front cover of Creature
Creature
Michael Dumanis
Four Way Books
Creature is a complex poetics of vitality, and it immaculately cleaves: even as it underscores how living in an inherently inhospitable environment will dispossess us of the world and one another, making animal of man, it sutures the rent evolutionary tree, glorifying the interdependence of each extant thing. Michael Dumanis expertly cultivates the multiplicity of language and makes of “creature” a marvelous contronym; we are a creature as in a beast, debased, beholden to nature, and we are creature as in an extension of creation, improbably sentient, mortal, here. In “Autobiography,” the speaker attests to the contradiction at the root of cognizance: “Am, as an animal, // anxious. Appendages always aflutter, / am an amazing accident: alive.” How does the human mammal embody both and neither — communal and itinerant, leaving home to approach it, as an immigrant and a geographic nomad, as someone’s child and another’s parent, as being and thing? How do we negotiate our ouroboric identities while attuned to not just our own fragility, but an impending global extinction event? The answer is the absence of answer. “In the beginning, I thought a great deal / about death and sunlight, et cetera,” Dumanis admits in “Squalor,” but “The Double Dream of Spring” absolves us of outsmarting impermanence. “O what a ball I had, spending the days.” And what should we do in this vernal brevity but exhaust it? We each only have so long to trace our hand “over the stony bones / that, fused together, hold [our] only face.”
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front cover of The Creature in the Map
The Creature in the Map
A Journey to El Dorado
Charles Nicholl
University of Chicago Press, 1997
"This brilliantly written reconstruction of Sir Walter Raleigh's 1595 South American journey combines painstaking scholarship, vivid travelogue, and an intuitive sensitivity for the many meanings of the El Dorado myth. . . . Nicholl brings this six-week expedition to life. . . . A rare treat for both intellect and imagination."—Kirkus Reviews

"Walter Raleigh . . . was one of those Elizabethan all-rounders who still seem staggeringly larger than life. . . . Mr. Nicholl's cogent reconstruction of the journey uses Raleigh's own account, 'The Discoverie of Guiana'—part truth, part advertising, part rhapsody—and much well-found ancillary material."—Anthony Bailey, New York Times

"Like The Reckoning, his brilliant account of the murder of Christopher Marlowe, Nicholl's new book might be called an exercise in historical conjuring. The Creature in the Map is an effort not only to analyse but also to call into presence the lived experience of the voyage Raleigh undertook in 1595 to the Orinoco Delta in what is now Venezuela."—Stephen Greenblatt, Times Literary Supplement

"Charles Nicholl belongs to an elite company, that of historians who know how to make research into arcane matters and distant times as engrossing as In Cold Blood or All the President's Men."—Michael Dirda, Washington Post
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front cover of Creature
Creature
Poems
Marsha de la O
University of Pittsburgh Press, 2024
Written during the last five years of the poet’s father’s life, Creature is a book about love, destruction, and the self, all standing in relation to family and the natural world. The poems themselves try to move toward what can’t be said by finding connection with other life forms: hawks, hummingbirds, pelicans, lizards, horses, ravens, squid. By moving past linguistic walls into otherness, words become proximate to mystery and inhabit territory where expanses open and embodiment is always on the verge of transformation.  
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