Few could have predicted the enduring affection inspired by Joss Whedon’s television series, Buffy the Vampire Slayer. With its origins in a script Whedon wrote for a 1992 feature film of the same name, the series far outpaced its source material, gathering a devoted audience that remains loyal to the show more than a decade after it left the airwaves. Heralded for its use of smart, funny, and emotionally resonant narrative; subversive and feminist characterizations; and unique approaches to television as an art form, the show quickly developed its own unique fan community, who built on existing narratives through fan fiction, media manipulation, and performance.

Fan Phenomena: Buffy the Vampire Slayer explores how this continued devotion is internalized, celebrated, and critiqued. Featuring interviews with culture makers, academics, and creators of participatory fandom, the essays here are a window into the more personal and communal aspects of the fan experience. Essays from critical thinkers and scholars address how Buffy inspires the creation of, among other enduring artifacts of fandom, fan fiction, crafting, performance, cosplay, and sing-alongs.

As an accessible yet vigorous examination of a beloved character and her world, Fan Phenomena: Buffy the Vampire Slayer provokes a larger conversation about the relationship between cult properties and fandom, and how their interplay permeates the cultural consciousness, in effect contributing to culture through new narrative, academia, language, and political activism.

When the final episode of Buffy the Vampire Slayer aired in 2003, fans mourned the death of the hit television series. Yet the show has lived on through syndication, global distribution, DVD release, and merchandising, as well as in the memories of its devoted viewers. Buffy stands out from much entertainment television by offering sharp, provocative commentaries on gender, sexuality, race, ethnicity, and youth. Yet it has also been central to changing trends in television production and reception. As a flagship show for two U.S. “netlets”—the WB and UPN—Buffy helped usher in the “post-network” era, and as the inspiration for an active fan base, it helped drive the proliferation of Web-based fan engagement.

In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and academic criticism. Contributors engage with critical issues such as stardom, gender identity, spectatorship, fandom, and intertextuality. Collectively, they reveal how a vampire television series set in a sunny California suburb managed to provide some of the most biting social commentaries on the air while exposing the darker side of American life. By offering detailed engagements with Sarah Michelle Gellar’s celebrity image, science-fiction fanzines, international and “youth” audiences, Buffy tie-in books, and Angel’s body, Undead TV shows how this prime-time drama became a prominent marker of industrial, social, and cultural change.

Contributors. Ian Calcutt, Cynthia Fuchs, Amelie Hastie, Annette Hill, Mary Celeste Kearney, Elana Levine, Allison McCracken, Jason Middleton, Susan Murray, Lisa Parks