BiblioVault - Books about Cultural Transformations

The Balkans in the Seventh Century

Ethnic and Cultural Transformations

Panos Sophoulis

Arc Humanities Press

The seventh century was a period of radical transformation in the Balkans in terms of political, social, and economic history. The decline in Byzantine power led to the collapse of ancient urban civilization, the arrival of new populations from eastern Europe and the steppes, and, subsequently, the establishment of new political structures and modes of economic relations. Given that the written sources provide relatively little information about these events, archaeology is required to fill in the gaps and improve our knowledge and understanding of the socio-cultural and ethnic transitions that took place. New developments in archaeology in the Balkans have brought an enormous amount of information to light. The book’s eight contributors present research from different parts of the region, offering valuable new insights into the history, culture, and economy of the early medieval Balkans.

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Clearing the Coastline

The Nineteenth-Century Ecological & Cultural Transformations of Cape Cod

Matthew McKenzie

University Press of New England, 2011

In just over a century Cape Cod was transformed from barren agricultural wasteland to bountiful fishery to pastoral postcard wilderness suitable for the tourist trade. This complex social, ecological, and scientific transformation fundamentally altered how Cape Codders used and managed their local marine resources, and determined how they eventually lost them. The Cape Cod story takes the usual land-use progression—from pristine wilderness to exploitation of resources to barren wasteland—and turns it on its head. Clearing the Coastline shows how fishermen abandoned colonial traditions of small-scale fisheries management, and how ecological, cultural, and scientific changes, as well as commercial pressures, eroded established, local conservation regimes. Without these protections, small fish and small fishermen alike were cleared from Cape Cod’s coastal margins to make room for new people, whose reinvention of the Cape as a pastoral “wilderness” allowed them to overlook the social and ecological dislocation that came before.

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Nature into Art

Cultural Transformations in Nineteenth-Century Britain

Carl Woodring

Harvard University Press, 1989

The nineteenth century began with reverence for nature and ended with the apotheosis of art. In this wide-ranging excursion through the literature, visual arts, and natural sciences of the era from Wordsworth to Wilde, Carl Woodring traces shifting ideas and attitudes concerning nature, art, and the relations between the two.

The veneration of nature as aesthetic model and ethical norm was gradually eroded not least by the study of biology, which revealed organic nature to be wasteful and murderous. Darwin’s work verified the growing perception of nature as amoral by stressing the role of chance in natural selection, a further blow to trust in natural law. Once nature was not worth imitating, art by the century’s close could be an end to itself, free of responsibility to the natural.

The author examines individual works by Romantic and Victorian poets; narrative prose from James Hogg and Mary Shelley to Conrad, James, and Stevenson; painters from Wilkie through the Pre-Raphaelites to Whistler—all within such general contexts as the picturesque, the sublime, natural theology, romantic irony, romantic Hellenism, realism, photography, aestheticism, arts and crafts, art nouveau, and decadence. Although Woodring focuses on events, movements, and creative minds in England, he also draws upon a range of seminal figures from the Continent and the United States: Alexander von Humboldt, Delacroix, Thomas Cole, and Hawthorne are prominent examples. Nature into Art will fascinate scholars and amateurs of movements in literature, art, science, and cultural history in the Western world after 1780.

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