front cover of Creative Life
Creative Life
Music, Politics, People, and Machines
Bob Ostertag
University of Illinois Press, 2008
In this eloquent and passionate volume, Bob Ostertag explores the common ground and points of friction among music, creativity, politics, culture, and technology. In terrain ranging from the guerrilla underground in El Salvador's civil war to the drag queen underground in San Francisco and New York, these essays combine journalism and autobiography to explore fundamental questions of what art is and what role it can occupy in a violent and fragmented world, a world in which daily events compromise the universality toward which art strives.

Drawing on his intimate engagement with political conflict in Latin America and the Balkans, Ostertag identifies an art of "insurgent politics" that struggles to expand the parameters of the physical and social world. He also discusses his innovative collaborations with major modern performers, filmmakers, and artists around the world. Part memoir, part journalism, and part aesthetic manifesto, Creative Life is a dazzling set of writings from a musical artist who has worked on the cutting edge of new music for thirty years.

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front cover of Fifty Cents and a Box Top
Fifty Cents and a Box Top
The Creative Life of Nashville Session Musician Charlie McCoy
Charlie McCoy
West Virginia University Press, 2017
From Ann-Margret to Bob Dylan and George Jones to Simon & Garfunkel, Nashville harmonica virtuoso and multi-instrumentalist Charlie McCoy has contributed to some of the most successful recordings of country, pop, and rock music of the last six decades. As the leader of the Hee Haw “Million-Dollar Band,” McCoy spent more than two decades appearing on the television screens of country music fans around the United States. And, as a solo artist, he has entertained audiences across North America, Europe, and Japan and has earned numerous honors as a result. Fifty Cents and a Box Top: The Creative Life of Nashville Session Musician Charlie McCoy offers rare firsthand insights into life in the recording studio, on the road, and on the small screen as Nashville became a leading center of popular music production in the 1960s and as a young McCoy established himself as one of the most sought after session musicians in the country. 
 
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Living and Sustaining a Creative Life
Essays by 40 Working Artists
Edited by Sharon Louden
Intellect Books, 2013
In this day and age, when art has become more of a commodity and art school graduates are convinced that they can only make a living from their work by attaining gallery representation, it is more important than ever to show the reality of how a professional, contemporary artist sustains a creative practice over time. The forty essays collected in Living and Sustaining a Creative Life are written in the artists’ own voices and take the form of narratives, statements, and interviews. Each story is different and unique, but the common thread is an ongoing commitment to creativity, inside and outside the studio. Both day-to-day and big picture details are revealed, showing how it is possible to sustain a creative practice that contributes to the ongoing dialogue in contemporary art. These stories will inform and inspire any student, young artist, and art enthusiast and will help redefine what "success" means to a professional artist.

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Storytellers of Art Histories
Living and Sustaining a Creative Life
Edited by Yasmeen Siddiqui and Alpesh Kantilal Patel
Intellect Books, 2021
An anthology amplifying the voices of the figures reshaping art histories across disciplines and a range of fluid practices. 

With a focus on gender, race (including whiteness), class, sexuality, and transnationality—all of which are often marginalized in dominant art histories—each individual has provided short, often personal contributions detailing how they become passionate about their practice. The contributors’ offerings are varied and surprising, appealing equally to people enmeshed in the field through their work as well as those with a beginner’s interest. Their pieces take various forms—epistolary, children’s fable, interview, coauthored narrative, pastiche, memoir, manifesto, and apology—and a number of the essays perform in their structure or content the theories they explore about publishing, curating, and archival work.
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