front cover of Ethnomusicology and Modern Music History
Ethnomusicology and Modern Music History
Edited by Stephen Blum, Philip V. Bohlman, and Daniel M. Neuman
University of Illinois Press, 1991
Designed as a tribute to world-renowned ethnomusicologist Bruno Nettl,
        this volume explores the ways in which ethnomusicologists are contributing
        to the larger task of investigating music history. The fifteen contributors
        explore topics ranging from meetings with the Suyá Indians of Brazil
        to the German-speaking Jewish community of Israel; from Indian music in
        Felicity, Trinidad, to Ravi Shankar's role as cultural mediator.
      "This book is unique not only for its approach but also for the
        scope of its content. . . . It is definitely a must for libraries of research
        centers and institutions with ethnomusicology programs."
        -- Choice
 
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front cover of Music and Conflict
Music and Conflict
Edited by John Morgan O'Connell and Salwa El-Shawan Castello-Branco
University of Illinois Press, 2010
This volume charts a new frontier of applied ethnomusicology by highlighting the role of music in both inciting and resolving a spectrum of social and political conflicts in the contemporary world. Examining the materials and practices of music-making, contributors detail how music and performance are deployed to critique power structures and to nurture cultural awareness among communities in conflict.
 
The essays here range from musicological studies to ethnographic analyses to accounts of practical interventions that could serve as models for conflict resolution. Music and Conflict reveals how musical texts are manipulated by opposing groups to promote conflict and how music can be utilized to advance conflict resolution. Speaking to the cultural implications of globalization and pointing out how music can promote a shared musical heritage across borders, the essays discuss the music of Albania, Azerbaijan, Brazil, Egypt, Germany, Indonesia, Iran, Ireland, North and South Korea, Uganda, the United States, and the former Yugoslavia. The volume also includes dozens of illustrations, including photos, maps, and musical scores.
 
Contributors are Samuel Araujo, William Beeman, Stephen Blum, Salwa El-Shawan Castelo-Branco, David Cooper, Keith Howard, Inna Naroditskaya, John Morgan O'Connell, Svanibor Pettan, Anne K. Rasmussen, Adelaida Reyes, Anthony Seeger, Jane C. Sugarman, and Britta Sweers.
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front cover of Music Making Community
Music Making Community
Edited by Tony Perman and Stefan Fiol
University of Illinois Press, 2024

Making music offers enormous possibilities--and faces significant limitations--in its power to generate belonging and advance social justice. Tony Perman and Stefan Fiol edit essays focused on the forms of interplay between music-making and community-making as mutually creative processes. Contributors in the first section look at cases where music arrived in settings with little or no sense of community and formed social bonds that lasted beyond its departure. In the sections that follow, the essayists turn to stable communities that used musical forms to address social needs and both forged new social groups and, in some cases, splintered established communities. By centering the value of difference in productive feedback dynamics of music and community while asserting the need for mutual moral indebtedness, they foreground music’s potential to transform community for the better.

Contributors: Stephen Blum, Joanna Bosse, Sylvia Bruinders, Donna A. Buchanan, Rick Deja, Veit Erlmann, Stefan Fiol, Eduardo Herrera, David A. McDonald, Tony Perman, Thomas Solomon, and Ioannis Tsekouras

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front cover of Musical Improvisation
Musical Improvisation
Art, Education, and Society
Edited by Gabriel Solis and Bruno Nettl
University of Illinois Press, 2008
"Cutting across traditional subject boundaries in music and cultural studies, this admirably comprehensive work adopts a welcome interdisciplinary ideal and makes a truly significant contribution to our knowledge of musical improvisation."--Robert Witmer, professor emeritus of music, York University

Contributors are Stephen Blum, Patricia Shehan Campbell, Sabine M. Feisst, Lawrence Gushee, Robert S. Hatten, William Kinderman, Natalie Kononenko, Robert Levin, Charlotte Mattax Moersch, Ingrid Monson, John P. Murphy, Bruno Nettl, A. Jihad Racy, Anne K. Rasmussen, Stephen Slawek, Gabriel Solis, Nicholas Temperley, John Toenjes, and Thomas Turino.

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