The second poetry collection by award-winning author Jenny L. Davis (Chickasaw), Extant confronts the many ways in which Native Americans continue to be associated with the distant past and imagined, even today, as more animal than human. For more than a century, anthropologists, museum guides, and high school teachers have described Native American bodies, cultures, and languages as “endangered” or “almost extinct.” Through a combination of blackout poems, occasional poems, and free verse, Davis rewrites the narrative of what it means to exist, to live in a present shaped by colonial violence that emphasizes the power of survival. Drawing on online question forums, scientific studies, kitschy decor, and the day-to-day musings of an Indigiqueer Native woman, Extant stages encounters of Native survival within a world full of stars, cicadas, earthworms, and moss.
Trickster Academy is a collection of poems that explore being Native in Academia—from land acknowledgement statements, to mascots, to the histories of using Native American remains in anthropology. Jenny L. Davis’ collection brings humor and uncomfortable realities together in order to challenge the academy and discuss the experience of being Indigenous in university classrooms and campuses. Organized around the premise of the Trickster Academy— a university space run by, and meant for training, Tricksters— this collection moves between the personal dynamics of a Two-Spirit/queer Indigenous woman in spaces where there are few, if any, others and a Trickster’s critique of those same spaces.
Trickster Academy is playful at times, yet more complicated and salient issues are at the heart of these poems. Davis’ Trickster Academy deeply challenges the institutions that still hold Indigenous remains in their archives and storage rooms, and the insincerities of the academy when it comes to acknowledging Indigenous peoples. The realities that the poems in Trickster Academy address are not only relevant to people in academic positions. From leaving home, to being the only Indian in the room, to having to deal with the constant pressures to being a ‘real Indian’, these poems illuminate the shared experiences of Indians across many regions, and all of us who live amongst Tricksters.READERS
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