It is well known that in several of her works, Christine de Pizan actively sought to valorize and empower women; she notably made the case for women’s education, argued for the protection of widows, and famously attacked the misogyny of the all-pervasive Roman de la Rose. Whilst numerous examinations have shown that Christine sought to empower women through her texts, this book demonstrates that the visual programmes of her works offer further evidence of Christine’s championing women in their role as educators and activists, whilst challenging some assumptions made about gender in Christine’s works. It also examines the conduits and structures by which power is conferred upon women within them. When read together, the text and image across Christine’s œuvre reveal a consistent picture: one in which women educate and empower one another.

The first popular biography of a pioneering feminist thinker and writer of medieval Paris.
 
The daughter of a court intellectual, Christine de Pizan dwelled within the cultural heart of late-medieval Paris. In the face of personal tragedy, she learned the tools of the book trade, writing more than forty works that included poetry, historical and political treatises, and defenses of women. In this new biography—the first written for a general audience—Charlotte Cooper-Davis discusses the life and work of this pioneering female thinker and writer. She shows how Christine de Pizan’s inspiration came from the world around her, situates her as an entrepreneur within the context of her times and place, and finally examines her influence on the most avant-garde of feminist artists, through whom she is slowly making a return into mainstream popular culture.