"Grace Lee Boggs has made a fundamental difference in keeping alive the traditions of the struggles for freedom and democracy." Cornel West "More than a deeply moving memoir, this is a book of revelation. Grace Lee Boggs, Chinese American, middle class, highly educated, discovers through her encounters with remarkable rebels, blue collars as well as philosophers, where the body is buried: who is doing what to whom in our society. It is an adventure that is truly liberating." Studs Terkel "It seems to me that the life of Grace Lee Boggs has been an exercise of will. Through sheer will, without waiting for social conditions to come around and without waiting to explore her identity, she turned her back on who she was and barged into new territories. She was a woman who barged into men's territory; she was a Chinese who barged into black territory; she was an intellectual who barged into workers territory." from a letter from Louis Tsen "Throught these pages walk causes, gatherings, confrontations, movements, and the men and women who made them: workers, and students, and committees of the People; Christians, Black Muslims, Black Panthers, Labor Unions; C.L.R. James. Rev. Cleage, Rev. Cleveland, Coleman Young, Malcolm and Martin; artists, musicians, poets, actors, strikers, and seekers of revolution." from the foreword by Ossie Davis Living for Change is a sweeping account of the life of an untraditional radical from the end of the thirties, through the cold war, the civil rights era, and the rise of Black Power, the Nation of Islam, and the Black Panthers to the present efforts to rebuild our crumbling urban communities. This fascinating autobiography traces the story of a woman who transcended class and racial boundaries to pursue her passionate belief in a better society. Grace Lee Boggs was raised in New York City during a time when her father was not allowed to buy land for their home because he was Chinese. Educated at Barnard and Bryn Mawr, Boggs was in her twenties when radical politics beckoned, and she was inspired to become a revolutionary focusing on the black community. During her early years as an activist in New York, Boggs began a twenty-year friendship and collaboration with C. L. R. James, the brilliant and influential West Indian Marxist to whom she devotes a revelatory chapter of this book. In 1953, she moved to Detroit where, she writes, "radical history had been made and could be made again." It was also the home of James Boggs, an African American auto worker (and later author and revolutionary theoretician) who would become one of the movement's freshest and most persuasive voices, as well as Grace's husband. Beginning with their work together on the newsletter Correspondence, Grace and James formed the core of a network that over the years would include Malcolm X, Lyman Paine, Ping Ferry, Ossie Davis and Ruby Dee, Kwame Nkrumah, Stokely Carmichael, and inner-city youth. Rich in the personalities and anecdotes of twentieth-century progressive activism, Living for Change is an involving and inspiring look at a remarkable woman who continues to dedicate her life to social justice. Grace Lee Boggs is a first-generation Chinese American who has been a speaker, writer, and movement activist in the African American community for fifty-five years.

In 1982, 20,000 Chinese-American garment workers—most of them women—went on strike in New York City. Every Chinese garment industry employer in the city soon signed a union contract. The successful action reflected the ways women's changing positions within their families and within the workplace galvanized them to stand up for themselves. 

Xiaolan Bao's now-classic study penetrates to the heart of Chinese American society to explain how this militancy and organized protest, seemingly so at odds with traditional Chinese female behavior, came about. Drawing on more than one hundred interviews, Bao blends the poignant personal stories of Chinese immigrant workers with the interwoven history of the garment industry and the city's Chinese community. Bao shows how the high rate of married women employed outside the home profoundly transformed family culture and with it the image and empowerment of Chinese American women. At the same time, she offers a complex and subtle discussion of the interplay of ethnic and class factors within New York's garment industry. 

Passionately told and prodigiously documented, Holding Up More Than Half the Sky examines the journey of a community's women through an era of change in the home, on the shop floor, and walking the picket line.

"I have almost finished my longbook," Maxine Hong Kingston declares. "Let my life as Poet begin...I won't be a workhorse anymore; I'll be a skylark." To Be the Poet is Kingston's manifesto, the avowal and declaration of a writer who has devoted a good part of her sixty years to writing prose, and who, over the course of this spirited and inspiring book, works out what the rest of her life will be, in poetry. Taking readers along with her, this celebrated writer gathers advice from her gifted contemporaries and from sages, critics, and writers whom she takes as ancestors. She consults her past, her conscience, her time--and puts together a volume at once irreverent and deeply serious, playful and practical, partaking of poetry throughout as it pursues the meaning, the possibility, and the power of the life of the poet.

A manual on inviting poetry, on conjuring the elusive muse, To Be the Poet is also a harvest of poems, from charms recollected out of childhood to bursts of eloquence, wonder, and waggish wit along the way to discovering what it is to be a poet.