front cover of Crocodile
Crocodile
Dan Wylie
Reaktion Books, 2013
“Tick, tock, tick, tock.” Thanks to Peter Pan, this sound, if heard near water, means run: a hungry crocodile is on its way. J. M. Barrie isn’t fully to blame for spreading the word that crocodiles are our enemies, or at least the enemies of one-handed pirates—innumerable songs, stories, and legends have characterized these reptiles as a symbol of pitiless predation and insatiable appetite. Tracking twenty-three crocodilian species from India and Egypt to Africa, Australia, and beyond, Crocodile advocates that we do a complete one-eighty in our views of these magnificent creatures.
 
Dan Wylie traces the crocodile in myth, art, and literature, demonstrating that though we commonly associate the reptiles with ferocity and deceit, they have also often been respected and revered in human history. Discussing how crocodiles were all but wiped out in the middle of the twentieth century by hunters and skin traders and are now making a comeback, he reveals that, as apex predators, they are today an increasingly important indicator of the health of an ecosystem and may outlive humans like they did dinosaurs. Presenting a concise, cogent case for why we should respect these fearsome animals, this beautifully illustrated volume is a tribute to one of the world’s ultimate survivors.
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front cover of In the Jaws of the Crocodile
In the Jaws of the Crocodile
A Soviet Memoir
Emil Draitser
University of Wisconsin Press, 2021
Emil Draitser dreamed of becoming a writer. Born to a working-class Jewish family in the USSR on the eve of World War II, he came of age during the Brezhnev era, often considered the nadir of Soviet culture. Bored with an engineering job, he found refuge in writing, attracting the attention of a Moscow editor who encouraged him to try his hand at satire. He spent the next decade contributing to Crocodile, the major Party-sponsored magazine known for its sharp-tongued essays and caustic cartoons. After he got in trouble for criticizing an important Soviet official, he began weighing the heavy decision of whether to emigrate.

In this captivating memoir, Draitser explores what it means to be a satirist in a country lacking freedom of expression. His experience provides a window into the lives of a generation of artists who were allowed to poke fun and make readers laugh, as long as they toed a narrow, state-approved line. In the Jaws of the Crocodile also includes several of Draitser’s wry pieces translated into English for the first time.
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logo for Pluto Press
Tears of the Crocodile
From Rio to Reality in the Developing World
Neil Middleton
Pluto Press, 1993


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