BiblioVault - Books about Brown, James A.

Enduring Motives

The Archaeology of Tradition and Religion in Native America

Linea Sundstrom

University of Alabama Press, 2012

Enduring Motives examines tradition and religious beliefs as they are expressed in landscape, the built environment, visual symbols, stories, and ritual.

Bringing together archaeologists and Native American experts, this volume focuses on long-lived religious traditions of the native peoples of the Americas and how religion codifies, justifies, and reinforces these traditions by placing a high value on continuity of beliefs and practice.

Using clues from the archaeological record to piece together the oldest religions of the Americas, Enduring Motives is organized into four parts. Part 1 creates continuity through structure, iconography, and sacred stories that correspond to culture-specific symbolic representations of the universe. Part 2 explores the encoding of tradition in place and object, or how people use objects to enliven tradition and pass it on to future generations. Part 3 examines stability and change and shows how traditions can evolve over time without losing their core cultural significance. The final part recognizes deep-time traditions through the evidence of ancient cosmology and religious tradition.

Spanning cultures as diverse as the Aztec, Plains Indians, Hopi, Mississippian, and Southwest Pueblo, Enduring Motives brings to light new insights on ancient religious beliefs, practices, methods, and techniques, which allow otherwise intangible facets of culture to be productively explored.

Contributors
Wesley Bernardini / James S. Brown Jr. / Cheryl Claassen / John E. Clark / ArleneColman / Warren DeBoer /

Robert L. Hall /Kelley Hays-Gilpin / Alice Beck Kehoe /John E. Kelly / Stephen H. Lekson / ColinMcEwan /

John Norder / Jeffrey Quilter /Amy Roe / Peter G. Roe / Linea Sundstrom

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Pre-Columbian Shell Engravings from the Craig Mound at Spiro, Oklahoma

Philip Phillips and James A. Brown

Harvard University Press, 1978

The Craig Mound at Spiro, Oklahoma was the richest source of pre-Columbian shell engravings in North America, a treasury of early native American artistry. From about 1250 AD until the early part of this century, it remained virtually undisturbed, but in 1933, it was plundered by commercial diggers. The fragments of the shell cups and gorgets became widely scattered, as museums and private collectors sought to acquire them. It is only through the publication of this work that the pieces have been put back together.

These lavishly illustrated volumes showcase the variety of iconography and of the engravers.

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Pre-Columbian Shell Engravings from the Craig Mound at Spiro, Oklahoma

Philip Phillips and James A. Brown

Harvard University Press, 1978

The Craig Mound at Spiro, Oklahoma was the richest source of pre-Columbian shell engravings in North America, a treasury of early native American artistry. From about A.D. 1250 until the early part of this century, it remained virtually undisturbed, but in 1933, it was plundered by commercial diggers. The fragments of the shell cups and gorgets became widely scattered, as museums and private collectors sought to acquire them. It is only through the publication of this work that the pieces have been put back together and that the variety of iconography and the skill of the engravers can be appraised.

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Pre-Columbian Shell Engravings from the Craig Mound at Spiro, Oklahoma

Large-Format Limited Edition Set

Philip Phillips and James A. Brown

Harvard University Press, 1975

Unequaled in North America as a single source of prehistoric figurative and decorative art, the Craig burial mound was plundered by commercial diggers in 1933. Hundreds of fragile shell artifacts covered with engraved designs were quickly sold and, whole or fragmented, were scattered in public and private collections across the country.

For the past ten years, Dr. Philip Phillips, Honorary Curator of Southeastern Archaeology at Harvard, has supervised a massive project that has involved making rubbings and line drawings of this whole corpus of Southeastern Indian art, matching hundreds of fragments, and classifying the engraved designs by schools.

Volume VI, the last volume of the set, deals with the final phase of the Craig style, then concludes with a summary of the study, a bibliography, and an extensive index.

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Shaman, Priest, Practice, Belief

Materials of Ritual and Religion in Eastern North America

Edited by Stephen B. Carmody and Casey R. Barrier

University of Alabama Press, 2020

Archaeological case studies consider material evidence of religion and ritual in the pre-Columbian Eastern Woodlands

Archaeologists today are interpreting Native American religion and ritual in the distant past in more sophisticated ways, considering new understandings of the ways that Native Americans themselves experienced them. Shaman, Priest, Practice, Belief: Materials of Ritual and Religion in Eastern North America broadly considers Native American religion and ritual in eastern North America and focuses on practices that altered and used a vast array of material items as well as how physical spaces were shaped by religious practices.

Unbound to a single theoretical perspective of religion, contributors approach ritual and religion in diverse ways. Importantly, they focus on how people in the past practiced religion by altering and using a vast array of material items, from smoking pipes, ceremonial vessels, carved figurines, and iconographic images, to sacred bundles, hallucinogenic plants, revered animals, and ritual architecture. Contributors also show how physical spaces were shaped by religious practice, and how rock art, monuments, soils and special substances, and even land- and cityscapes were part of the active material worlds of religious agents.

Case studies, arranged chronologically, cover time periods ranging from the Paleoindian period (13,000–7900 BC) to the late Mississippian and into the protohistoric/contact periods. The geographical scope is much of the greater southeastern and southern Midwestern culture areas of the Eastern Woodlands, from the Central and Lower Mississippi River Valleys to the Ohio Hopewell region, and from the greater Ohio River Valley down through the Deep South and across to the Carolinas.

Contributors
Sarah E. Baires / Melissa R. Baltus / Casey R. Barrier / James F. Bates / Sierra M. Bow / James A. Brown / Stephen B. Carmody / Meagan E. Dennison / Aaron Deter-Wolf / David H. Dye / Bretton T. Giles / Cameron Gokee / Kandace D. Hollenbach / Thomas A. Jennings / Megan C. Kassabaum / John E. Kelly / Ashley A. Peles / Tanya M. Peres / Charlotte D. Pevny / Connie M. Randall / Jan F. Simek / Ashley M. Smallwood / Renee B. Walker / Alice P. Wright

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The Spiro Ceremonial Center

The Archaeology of Arkansas Valley Caddoan Culture in Eastern Oklahoma, Vols. 1 and 2

James A. Brown with a foreword by James B. Griffin

University of Michigan Press, 1996

In Volume I of this two-volume set, James A. Brown reports on and interprets decades of archaeological investigation at the Spiro Ceremonial Center, a major site along the Arkansas River in eastern Oklahoma. In Volume 2, he describes the archaeological collections in detail, covering burials, ceramics, stone tools, pipes, beads, textiles, ornaments, and animal bone. Foreword by James B. Griffin. Contributions by Alice M. Brues, Lyle W. Konigsberg, Paul W. Parmalee, and David H. Stansbery.

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Tombs for the Living

Andean Mortuary Practices

Tom D. Dillehay

Harvard University Press, 2011

In the Andes, a long history of research on burial records and burial contexts exists for the purpose of reconstructing cultural affiliation, chronology, socioeconomic status, grave content, and human body treatment. Less attention is paid to the larger question of how mortuary practices functioned in different cultures. Tombs for the Living: Andean Mortuary Practices (originally released in 1995) examines this broader issue by looking at the mortuary practices that created a connection between the living and the dead; the role of wealth and ancestors in cosmological schemes; the location, construction, and sociopolitical implications of tombs and cemeteries; and the art and iconography of death. By examining rich sets of archaeological, ethnographic, and ethnohistoric data, the thirteen essays continue to enrich our understanding of the context and meaning of the mortuary traditions in the Andes.

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