front cover of Status Pending
Status Pending
Adrian Blevins
Four Way Books
A riotous yet deceptively serious addition to Adrian Blevins’ oeuvre, Status Pending exquisitely leverages the lyric to fathom the liminality of human experience. These poems comprise a stenography of our lives as the buffering consciousness between voided states. Blevins straddles various faultlines as a woman who writes and mothers, who emerges from a second divorce as an Appalachian transplant in New England, who sees from midlife the stringent but unspoken socioeconomic strata framing class conflict. If marriage “was a rope across a twilight abyss (an abscess),” if aging brings the hateful labels “OUT OF ORDER / & LATE FEE,” every disappointment uncovers rejuvenating clarity. “Bereavement status” engenders both heartbreak and hope, somehow, as “then you lose your losses.” Blevins triumphs in her reclamation of the spectacular in the mundane. “America is a flub. // A hack. A crime! America, fuck you for making // despondent bandits of us — / for blinding & hooding // & chaining & gagging us.” Even perched on shifting tectonic plates, Blevins wins the last word: “You don’t seem to know it, // but there are foxes / crossing meadows // out there fast as disco lights. There are loons on your lakes.” Amen.
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front cover of Walk Till the Dogs Get Mean
Walk Till the Dogs Get Mean
Meditations on the Forbidden from Contemporary Appalachia
Adrian Blevins
Ohio University Press, 2015

In Walk Till the Dogs Get Mean, Adrian Blevins and Karen Salyer McElmurray collect essays from today’s finest established and emerging writers with roots in Appalachia. Together, these essays take the theme of silencing in Appalachian culture, whether the details of that theme revolve around faith, class, work, or family legacies.

In essays that take wide-ranging forms—making this an ideal volume for creative nonfiction classes—contributors write about families left behind, hard-earned educations, selves transformed, identities chosen, and risks taken. They consider the courage required for the inheritances they carry.

Toughness and generosity alike characterize works by Dorothy Allison, bell hooks, Silas House, and others. These writers travel far away from the boundaries of a traditional Appalachia, and then circle back—always—to the mountains that made each of them the distinctive thinking and feeling people they ultimately became. The essays in Walk Till the Dogs Get Mean are an individual and collective act of courage.

Contributors:
Dorothy Allison, Rob Amberg, Pinckney Benedict, Kathryn Stripling Byer, Sheldon Lee Compton, Michael Croley, Richard Currey, Joyce Dyer, Sarah Einstein, Connie May Fowler, RJ Gibson, Mary Crockett Hill, bell hooks, Silas House, Jason Howard, David Huddle, Tennessee Jones, Lisa Lewis, Jeff Mann, Chris Offutt, Ann Pancake, Jayne Anne Phillips, Melissa Range, Carter Sickels, Aaron Smith, Jane Springer, Ida Stewart, Jacinda Townsend, Jessie van Eerden, Julia Watts, Charles Dodd White, and Crystal Wilkinson.

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