Scarcely any object was as ubiquitous in Byzantine culture as the cross. This exhibition catalogue focuses on the figural processional cross, and the examples here provide opportunity to consider the various functions such crosses served in the imperial, ecclesiastic, military, and private sphere for both men and women.

Marvin Ross’s groundbreaking catalogue of jewelry in the Byzantine Collection at Dumbarton Oaks was first published in 1965. The volume has long been out of print, but its enormous popularity and enduring status led to a reprint, this time with color photographs. Accompanying the reprint edition is an addendum by Susan Boyd and Stephen Zwirn with twenty-two new objects acquired by Dumbarton Oaks Collection between 1962 and 1999.

This catalogue focuses on numismatic gold jewelry, from pendants set with coins and medallions to stamped pseudo-medallions, or a combination of both. Special attention is given to the technical issues of mounting techniques.

The twenty papers included in this volume were presented at an international symposium held in Baltimore and Washington in May, 1986. Planned to coincide with the exhibition of the two largest treasures of Early Byzantine church silver to survive from antiquity, the Kaper Koraon Treasure (found in Syria) and the Sion Treasure (found in Turkey), the symposium sought to place these and other church treasures in their broader contexts examining them from the point of view of economy, history, society, and manufacture.

While a number of the papers focus on specific aspects of these two treasures—including six articles devoted to the Sion Treasure—others examine more general questions regarding silver mining, the manufacture of silver vessels, the state control of silver in Byzantium and the Sasanian Empire, the economic and cultural role of silver objects, and the financial power of the institutional church through its vast holdings of silver plate. The precedent offered by pagan cult treasures is also examined.

To ensure a broad interdisciplinary approach, the eighteen authors are authorities in the fields of government administration, economic history, cultural history, art history, archaeology, epigraphy, science and conservation.

More than fifty years after the earthquake of 365 destroyed Kourion, the seat of the Roman administration of Cyprus, a Christian basilica was built upon the remains of its pagan predecessor. This basilica became the center of a large complex that included a baptistery, atrium, and numerous other structures and buildings. Replete with mosaics and revetment, the Christian basilica was the center of the ecclesiastical administration of Cyprus until its destruction in the late seventh century. In this long-awaited report, A. H. S. Megaw and colleagues present in full the results of excavations from the 1930s, 1950s, and 1970s. In addition to the stratigraphic history of the complex, there are reports on the mosaics, revetment, sculpture, coins, inscriptions, glass, pottery, lamps, and small finds.

This book stands alone as the first general survey of lighting in Byzantium. Although relatively well known by specialists, Byzantine lighting devices have not been treated independently, but rather presented and discussed in connection with other Byzantine minor arts. The first part of the book discusses the technology and types of lighting devices and explains their decorative symbolism and social function. The second half illustrates this narrative by drawing on a Dumbarton Oaks exhibition, “Lighting in Early Byzantium,” which presented to the public some of the finest surviving late Roman and early Byzantine lighting devices. Some of these are now published for the first time.