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Oil and Water
Being Han in Xinjiang
Tom Cliff
University of Chicago Press, 2016
For decades, China’s Xinjiang region has been the site of clashes between long-residing Uyghur and Han settlers. Up until now, much scholarly attention has been paid to state actions and the Uyghur’s efforts to resist cultural and economic repression. This has left the other half of the puzzle—the motivations and ambitions of Han settlers themselves—sorely understudied.
 
With Oil and Water, anthropologist Tom Cliff offers the first ethnographic study of Han in Xinjiang, using in-depth vignettes, oral histories, and more than fifty original photographs to explore how and why they became the people they are now. By shifting focus to the lived experience of ordinary Han settlers, Oil and Water provides an entirely new perspective on Chinese nation building in the twenty-first century and demonstrates the vital role that Xinjiang Han play in national politics—not simply as Beijing’s pawns, but as individuals pursuing their own survival and dreams on the frontier.
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One Who Knows Me
Friendship and Literary Culture in Mid-Tang China
Anna M. Shields
Harvard University Press, 2015
The friendships of writers of the mid-Tang era (780s–820s)—between literary giants like Bai Juyi and Yuan Zhen, Han Yu and Meng Jiao, Liu Zongyuan and Liu Yuxi—became famous through the many texts they wrote to and about one another. What inspired mid-Tang literati to write about their friendships with such zeal? And how did these writings influence Tang literary culture more broadly? In One Who Knows Me, the first book to delve into friendship in medieval China, Anna M. Shields explores the literature of the mid-Tang to reveal the complex value its writers discovered in friendship—as a rewarding social practice, a rich literary topic, a way to negotiate literati identity, and a path toward self-understanding. Shields traces the evolution of the performance of friendship through a wide range of genres, including letters, prefaces, exchange poetry, and funerary texts, and interweaves elegant translations with close readings of these texts. For mid-Tang literati, writing about friendship became a powerful way to write about oneself and to reflect upon a shared culture. Their texts reveal the ways that friendship intersected the public and private realms of experience and, in the process, reshaped both.
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The Opium Debate and Chinese Exclusion Laws in the Nineteenth-Century American West
Diana L. Ahmad
University of Nevada Press, 2011

America’s current "war on drugs" is not the nation’s first. In the mid-nineteenth century, opium-smoking was decried as a major social and public health problem, especially in the West. Although China faced its own epidemic of opium addiction, only a very small minority of Chinese immigrants in America were actually involved in the opium business. It was in Anglo communities that the use of opium soon spread and this growing use was deemed a threat to the nation’s entrepreneurial spirit and to its growing mportance as a world economic and military power. The Opium Debate examines how the spread of opium-smoking fueled racism and created demands for the removal of the Chinese from American life. This meticulously researched study of the nineteenth-century drug-abuse crisis reveals the ways moral crusaders linked their antiopium rhetoric to already active demands for Chinese exclusion. Until this time, anti-Chinese propaganda had been dominated by protests against the economic and political impact of Chinese workers and the alleged role of Chinese women as prostitutes. The use of the drug by Anglos added another reason for demonizing Chinese immigrants. Ahmad describes the disparities between Anglo-American perceptions of Chinese immigrants and the somber realities of these people’s lives, especially the role that opium-smoking came to play in the Anglo-American community, mostly among middle- and upper-class women. The book offers a brilliant analysis of the evolution of the Chinese Exclusion Act of 1882, plus important insights into the social history of the nineteenth-century West, the culture of American Victorianism, and the rhetoric of racism in American politics.
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The Orange Tree
Dong Li
University of Chicago Press, 2023
Debut collection of poems that weaves stories of family history, war, and migration.  
 
Dong Li’s The Orange Tree is a collection of narrative poems that braids forgotten legends, personal sorrows, and political upheavals into a cinematic account of Chinese history as experienced by one family. Amid chaos and catastrophe, the child narrator examines a yellowed family photo to find resemblances and learns a new language, inventing compound words to conjure and connect family stories. These invented words and the calligraphy of untranslated Chinese characters appear in lists separating the book’s narrative sections.
 
Li’s lyrical and experimental collection transcends the individual, placing generations of family members and anonymous others together in a single moment that surpasses chronological time. Weaving through stories of people with little means, between wars and celebrations, over bridges and walls, and between trees and gardens, Li’s poems offer intimate perspectives on times that resonate with our own. The result is an unflinching meditation on family history, collective trauma, and imaginative recovery.
 
The Orange Tree is the recipient of the inaugural Phoenix Emerging Poet Book Prize for 2023.
 
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The Other Windrush
Legacies of Indenture in Britain's Caribbean Empire
Maria del Pilar Kaladeen
Pluto Press, 2021
Between the arrival of the HMT Empire Windrush in 1948 and the passing of the 1971 Immigration Act, half a million people came to the UK from the Caribbean. In the aftermath of the 2018 Windrush Scandal, the story of the Windrush Generation is more widely known than ever. But is it the whole story? Through a series of biographical essays, poems and articles, The Other Windrush shines a light on the hidden history of a 'minority within a minority': Indian and Chinese Caribbean migrants - often the descendants of indentured labourers - who were the 'invisible passengers' of the Windrush generation. Both highlighting the diversity of their lives and cultural backgrounds, and delving into the largely forgotten history of the system of indenture in the British Caribbean, The Other Windrush makes a unique addition to the literature on migration and the British Empire.
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The Other Windrush
Legacies of Indenture in Britain's Caribbean Empire
Maria del Pilar Kaladeen
Pluto Press, 2021
Between the arrival of the HMT Empire Windrush in 1948 and the passing of the 1971 Immigration Act, half a million people came to the UK from the Caribbean. In the aftermath of the 2018 Windrush Scandal, the story of the Windrush Generation is more widely known than ever. But is it the whole story? Through a series of biographical essays, poems and articles, The Other Windrush shines a light on the hidden history of a 'minority within a minority': Indian and Chinese Caribbean migrants - often the descendants of indentured labourers - who were the 'invisible passengers' of the Windrush generation. Both highlighting the diversity of their lives and cultural backgrounds, and delving into the largely forgotten history of the system of indenture in the British Caribbean, The Other Windrush makes a unique addition to the literature on migration and the British Empire.
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The Otherness of the Everyday
Twelve Conversations from the Chinese Art World during the Covid-19 Pandemic
Edited by JIANG Jiehong
Intellect Books, 2021
Jiang Jiehong seeks to understand the Covid-19 pandemic through interviews with leading figures of the Chinese art world during the summer of 2020. 

In late 2019, as a deadly pandemic began to take hold, China’s Wuhan province was the first to feel the effects. As the virus spread, the streets and squares of the world emptied, and the structures of our social world were redefined. 

In response to the pandemic, Jiang Jiehong convened in-conversation talks with twelve figures—such as Chen Danqing, Pi Li, Xiang Biao, and Zhang Peili, among others—from different disciplines in the Chinese-speaking world, including anthropology, architecture, art, curation, fashion, film, literature, media, museum, music, and photography. Presented here, the conversations foster new understandings of the ongoing crisis. The discussions explore the threat of the invisible; notions of distance and spatialization, separation and isolation, communication and mobility, discipline and surveillance, and community and collectiveness; and China’s changing relationship with the rest of the world. These illuminating reflections on the global crisis allow us to re-examine past norms and begin to form visions of a post-Covid world.
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