Black and White in Colour: African History on Screen considers how the African past has been represented in a wide range of historical films. Written by a team of eminent international scholars, the volume provides extensive coverage of both place and time and deals with major issues in the written history of Africa. Themes include the slave trade, imperialism and colonialism, racism, and anticolonial resistance. Many of the films will be familiar to readers: they include Out of Africa, Hotel Rwanda, Breaker Morant, Cry Freedom, The Battle of Algiers, and Chocolat.

This collection of essays is a highly original and useful contribution to African historiography, as well as a significant addition to the growing body of work within the emerging subdiscipline of “film and history.” It will appeal to those interested in African history and the ways in which films use the past to raise questions about the present.

Contributors: Mahir Saul, Ralph A. Austen, Robert Baum, Robert Harms, Nigel Worden, Carolyn Hamilton and Litheko Modisane, Richard Mendelsohn, Shamil Jeppie, Bill Nasson, Nigel Penn, Ruth Watson, Patrick Harries, David Moore, Teresa Barnes, Vivian Bickford-Smith, Mohamed Adhikari, and David Philips.

In this lively, provocative, and well-documented history, David Nicholls discusses the impact of "color" on the political relationship between the black majority and the mulatto elite during almost two hundred years of Haitian history. The divisive factor impeding harmony in Haitian culture, argues Nicholls, has not been race, but color. Identifying themselves as non-white, blacks and mulattos acknowledge racial unity. But color divisions, reinforced by religious, regional, and class differences, have nonetheless prevented the two groups from achieving poltitical and ideological unity. Nicholls grounds this sophisticated analysis in great historical detail and engaging, witty prose. Students and general readers alike will delight in this insightful and informative history of Haiti.

Marriage, Class and Colour in Nineteenth-Century Cuba challenges conventional ideas about the roots of Cuban race relations. Verena Martinez-Alier proposes a relational model for the study of sexual values and social inequality. She deals with Cuban notions of honor and virtue while describing complex interconnections between class and perceived racial status that determined the choice of sexual and marriage partners. First published in 1974, Marriage, Class and Colour in Nineteenth-Century Cuba is now a classic, a pathbreaking encounter of anthropology with history that points the way for future investigations. With this edition, the work of this pioneering scholar is made available again, with a new introduction by the author.