front cover of Artistry in Bronze
Artistry in Bronze
The Greeks and Their Legacy XIXth International Congress on Ancient Bronzes
Jens M Daehner
J. Paul Getty Trust, The, 2017
The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art? 

The free online edition of this open-access book is available at www.getty.edu/publications/artistryinbronze/ and includes zoomable figures and tables. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Nominal Things
Bronzes in the Making of Medieval China
Jeffrey Moser
University of Chicago Press, 2023
How the medieval study of ancient bronzes influenced the production of knowledge and the making of things in East Asia.
 
This book opens in eleventh-century China, where scholars were the first in world history to systematically illustrate and document ancient artifacts. As Jeffrey Moser argues, the visual, technical, and conceptual mechanisms they developed to record these objects laid the foundations for methods of visualizing knowledge that scholars throughout early modern East Asia would use to make sense of the world around them.
 
Of the artifacts these scholars studied, the most celebrated were bronze ritual vessels that had been cast nearly two thousand years earlier. While working to make sense of the relationship between the bronzes’ complex shapes and their inscribed glyphs, they came to realize that the objects were “nominal things”—objects inscribed with names that identified their own categories and uses. Eleventh-century scholars knew the meaning of these glyphs from hallowed Confucian writings that had been passed down through centuries, but they found shocking disconnects between the names and the bronzes on which they were inscribed. Nominal Things traces the process by which a distinctive system of empiricism was nurtured by discrepancies between the complex materiality of the bronzes and their inscriptions. By revealing the connections between the new empiricism and older ways of knowing, the book explains how scholars refashioned the words of the Confucian classics into material reality.
 
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logo for Harvard University Press
Shang Ritual Bronzes
Robert W. Bagley
Harvard University Press, 1987


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