifies examples of innerbiblical allusion that have not been identified before
A robust methodology for identifying soundplay in innerbiblical allusions
The story of Paul is one of irony, the New Testament depicting him at the martyrdom of Stephen holding the assassins' cloaks. Then this same Paul is transformed into the biblical archetype for someone suffering for their faith. He becomes so entrenched, it would appear that he had walked with the Christians all his life, that he was the one who defined the faith, eventually being called the “second founder of Christianity.” But much of what we think we "know" about Paul comes from Sunday school stories we heard as children. The stories were didactic tales meant to keep us reverent and obedient.
As adults reading the New Testament, we catch glimpses of a very different kind of disciple—a wild ascetic whom Tertullian dubbed “the second apostle of Marcion and the apostle of the heretics.” What does scholarship tell us about the enigmatic thirteenth apostle who looms larger than life in the New Testament? The epistles give evidence of having been written at the end of the first century or early in the second—too late to have been Paul’s actual writings. So who wrote (and rewrote) them? F. C. Baur, a nineteenth-century theologian, pointed persuasively to Simon Magus as the secret identity of “Paul.” Robert M. Price, in this exciting journey of discovery, gives readers the background for a story we thought we knew.
A new translation for scholars and students of biblical interpretation and ancient Christianity
The ancient writer dubbed Ambrosiaster was a pioneer in the revival of interest in the Pauline Epistles in the later fourth century. He was read by Latin writers, including Pelagius and Augustine, and his writings, passed on pseudonymously, had a long afterlife in the biblical commentaries, theological treatises, and canonical literature of the medieval and the early modern periods. In addition to his importance as an interpreter of scripture, Ambrosiaster provides unique perspectives on many facets of Christian life in Rome, from the emergence of clerical celibacy to the development of liturgical practices to the subordination of women.
An up-to-date overview of what is known about Ambrosiaster, the transmission of his commentary on the Pauline Epistles, his exegetical method, his theological orientation, and aspects of Christianity in Rome in the fourth century
A scholarly translation of the final version of the commentary, along with notes that identify significant variants from prior versions of the commentary
Bibliography thatincludes a comprehensive list of the scholarly literature on Ambrosiaster
In this fascinating piece of scholarly detective work, biblical scholar Savina J. Teubal peels away millenia of patriarchal distortion to reveal the lost tradition of biblical matriarchs. In Ancient Sisterhood: The Lost Traditions of Hagar and Sarah (originally published as Hagar the Egyptian), she shows that Hagar, the mother of Ishmael, was actually lady-in-waiting to the priestess Sarah and participated in an ancient Near Eastern custom of surrogate motherhood.
Ancient Sisterhood cites evidence that Hebrew women actually enjoyed the privileges and sanctity of their own religious practices. These practices, however, were gradually eroded and usurped by the establishment of patriarchal monarchies that were based on militaristic conquest and power. Teubal examines the figures of Hagar and Sarah from a feminist perspective that combines thorough scholarship with an informed and detailed understanding of the cultural and religious influences from which the mysterious biblical figure of Hagar emerged. She looks at Hagar’s important role in the genesis of Hebrew culture, her role as mother of the Islamic nations, and her power as a matriarch as opposed to her apparent status as a concubine.
Teubal posits two distinct sources for the Hagar episodes: Hagar as companion to Sarah and an unknown woman whom she refers to as the desert matriarch. She explores whether Hagar was a slave to Abraham or Sarah, the differences between Hagar and the desert matriarch, and the obscurantism of these important elements in biblical texts. Teubal sheds considerable light on two central figures of these world religions and “the disassociation of woman from her own female religious experience.”
A critical study for those interested in the intersection of art and biblical interpretation
With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation.
Resources for understanding the relation of texts to artistic paintings and images
Tools for integrating multiple approaches both to biblical and artistic interpretation