Nelson Mandela brought the poetry of Ingrid Jonker to the attention of South Africa and the wider world when he read her poem “Die kind” (The Child) at the opening of South Africa’s first democratic parliament on May 24, 1994. Though Jonker was already a significant figure in South African literary circles, Mandela’s reference contributed to a revival of interest in Jonker and her work that continues to this day.

Viljoen’s biography illuminates the brief and dramatic life of Jonker, who created a literary oeuvre—as searing in its intensity as it is brief—before taking her own life at the age of thirty-one. Jonker wrote against a background of escalating apartheid laws, violent repression of black political activists, and the banning of the African National Congress and the Pan Africanist Congress. Viljoen tells the story of Ingrid Jonker in the political and cultural context of her time, provides sensitive insights into her poetry, and considers the reasons for the enduring fascination with her life and death.

Her writings, her association with bohemian literary circles, and her identification with the oppressed brought her into conflict with her father, a politician in the white ruling party, and with other authority figures from her Afrikaner background. Her life and work demonstrate the difficulty and importance of artistic endeavor in a place of terrible conflict.

Sierra Leone’s unique history, especially in the development and consolidation of British colonialism in West Africa, has made it an important site of historical investigation since the 1950s. Much of the scholarship produced in subsequent decades has focused on the “Krio,” descendants of freed slaves from the West Indies, North America, England, and other areas of West Africa, who settled Freetown, beginning in the late eighteenth century. Two foundational and enduring assumptions have characterized this historiography: the concepts of “Creole” and “Krio” are virtually interchangeable; and the community to which these terms apply was and is largely self-contained, Christian, and English in worldview.

In a bold challenge to the long-standing historiography on Sierra Leone, Gibril Cole carefully disentangles “Krio” from “Creole,” revealing the diversity and permeability of a community that included many who, in fact, were not Christian. In Cole’s persuasive and engaging analysis, Muslim settlers take center stage as critical actors in the dynamic growth of Freetown’s Krio society.

The Krio of West Africa represents the results of some of the first sustained historical research to be undertaken since the end of Sierra Leone’s brutal civil war. It speaks clearly and powerfully not only to those with an interest in the specific history of Sierra Leone, but to histories of Islam in West Africa, the British empire, the Black Atlantic, the Yoruban diaspora, and the slave trade and its aftermath.