front cover of Hapa Girl
Hapa Girl
A Memoir
May-lee Chai
Temple University Press, 2008

In the mid-1960s, Winberg Chai, a young academic and the son of Chinese immigrants, married an Irish-American artist. In Hapa Girl ("hapa" is Hawaiian for "mixed") their daughter tells the story of this loving family as they moved from Southern California to New York to a South Dakota farm by the 1980s. In their new Midwestern home, the family finds itself the object of unwelcome attention, which swiftly escalates to violence. The Chais are suddenly socially isolated and barely able to cope with the tension that arises from daily incidents of racial animosity, including random acts of cruelty.

May-lee Chai's memoir ends in China, where she arrives just in time to witness a riot and demonstrations. Here she realizes that the rural Americans' "fears of change, of economic uncertainty, of racial anxiety, of the unknowable future compared to the known past were the same as China's. And I realized finally that it had not been my fault."

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Happenstance
Robert Root
University of Iowa Press, 2013
Reflecting on how a student’s parents met because of a fly ball to center field in a summer softball game, author Robert Root wondered how the lives of that student’s parents and of the student himself would have changed had the batter bunted or struck out. Haunted by this pure example of happenstance, he began to ponder his own existence, dependent in part on geology (the Niagara Escarpment) and history (the Erie Canal). He wondered how happenstance had influenced the course of his parents’ lives, in particular their marriages (they married and divorced each other twice), and consequently the shaping of his identity. Happenstance investigates the effects of that phenomenon and choice on one man’s life.
Root explores this theme in interwoven strands of narrative, interpretation, and reflection. One strand, “The Hundred Days,” follows his attempt to write one hundred journal entries, each about a different day in his life, to recover memories of specific moments or collections of moments. In the strand headed “Album,” he examines and interprets old family photographs in light of the way he reads them in the present, as someone now privy to a family secret that directed his and his siblings’ lives without their knowledge. Interspersed among these brief interpretations and narratives are reflections on happenstance and choice, a sequence contemplating their effect on his life and perhaps on all our lives. Through juxtaposition and accumulation, the book’s incremental unraveling of meaning imitates the process of unexpected epiphanies and gradual self-discovery in anyone’s life.
By revisiting individual days, giving voice to photographs that mutely preserve family moments, and reflecting on the way happenstance and choice determine the directions lives take, Robert Root generates a meditation on identity anchored in an album in words and images of a mid-twentieth-century life.
 
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Home Movies and Other Necessary Fictions
Michelle Citron
University of Minnesota Press, 1998

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Home Stand
Growing Up in Sports
James McKean
Michigan State University Press, 2005

If he had not fouled out, maybe Washington State University’s center, James McKean, might have held Lew Alcindor (now Kareem Abdul-Jabbar) to only forty points. It was 1967, a transition year for college athletics in a dramatic time for those coming ofage. In this memoir set in the 1950s and 1960s, McKean revisits his years growing up in a family dedicated to sports and the outdoors, his playing basketball at Washington State University (for coaches Marv Harshman and Jud Heathcote), and his fashioning a life during and after basketball.
     Driven by the energy and spirit of athletics, the language in Home Stand lights up McKean’s wonderfully eclectic work—the aunt who won a bronze medal in the 1936 Olympics in Berlin, his last run as a misguided drag racer, his playing basketball for a washing machine factory in Bologna, Italy, or against the prisoners in Walla Walla State Penitentiary—all seen in the context of turbulent times. Needless to say, Lew Alcindor scored his points and UCLA won, which they did every game that season. What James McKean took home was five fouls and a good story. 
      Home Stand delivers a lyrical, thoughtful reflection of what it is to be an athlete—inside as well as outside the game—and how one man’s love of basketball evolved into a love of poetry, "good turns of speech," writing, and teaching.

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House of Houses
Pat Mora
University of Arizona Press, 1997
Combining poetic language and the traditions of magic realism to paint a vivid portrait of her family, Pat Mora’s House of Houses is an unconventional memoir that reads as if every member, death notwithstanding, is in one room talking, laughing, and crying. In a salute to the Day of the Dead, the story begins with a visit to the cemetery in which all of her deceased relatives come alive to share stories of the family, literally bringing the food to their own funerals. From there the book covers a year in the life of her clan, revealing the personalities and events that Mora herself so desperately yearns to know and understand.
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The Hunger Book
A Memoir from Communist Poland
Agata Izabela Brewer
The Ohio State University Press, 2023

“A searing memoir about growing up behind the Iron Curtain, motherhood, addiction, and finding sustenance in the natural world.” —Kirkus

In The Hunger Book, Agata Izabela Brewer evokes her Polish childhood under Communism, where the warmth of her grandparents’ love and the scent of mushrooms drying in a tiny apartment are as potent as the deprivations and traumas of life with a terrifyingly unstable, alcoholic single mother. Brewer indelibly renders stories of foraging for food, homemade potato vodka (one of the Eastern Bloc’s more viable currencies), blood sausage, sparrows plucked and fried with linseed oil, and the respite of a country garden plot, all amid Stalinist-era apartment buildings, food shortages, martial law, and nuclear disaster in nearby Ukraine.

Brewer reflects on all of this from her immigrant’s vantage point, as she wryly tries to convince her children to enjoy the mushrooms she gathers from a roadside and grieves when they choose to go by Americanized versions of their Polish names. Hunting mushrooms, like her childhood, carried both reward and mortal peril. The Hunger Book, which includes recipes, is an unforgettable meditation on motherhood and addiction, resilience and love.

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