The Anatomy of Riches tells the story of one British family’s long, hard rise from rags to riches—and their rapid reversal of fortune. Focusing on the seventeenth-century life of Sir Robert Paston, an avid collector of natural and manmade rarities who experienced the family’s fall from grace, Spike Bucklow paints an engaging portrait of one family’s eccentricities of richness at a time of momentous change.

Beginning with the travels of Sir Robert’s father Sir William, the Paston wealth brought luxuries from across the globe to an idyllic retreat in rural Norfolk. There, the family commissioned Europe’s finest craftsmen to enhance their exotic rarities, a trove of objects that included everything from musical instruments to bejeweled ostrich eggs and nautilus shell goblets. The lavish hospitality of the Paston family was renowned throughout England, but the English Civil War and plague tore the country apart, and peace-loving Sir Robert was assailed by what he called a “whirlpool of misadventures.” As the dawn of the modern era saw the beginning of the family’s loss of fortune, Sir Robert kept faith and worked tirelessly to protect his wife and children. Encouraged by his friend Dr. Thomas Browne, he even found time to pursue his own idiosyncratic interests, employing both an alchemist in search of the Philosophers’ Stone and an artist to capture his favorite treasures in an enigmatic still life, The Paston Treasure. Exploring the Paston family’s history through their collection and this famed painting, The Anatomy of Riches offers a history of both early modern England and the modern world’s birth-pangs.

Blood, rust, lava, wine—the flush of passion and the glow of approaching night—no color arrests our attention more than the color red. Today it is the flag of danger and seduction, of spirit and revolution, but throughout nearly all of human history it has held a special place in our aesthetics. In this book, Spike Bucklow brings us into the heart of this fiery hue to better understand the unique powers it has had over us.
           
Bucklow takes us from a thirty-four-thousand-year-old shaman burial dress to the iPhone screen, exploring the myriad of purposes we have put red to as well as the materials from which we have looked to harvest it. And we have looked for it everywhere, from insects to tree resin to tar to excitable gasses. Bucklow also details how our pursuit of the color drove medieval alchemy and modern chemistry alike, and he shows us red’s many symbolic uses, its association with earth, blood, and fire, its coloring of caves and the throne rooms of goddesses, as well as national flags, fire trucks, power grids, and stoplights.
           
The result is a material and cultural history that makes one see this color afresh, beating with vibrancy, a crucial part of the human visual world.   

From monumental church mosaics to fresco wall-paintings, the medieval period produced some of the most impressive art in history. But how, in a world without the array of technology and access to materials that we now have, did artists produce such incredible works, often on an unbelievably large scale? In The Riddle of the Image, research scientist and art restorer Spike Bucklow discovers the actual materials and methods that lie behind the production of historical paintings.
 
Examining the science of the tools and resources, as well as the techniques of medieval artists, Bucklow adds new layers to our understanding and appreciation of paintings in particular and medieval art more generally. He uses case studies—including The Wilton Diptych, one of the most popular paintings in the National Gallery in London and the altarpiece in front of which English monarchs were crowned for centuries—and analyses of these works, presenting previously unpublished technical details that shed new light on the mysteries of medieval artists. The first account to examine this subject in depth for a general audience, The Riddle of the Image is a beautifully illustrated look at the production of medieval paintings.