front cover of Birthmark
Birthmark
Stephen Clingman
University of Massachusetts Press, 2016
When Stephen Clingman was two, he underwent an operation to remove a birthmark under his right eye. The operation failed, and the birthmark returned, but in somewhat altered form. In this captivating book, Clingman takes the fact of that mark—its appearance, disappearance, and return—as a guiding motif of memory.

Not only was the operation unsuccessful, it affected his vision, and his eyes came to see differently from each other. Birthmark explores the questions raised by living with divided vision in a divided world—the world of South Africa under apartheid, where every view was governed by the markings of birth, the accidents of color, race, and skin. But what were the effects on the mind? Clingman's book engages a number of questions. How, in such circumstances, can we come to a deeper kind of vision? How can we achieve wholeness and acceptance? How can we find our place in the midst of turmoil and change?

In a beguiling narrative set on three continents, this is a story that is personal, painful, comic, and ultimately uplifting: a book not so much of the coming of age but the coming of perspective.
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BIRTHMARK
CLINGMAN STEPHEN
University of Massachusetts Press

front cover of The Novels of Nadine Gordimer
The Novels of Nadine Gordimer
History from the Inside
Stephen Clingman
University of Massachusetts Press, 1992
In Nadine Gordimer's view, the novel can present history as historians cannot. Moreover, this presentation is not fictional in the sense of being "untrue." Rather, fiction deals with an area of activity usually inaccessible to the sciences of greater externally: the area in which historical process is registered as the subjective experience of individuals in society; fiction give us "history from the inside." Gordimer's novels give us an extraordinary and unique insight into historical experience in the period in which she writes.
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