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4 books match the query 'Crucifixion'

cover of Contemplation and the Cross: A Catholic Introduction to the Spiritual Life

Contemplation and the Cross

A Catholic Introduction to the Spiritual Life

Thomas Joseph White, OP

Catholic University of America Press, 2025

What are the aims of the Christian spiritual life and how can we deepen our life in Christ? What is the Catholic form of the spiritual life and what are its causes? This book serves as an introduction to Catholic spirituality by examining the mystery of Jesus Christ- His Crucifixion, and His Resurrection- as the center of our spiritual life. The central argument of the book is that the life, death, and resurrection of Jesus present us with the form or essence of the Christian spiritual life and orient us toward union with the Trinity as the final end or aim of human existence. The means of union with God through sacraments, the interior life of the theological virtues (faith, hope, and charity), and the virtue of religion are considered as vehicles by which we rejoin God in Christ. The effects of the Cross are considered in our life by a study of the spiritual and corporal works of mercy. The Virgin Mary is considered as a model of the spiritual life. What results is a Christ-centered spirituality that is sacramental and Marian, and that depicts the life of the Church living in contemplative charity as the basic expression of Catholic spirituality.
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cover of Meditations on the Incarnation, Passion, and Death of Jesus Christ

Meditations on the Incarnation, Passion, and Death of Jesus Christ

Catharina Regina von Greiffenberg

University of Chicago Press, 2009

Read by Protestants and Catholics alike, Catharina Regina von Greiffenberg (1633–94) was the foremost German woman poet and writer in the seventeenth-century German-speaking world. Privileged by her social station and education, she published a large body of religious writings under her own name to a reception unequaled by any other German woman during her lifetime. But once the popularity of devotional writings as a genre waned, Catharina’s works went largely unread until scholars devoted renewed attention to them in the twentieth century.

For this volume, Lynne Tatlock translates for the first time into English three of the thirty-six meditations, restoring Catharina to her rightful place in print. These meditations foreground women in the life of Jesus Christ—including accounts of women at the Incarnation and the Tomb—and in Scripture in general. Tatlock’s selections give the modern reader a sense of the structure and nature of Catharina’s devotional writings, highlighting the alternative they offer to the male-centered view of early modern literary and cultural production during her day, and redefining the role of women in Christian history.

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cover of The Mass: The Presence of the Sacrifice of the Cross

The Mass

The Presence of the Sacrifice of the Cross

Charles Cardinal Journet

St. Augustine's Press, 2008

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cover of The Thief, the Cross, and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe

The Thief, the Cross, and the Wheel

Pain and the Spectacle of Punishment in Medieval and Renaissance Europe

Mitchell B. Merback

University of Chicago Press, 1999

Christ's Crucifixion is one of the most recognized images in Western culture, and it has come to stand as a universal symbol of both suffering and salvation. But often overlooked is the fact that ultimately the Crucifixion is a scene of capital punishment. Mitchell Merback reconstructs the religious, legal, and historical context of the Crucifixion and of other images of public torture. The result is a fascinating account of a time when criminal justice and religion were entirely interrelated and punishment was a visual spectacle devoured by a popular audience.

Merback compares the images of Christ's Crucifixion with those of the two thieves who met their fate beside Jesus. In paintings by well-known Northern European masters and provincial painters alike, Merback finds the two thieves subjected to incredible cruelty, cruelty that artists could not depict in their scenes of Christ's Crucifixion because of theological requirements. Through these representations Merback explores the ways audiences in early modern Europe understood images of physical suffering and execution. The frequently shocking works also provide a perspective from which Merback examines the live spectacle of public torture and execution and how audiences were encouraged by the Church and the State to react to the experience. Throughout, Merback traces the intricate and extraordinary connections among religious art, devotional practice, bodily pain, punishment, and judicial spectatorship.

Keenly aware of the difficulties involved in discussing images of atrocious violence but determined to make them historically comprehensible, Merback has written an informed and provocative study that reveals the rituals of medieval criminal justice and the visual experiences they engendered.






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