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Frost Will Come
Essays from the Bardo
Mary Cappello
University of Wisconsin Press, 2026

When her octogenarian poet mother was diagnosed with terminal ovarian cancer, Mary Cappello and her wife moved into the living room of Rosemary’s one-bedroom apartment in Philadelphia to help fulfill her wish to live out her life at home. A memoir in the form of lyric essays—with her mother’s own writing interspersed—Frost Will Come is a daughter’s tribute to her mother’s months-long transition from a deeply lived life to a difficult, beautiful, and uneasy death.

In the tradition of Annie Ernaux’s I Remain in Darkness and Simone de Beauvoir’s A Very Easy Death, Cappello renders an immersive and emotionally honest portrait of modern caregiving in a prose style that is the very definition of candor: spontaneous, fresh, unadorned, frank, and open. While paying homage to expert caregivers and medical professionals, Cappello also brings her signature razor-sharp analysis to all the things that fall outside the realm of (medical) knowledge—from platitudes around the time death takes to the defiance of a “peaceful death” as a sign of a moral failing.

Frost Will Come is much more than a memoir of grief. It is a rare reckoning with the very fundamentals of existence: how we come into being, how we care, and how we die.

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front cover of Life Breaks In
Life Breaks In
A Mood Almanack
Mary Cappello
University of Chicago Press, 2016
 
Some books start at point A, take you by the hand, and carefully walk you to point B, and on and on.
 
This is not one of those books. This book is about mood, and how it works in and with us as complicated, imperfectly self-knowing beings existing in a world that impinges and infringes on us, but also regularly suffuses us with beauty and joy and wonder. You don’t write that book as a linear progression—you write it as a living, breathing, richly associative, and, crucially, active, investigation. Or at least you do if you’re as smart and inventive as Mary Cappello.
 
What is a mood? How do we think about and understand and describe moods and their endless shadings? What do they do to and for us, and how can we actively generate or alter them? These are all questions Cappello takes up as she explores mood in all its manifestations: we travel with her from the childhood tables of “arts and crafts” to mood rooms and reading rooms, forgotten natural history museums and 3-D View-Master fairytale tableaux; from the shifting palette of clouds and weather to the music that defines us and the voices that carry us.  The result is a book as brilliantly unclassifiable as mood itself, blue and green and bright and beautiful, funny and sympathetic, as powerfully investigative as it is richly contemplative.
 
“I’m one of those people who mistrusts a really good mood,” Cappello writes early on. If that made you nod in recognition, well, maybe you’re one of Mary Cappello’s people; you owe it to yourself to crack Life Breaks In and see for sure.
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