When exploring the links between America and postcolonialism, scholars tend to think either in terms of contemporary multiculturalism, or of imperialism since 1898. This narrow view has left more than the two prior centuries of colonizing literary and political culture unexamined.
Messy Beginnings challenges the idea of early America’s immunity from issues of imperialism, that its history is not as “clean” as European colonialism. By addressing the literature ranging from the diaries of American women missionaries in the Middle East to the work of Benjamin Franklin and Nathaniel Hawthorne, and through appraisals of key postcolonial theorists such as Edward Said, Gayatri Spivak, and Homi Bhabha, the contributors to this volume explore the applicability of their models to early American culture.
Messy Beginnings argues against the simple concept that the colonization of what became the United States was a confrontation between European culture and the “other.” Contributors examine the formation of America through the messy or unstable negotiations of the idea of “nation.”
The essays forcefully show that the development of “Americanness” was a raced and classed phenomenon, achieved through a complex series of violent encounters, legal maneuvers, and political compromises. The complexity of early American colonization, where there was not one coherent “nation” to conquer, contradicts the simple label of imperialism used in other lands. The unique approach of Messy Beginnings will reshape both pre-conceived notions of postcolonialism, and how postcolonialists think about the development of the American nation.
A grounded, tender, and mournful reckoning with the catastrophes that launched poor, white Anglos into their role as itinerant foot soldiers for modern imperialism—now in paperback with a new preface
Joanna Brooks’s ancestors were among the early waves of emigrants to leave England for North America. For generations, they lived hardscrabble lives, eking out subsistence in one place after another as they continually moved west in search of a better life. Why, Brooks wondered, did her people and countless other poor English subjects abandon their homeland for such unremitting hardship? The question leads her on a journey through an obscure dimension of American history.
Why We Left reveals the violence and dislocation that propelled seventeenth- and eighteenth-century working-class English emigration, presenting a powerful restorying of how we arrived at our present moment of precarity and rootlessness. Following American folk ballads back across the Atlantic to find histories of economic displacement, environmental destruction, and social betrayal at the heart of the early Anglo-American migrant experience, Brooks offers a scholarly and personal account of the intergenerational traumas that shape the history of white Anglos on Turtle Island.
She shares folk ballads such as “Edward,” which reveals the influence of deforestation on the dislocation of early Anglo-American peasant immigrants, and “The House Carpenter’s Wife,” which emphasizes the impact of economic instability and the colonial enterprise on women. From these ballads, tragic and heartrending, Brooks uncovers an archaeology of the worldviews of America’s earliest immigrants. This tenth-anniversary edition includes a new preface and develops a haunting historical perspective on the ancestors we thought we knew.
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