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Radical Initiatives in Interventionist & Community Drama
Edited by Peter Billingham
Intellect Books, 1995
This new series of cutting edge critical essays and articles in issues concerning Drama and Performance opens with Volume I, which will focus on issues of Interventionist Drama and related examples of Drama as Community.

The list of contributors is impressive and quite consciously eclectic, ranging from established scholars such as Dr. Lionel Pilkington (University of Galway) through to the latest talent emerging in the field of theatre research such as Bill McDonnell (University of Sheffield) and Maureen Barry (Bretton Hall College, University of Leeds.) There is also a significant international dimension to Volume I with contributions from Carole Christensen (Copenhagen) and - (South Africa), with Velda Harris (Central School of Speech and Drama) offering a critical evaluation of her work with nomadic tribes people in Azerbaijan.

As with the series as a whole, the focus for this first collection is a fusion of high-quality scholarly research with dynamic and perceptive accounts from practitioners in their field of work. Similarly this collection represents an eclectic mix of material that is absolutely contemporary and previously unpublished, offering a unique insight into some of the ideological, methodological and aesthetic issues surrounding the generic area of Interventionist and Community Theatre.
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Sensing the City through Television
Urban Identities in Fictional Drama
Peter Billingham
Intellect Books, 2000
How do fictional representations of the city contribute to our sense of identity?  Does this feed back into how we see cities and their cultures?
 
This in-depth analysis with five case studies provides the basis for a critique on the political, sociological and cultural implications of this strand of popular programming.  The book features:
Queer as Folk
The Cops
Holding On
Homicide-Life on the Street
Armistead Maupin's Tales of the City
 
Each programme is discussed in terms of structure, content, characterisation, and narrative, and each is placed within a specific ideological context.  The case studies represent a broad range of British and American cities and city sub-cultures, while the book draws on the author's exclusive interviews with Tony Garnett, Tony Marchant, and David Snodin.
 
The author further extends his analysis to investigate the intrinsic issues related to the implications of popular and high drama and culture.
 
As one of the first substantial investigations of the city in television drama, this book reflects and contributes to a growing general interest in the politics of representation.  This is suitable for accommodation into the popular academic courses on drama and film/media studies both as a textbook and for supplementary reading.
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