A SCHOLARLY BOOK REPOSITORY
A Bollywood blockbuster when it was released in 1977, Amar Akbar Anthony has become a classic of Hindi cinema and a touchstone of Indian popular culture. Delighting audiences with its songs and madcap adventures, the film follows the heroics of three Bombay brothers separated in childhood from their parents and one another. Beyond the freewheeling comedy and camp, however, is a potent vision of social harmony, as the three protagonists, each raised in a different religion, discover they are true brothers in the end. William Elison, Christian Lee Novetzke, and Andy Rotman offer a sympathetic and layered interpretation of the film’s deeper symbolism, seeing it as a lens for understanding modern India’s experience with secular democracy.
Amar Akbar Anthony’s celebration of an India built on pluralism and religious tolerance continues to resonate with audiences today. But it also invites a critique of modernity’s mixed blessings. As the authors show, the film’s sunny exterior only partially conceals darker elements: the shadow of Partition, the crisis of Emergency Rule, and the vexed implications of the metaphor of the family for the nation. The lessons viewers draw from the film depend largely on which brother they recognize as its hero. Is it Amar, the straight-edge Hindu policeman? Is it Akbar, the romantic Muslim singer? Or is it Anthony, the Christian outlaw with a heart of gold? In this book’s innovative and multi-perspectival approach, each brother makes his case for himself (although the last word belongs to their mother).
Offering a tantalizing look behind lodge doors, The Brotherhood of Freemason Sisters unveils a complex culture of discretion in which Freemasons simultaneously reveal some truths and hide others. Women—one of Freemasonry’s best-kept secrets—are often upper class and highly educated but paradoxically antifeminist, and their self-cultivation through the Masonic path is an effort to embrace the deeply gendered ideals of fraternity. Mahmud unravels this contradiction at the heart of Freemasonry: how it was at once responsible for many of the egalitarian concepts of the Enlightenment and yet has always been, and in Italy still remains, extremely exclusive. The result is not only a thrilling look at an unfamiliar—and surprisingly influential—world, but a reevaluation altogether of the modern values and ideals that we now take for granted.
Winner of the J. Russell Major Prize, American Historical Association
Winner of the David H. Pinkney Prize, Society for French Historical Studies
Winner of the JDC–Herbert Katzki Award, National Jewish Book AwardsWinner of the American Library in Paris Book Award
A Choice Outstanding Academic Title of the Year
Headlines from France suggest that Muslims have renewed an age-old struggle against Jews and that the two groups are once more inevitably at odds. But the past tells a different story. The Burdens of Brotherhood is a sweeping history of Jews and Muslims in France from World War I to the present.
“Katz has uncovered fascinating stories of interactions between Muslims and Jews in France and French colonial North Africa over the past 100 years that defy our expectations…His insights are absolutely relevant for understanding such recent trends as rising anti-Semitism among French Muslims, rising Islamophobia among French Jews and, to a lesser degree, rising rates of aliyah from France.”
—Lisa M. Leff, Haaretz
“Katz has written a compelling, important, and timely history of Jewish/Muslim relations in France since 1914 that investigates the ways and venues in which Muslims and Jews interacted in metropolitan France…This insightful, well-researched, and elegantly written book is mandatory reading for scholars of the subject and for those approaching it for the first time.”
—J. Haus, Choice
A new, sociorhetorical interpretation of the Letter to Philemon
Exploring Philemon shows how this letter entered the world of the ancient Mediterranean and the early church with a dramatic and powerful rhetorical force by analyzing the range of textures interwoven with each other to produce a profound effect on an early Christian (Philemon) and on the church that met in his home. It demonstrates that many striking and subtle features work together to present a rhetorical argument that the new Christian society must be one of freedom, brotherhood, and partnership not just for the powerful, but for all.
Features:
- An analysis of the visual imagery of the letter
- Application of up-to-date rhetorical, sensory-aesthetic, and intertextual interpretive methods
- Use of Social and cultural, ideological, and theological strategies
International terrorism expert Roland Jacquard’s In the Name of Osama bin Laden presents a dramatic portrait of the world's most wanted terrorist and his extensive brotherhood--the network of people who operate “in his name.” Published originally in France the very week of September 11, as events in the United States shook the world, the book has become an international bestseller.
Jacquard details how bin Laden became an international emblem of fundamentalist, pan-Islamic, anti-U.S. fervor and the leader of a brotherhood so passionate that devotees who have never met him will act autonomously in his name. The author explains the global character of bin Laden’s organization, elaborating the extent of his sphere of influence in Europe and Asia. Jacquard reveals the construction of bin Laden’s networks—including a profile of his inner circle—and their collaboration with overlapping webs of banking, drug trafficking, religious, and terrorist organizations. He considers the brotherhood’s access to biological, chemical, and nuclear weapons and warns that, with or without bin Laden, this global terrorist force will remain a threat.
Now in English, this edition has been substantially updated in light of recent world events and expanded to include previously unpublished materials, featuring a new introduction and afterword. New documents include an April 2001 interview by the author with bin Laden; a September 24 proclamation by bin Laden to Muslims in Pakistan; and a key page from Dr. Ayman al-Zawahiri’s book justifying eternal jihad, which was smuggled out of Afghanistan in October 2001.
In Live Wire, Francine Moccio brings to life forty years of public policy reform and advocacy that have failed to eliminate restricted opportunities for women in highly paid, skilled blue-collar jobs. Breaking barriers into a male-only occupation and trade, women electricians have found career opportunities in nontraditional work. Yet their efforts to achieve gender equality have also collided with the prejudice and fraternal values of brotherhood and factors that have ultimately derailed women's full inclusion.
By drawing instructive comparisons of women’s entrance into the electricians’ trade and its union with those of black and other minority men, Moccio’s in-depth case study brings new insights into the ways in which divisions at work along the lines of race, gender, and economic background enhance and/or inhibit inclusion. Incorporating research based on extensive primary, secondary, and archival resources, Live Wire contributes a much-needed examination of how sex segregation is reproduced in blue-collar occupations, while also scrutinizing the complex interactions of work, unions, leisure, and family life.
Descending into a dark emotional space that compromises their mental and physical health, the brothers eventually find hope in aiding each other. This is an honest and revealing window into the complexities of Latino masculinity, the private lives of men, and the ways they build strength under the weight of grief, loss, and despair.
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