A masterclass on living as a writer and developing your writing craft.

Part of the Living and Sustaining a Creative Life series, Artists as Writers joins the tradition of books designed or intended to inspire would-be writers to write. Yet, it distinguishes itself by offering succinct first-person narratives by writers of varied genres about the day-to-day life of writing for a living. 

Artists as Writers offers accounts of the journeys that thirty-two writers have taken, including what decisions were made; which paths were taken, rejected, and charted; and why. It answers the question: What magic keeps a writer writing?
Writers from Ethiopia, Guatemala, Nigeria, Palestine, Poland, and Sweden, as well as several American artists, contribute their stories.  They each provide vividly detailed accounts of the circuitous roads that each individual took to earn the title “writer.” These are richly descriptive stories from writers who write consistently, relating how they came to the writing life, who helped them get there, and what sustains them as writers.
 

In this eloquent and passionate volume, Bob Ostertag explores the common ground and points of friction among music, creativity, politics, culture, and technology. In terrain ranging from the guerrilla underground in El Salvador's civil war to the drag queen underground in San Francisco and New York, these essays combine journalism and autobiography to explore fundamental questions of what art is and what role it can occupy in a violent and fragmented world, a world in which daily events compromise the universality toward which art strives.

Drawing on his intimate engagement with political conflict in Latin America and the Balkans, Ostertag identifies an art of "insurgent politics" that struggles to expand the parameters of the physical and social world. He also discusses his innovative collaborations with major modern performers, filmmakers, and artists around the world. Part memoir, part journalism, and part aesthetic manifesto, Creative Life is a dazzling set of writings from a musical artist who has worked on the cutting edge of new music for thirty years.

An anthology amplifying the voices of the figures reshaping art histories across disciplines and a range of fluid practices. 

With a focus on gender, race (including whiteness), class, sexuality, and transnationality—all of which are often marginalized in dominant art histories—each individual has provided short, often personal contributions detailing how they become passionate about their practice. The contributors’ offerings are varied and surprising, appealing equally to people enmeshed in the field through their work as well as those with a beginner’s interest. Their pieces take various forms—epistolary, children’s fable, interview, coauthored narrative, pastiche, memoir, manifesto, and apology—and a number of the essays perform in their structure or content the theories they explore about publishing, curating, and archival work.