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Pacific Tremors
Richard Stern
Northwestern University Press, 2001
Ez Keneret and Wendell Spear are Hollywood veterans who have committed the only sin in the movie business: they've grown old. Having been cast aside, they face their obsolescence and the harsh reality that the art they appreciate (and profit from) is just a business powered by money and celebrity. While Spear is consoled and comforted by his granddaughter, Keneret centers his comeback film on Leet de Loor, a stunning but painfully wooden "actress" he discovers in Fiji.
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Pain, Death, and the Law
Austin Sarat, Editor
University of Michigan Press, 2001
This collection of essays examines the relationship between pain, death, and the law and addresses the question of how the law constructs pain and death as jurisprudential facts. The empirical focus of these essays enables the reader to delve into both the history and the theoretical complexities of the pain-death-law relationship. The combination of the theoretical and the empirical broadens the contribution this volume will undoubtedly make to debates in which the right to live or die is the core issue at hand.
This volume will be an important read for policy makers and legal practitioners and a valuable text for courses in law, the social sciences, and the humanities.
Austin Sarat is William Nelson Cromwell Professor of Jurisprudence and Political Science, Amherst College.
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Passages and Afterworlds
Anthropological Perspectives on Death in the Caribbean
Maarit Forde and Yanique Hume, editors
Duke University Press, 2018
The contributors to Passages and Afterworlds explore death and its rituals across the Caribbean, drawing on ethnographic theories shaped by a deep understanding of the region's long history of violent encounters, exploitation, and cultural diversity. Examining the relationship between living bodies and the spirits of the dead, the contributors investigate the changes in cosmologies and rituals in the cultural sphere of death in relation to political developments, state violence, legislation, policing, and identity politics. Contributors address topics that range from the ever-evolving role of divinized spirits in Haiti and the contemporary mortuary practice of Indo-Trinidadians to funerary ceremonies in rural Jamaica and ancestor cults in Maroon culture in Suriname. Questions of alterity, difference, and hierarchy underlie these discussions of how racial, cultural, and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean.

Contributors. Donald Cosentino, Maarit Forde, Yanique Hume, Paul Christopher Johnson, Aisha Khan, Keith E. McNeal, George Mentore, Richard Price, Karen Richman, Ineke (Wilhelmina) van Wetering, Bonno (H.U.E.) Thoden van Velzen
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Passed On
African American Mourning Stories, A Memorial
Karla FC Holloway
Duke University Press, 2002
Passed On is a portrait of death and dying in twentieth-century African America. Through poignant reflection and thorough investigation of the myths, rituals, economics, and politics of African American mourning and burial practices, Karla FC Holloway finds that ways of dying are just as much a part of black identity as ways of living. Gracefully interweaving interviews, archival research, and analyses of literature, film, and music, Holloway shows how the vulnerability of African Americans to untimely death is inextricably linked to how black culture represents itself and is represented.
With a focus on the “death-care” industry—black funeral homes and morticians, the history of the profession and its practices—Holloway examines all facets of the burial business, from physicians, hospital chaplains, and hospice administrators, to embalming- chemical salesmen, casket makers, and funeral directors, to grieving relatives. She uses narrative, photographs, and images to summon a painful history of lynchings, white rage and riot, medical malpractice and neglect, executions, and neighborhood violence. Specialized caskets sold to African Americans, formal burial photos of infants, and deathbed stories, unveil a glimpse of the graveyards and burial sites of African America, along with burial rituals and funeral ceremonies.
Revealing both unexpected humor and anticipated tragedy, Holloway tells a story of the experiences of black folk in the funeral profession and its clientele. She also reluctantly shares the story of her son and the way his death moved her research from page to person.
In the conclusion, which follows a sermon delivered by Maurice O. Wallace at the funeral for the author’s son, Bem, Holloway strives to commemorate—through observation, ceremony, and the calling of others to remembrance and celebration.
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Peak Experiences
Danger, Death, and Daring in the Mountains of the Northeast
Edited by Carol Stone White
University Press of New England, 2012
In the mountains, the difference between a pleasant day of hiking and a life-threatening disaster is as simple as a loose rock, a turned ankle, or a misjudged patch of ice. In an instant, even the most experienced and prepared of outdoorspersons can find themselves at the mercy of the elements (and their own choices) — and suddenly, sometimes tragically, the situation slips out their control. In this collection of over fifty tales of day hikes and long treks gone awry, the seasoned climber and writer Carol Stone White brings together some of her favorite tales of outdoor misadventure written by colleagues and fellow enthusiasts who have experienced the harsher side of climbing the peaks of New England and the Adirondacks. From freak falls to outrunning storms, from life-threatening hypothermia to the excitement of unlikely rescues, these tales inform as much as they entertain, teaching even the experienced climber that accidents can happen to anyone and that preparation and the ability to make split-second decisions can often mean the difference between life and death. Like sitting around the campfire sharing tales of terror and near death with your hiking buddies, this collection will appeal to the true outdoorsperson as well as the armchair adventurer.
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Peregrina
Love and Death in Mexico
By Alma M. Reed
University of Texas Press, 2007

In the Yucatán, they never forgot Alma Reed. She arrived for the first time in 1923, on assignment for the New York Times Sunday Magazine to cover an archaeological survey of Mayan ruins. It was a contemporary Maya, however, who stole her heart. Felipe Carrillo Puerto, said to be descended from Mayan kings, had recently been elected governor of the Yucatán on a platform emphasizing egalitarian reforms and indigenous rights. The entrenched aristocracy was enraged; Reed was infatuated—as was Carrillo Puerto. He and Reed were engaged within months. Yet less than a year later—only eleven days before their intended wedding—Carrillo Puerto was assassinated. He had earned his place in the history books, but Reed had won a place in the hearts of Mexicans: the bolero "La Peregrina" remains one of the Yucatán's most famous ballads.

Alma Reed recovered from her tragic romance to lead a long, successful life. She eventually returned to Mexico, where her work in journalism, archaeology, and art earned her entry into the Orden del Aguila Azteca (Order of the Aztec Eagle). Her time with Carrillo Puerto, however, was the most intense of her life, and when she was encouraged (by Hollywood, especially) to write her autobiography, she began with that special period. Her manuscript, which disappeared immediately after her sudden death in 1966, mingled her legendary love affair with a biography of Carrillo Puerto and the political history of the Yucatán. As such, it has long been sought by scholars as well as romantics. In 2001, historian Michael Schuessler discovered the manuscript in an abandoned apartment in Mexico City. An absolutely compelling memoir, Peregrina restores Reed's place in Mexican history in her own words.

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The Perfect Lion
The Life and Death of Confederate Artillerist John Pelham
Jerry H. Maxwell
University of Alabama Press, 2011
The South has made much of J. E. B. Stuart and Stonewall Jackson, but no individual has had a greater elevation to divine status than John Pelham, remembered as the “Gallant Pelham.” An Alabama native, Pelham left West Point for service in the Confederacy and distinguished himself as an artillery commander in Robert E. Lee’s Army of Northern Virginia. Lee is reported to have said of him, “It is glorious to see such courage in one so young!” Blond, blue-eyed, and handsome, Pelham’s modest demeanor charmed his contemporaries, and he was famously attractive to women. He was killed in action at the battle of Kelly’s Ford in March of 1863, at twenty-four years of age, and reportedly three young women of his acquaintance donned mourning at the loss of the South’s “beau ideal.” Maxwell’s work provides the first deeply researched biography of Pelham, perhaps Alabama’s most notable Civil War figure, and explains his enduring attraction.
 
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Perfection in Death
Patrick M. Clark
Catholic University of America Press, 2015
Perfection in Death compares and contrasts the relationship between conceptions of courage and death in the thought of Aquinas and his ancient philosophical sources. At the center of this investigation is Aquinas' identification of martyrdom as the paradigmatic act of courage as well as "the greatest proof of the perfection of charity." Such a portrayal of "perfection in death" bears some resemblance to the ancient tradition of "noble death", but departs from it in decisive ways. Clark argues that this departure can only be fully understood in light of an accompanying transformation of the metaphysical and anthropological framework underlying ancient theories of virtue. Perfection in Death aims to provide a new, theological account of this paradigm shift in light of contemporary Thomistic scholarship.
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Photography and Death
Audrey Linkman
Reaktion Books, 2011

The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy.

 

Photography and Death reveals the beauty and significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.

Photography and Death will interest photo, art, and social historians and practitioners in the field of bereavement therapy, as well as those who wish to better understand the images of long-lost ancestors who gaze back from the pages of family albums.

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Plants of Life, Plants of Death
Frederick J. Simoons
University of Wisconsin Press, 1998

Pythagoras, the ancient Greek mathematician, did not himself eat fava beans in any form; in fact, he banned his followers from eating them. Cultural geographer Frederick Simoons disputes the contention that Pythagoras established that ban because he recognized the danger of favism, a disease that afflicts genetically-predisposed individuals who consume fava beans. Contradicting more deterministic explanations of history, Simoons argues that ritual considerations led to the Pythagorean ban.
    In his fascinating and thorough new study, Simoons examines plants associated with ritual purity, fertility,  prosperity, and life, on the one hand, or with ritual impurity, sickness, ill fate, and death, on the other. Plants of Life, Plants of Death offers a wealth of detail from not only history, ethnography, religious studies, classics, and folklore, but also from ethnobotany and medicine. Simoons surveys a vast geographical region extending from Europe through the Near East to India and China. He tells the story of India's giant sacred fig trees, the pipal and the banyan, and their changing role in ritual, religion, and as objects of pilgrimage from antiquity to the present day; the history of mandrake and ginseng, “man roots” whose uses from Europe to China have been shaped by the perception that they are human in form; and the story of garlic and onions as impure foods of bad odor in that same broad region.
    Simoons also identifies and discusses physical characteristics of plants that have contributed to their contrasting ritual roles, and he emphasizes the point that the ritual roles of plants are also shaped by basic human concerns—desire for good health and prosperity, hopes for fertility and offspring, fear of violence, evil and death—that were as important in antiquity as they are today.

“It dazzles as a piece of scholarship.”—Daniel W. Gade, University of Vermont

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Playing Dead
Mock Trauma and Folk Drama in Staged High School Drunk Driving Tragedies
Montana Miller
Utah State University Press, 2012

As the Grim Reaper pulls a student out of class to be a “victim” of drunk driving in a program called “Every 15 Minutes,” Montana Miller observes the ritual through a folklorist’s lens. Playing Dead examines why hundreds of American schools and communities each year organize these mock tragedies without any national sponsorship or coordination. Often, the event is complete with a staged accident in the parking lot, a life-flight helicopter, and faux eulogies for the “dead” students read in school assemblies. Grounding her research in play theory, frame theory, and theory of folk drama, Miller investigates key aspects of this emergent tradition, paying particular attention to its unplanned elements—enabled by the performance’s spontaneous nature and the participants’ tendency to stray from the intended frame. Miller examines such variations in terms of the program as a whole, analyzing its continued popularity and weighing its success as perceived by participants. Her fieldwork reveals a surprising aspect of Every 15 Minutes that typical studies of ritual do not include: It can be fun. Playing Dead is volume two of the series Ritual, Festival, and Celebration, edited by Jack Santino.

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Playing with Dynamite
Sharon Harrigan
University of Wisconsin Press, 2017
Sharon Harrigan’s father was larger than life, a brilliant but troubled man who blew off his hand with dynamite before she was born and died in a mysterious and bizarre accident when she was seven. The story of his death never made sense. How did he really die? And why was she so sure that asking would be dangerous? A series of events compel her to find the answers, collecting other people’s memories and uncovering her own. Her two-year odyssey takes her from Virginia to Detroit to Paris and finally to the wilds of northern Michigan where her father died. There, she discovers the real danger and has to confront her fear.

Playing with Dynamite is about the family secrets that can distance us from each other and the honesty that can bring us closer. It’s about a daughter who goes looking for her father but finds her mother instead. It’s about memory and truth, grieving and growing, and what it means to go home again.
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Pleasure Grounds of Death
The Rural Cemetery in Nineteenth-Century America
Joy M. Giguere
University of Michigan Press, 2024
Rural cemeteries—named for their expansive, picturesque landscape design rather than location—were established during the middle decades of the nineteenth century in the United States. An instant cultural phenomenon, Mount Auburn Cemetery in Cambridge, Massachusetts, was the nation’s first such burial ground to combine the functions of the public park and the cemetery, becoming a popular place to picnic and go for strolls even for people who didn’t have graves to visit. It sparked a nationwide movement in which communities sought to establish their own cities of the dead. 

Pleasure Grounds of Death considers the history of the rural cemetery in the United States throughout the duration of the nineteenth century as not only a critical cultural institution embedded in the formation of community and national identities, but also as major sites of contest over matters of burial reform, taste and respectability, and public behavior; issues concerning race, class, and gender; conflicts over the burial of the Civil War dead and formation of postwar memory; and what constituted the most appropriate ways to structure the landscape of the dead in a modern and progressive society. As cultural landscapes that served the needs of the living as well as the dead, rural cemeteries offer a mirror for the transformations and conflicts taking place throughout the nineteenth century in American society.
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The Poetics of Processing
Memory Formation, Identity, and the Handling of the Dead
Anna J. Osterholtz
University Press of Colorado, 2020
In 2002, Neil Whitehead published Dark Shamans: Kanaimà and the Poetics of Violent Death, in which he applied the concept of poetics to the study of violence and observed the power of violence in the creation and expression of identity and social relationships. The Poetics of Processing applies Whitehead’s theory on violence to mortuary and skeletal assemblages in the Andes, Mexico, the US Southwest, Jordan, Ethiopia, Egypt, and Turkey, examining the complex cultural meanings of the manipulation of remains after death.
 
The contributors interpret postmortem treatment of the physical body through a poetics lens, examining body processing as a mechanism for the re-creation of cosmological events and processing’s role in the creation of social memory. They analyze methods of processing and the ways in which the living use the physical body to stratify society and gain power, as evidenced in rituals of body preparation and burial around the world, objects buried with the dead and the hierarchies of tomb occupancy, the dissection of cadavers by medical students, the appropriation of living spaces once occupied by the dead, and the varying treatments of the remains of social outsiders, prisoners of war, and executed persons.
 
The Poetics of Processing combines social theory and bioarchaeology to examine how the living manipulate the bodies of the dead for social purposes. These case studies—ranging from prehistoric to historic and modern and from around the globe—explore this complex material relationship that does not cease with physical death. This volume will be of interest to mortuary archaeologists, bioarchaeologists, and cultural anthropologists.
 
Contributors:
Dil Singh Basanti, Roselyn Campbell, Carlina de la Cova, Eric Haanstad, Scott Haddow, Christina Hodge, Christopher Knusel, Kristin Kuckelman, Clark Spencer Larsen, Debra Martin, Kenneth Nystrom, Adrianne Offenbecker, Megan Perry, Marin Pilloud, Beth K. Scaffidi, Mehmet Somel, Kyle D. Waller
 
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front cover of Politics, Metaphysics, and Death
Politics, Metaphysics, and Death
Essays on Giorgio Agamben's Homo Sace
Andrew Norris, ed.
Duke University Press, 2005
The Italian philosopher Giorgio Agamben is having an increasingly significant impact on Anglo-American political theory. His most prominent intervention to date is the powerful reassessment of sovereignty and the politics of life and death laid out in his multivolume Homo Sacer project. Agamben argues that in both the modern world and the ancient, politics inevitably involves a sovereign decision that bans some individuals from the political and human communities. For Agamben, the Nazi concentration camps—in which some inmates are reduced to a form of living death—are not a political aberration but instead the place where this essential political decision about life most clearly reveals itself. Engaging specifically with Homo Sacer, the essays in this collection draw out and contend with the wide-ranging implications of Agamben’s radical and controversial interpretation of modern political life.

The contributors analyze Agamben’s thought from the perspectives of political theory, philosophy, jurisprudence, and the history of law. They consider his work not only in relation to that of his major interlocutors—Hannah Arendt, Michel Foucault, Carl Schmitt, Walter Benjamin, and Martin Heidegger—but also in relation to the thought of Plato, Pindar, Heraclitus, Descartes, Kafka, Bataille, and Derrida. The essayists’ approaches are varied, as are their ultimate evaluations of the cogency and accuracy of Agamben’s arguments. This volume also includes an original essay by Agamben in which he considers the relation of Benjamin’s “Critique of Violence” to Schmitt’s Political Theology. Politics, Metaphysics, and Death is a necessary, multifaceted exposition and evaluation of the thought of one of today’s most important political theorists.

Contributors: Giorgio Agamben, Andrew Benjamin, Peter Fitzpatrick, Anselm Haverkamp, Paul Hegarty, Andreas Kalyvas, Rainer Maria Kiesow , Catherine Mills, Andrew Norris, Adam Thurschwell, Erik Vogt, Thomas Carl Wall

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The Politics of Intimacy
Rethinking the End-of-Life Controversy
Anna Durnová
University of Michigan Press, 2018

Debates on the end-of-life controversy are complex because they seem to highjack national and cultural traditions. Where previous books have focused on ideological grounds, The Politics of Intimacy explores dying as the site where policies are negotiated and implemented. Intimacy comprises the emotional experience of the end of life and how we acknowledge it—or not—through institutions. This process shows that end-of-life controversy relies on the conflict between the individual and these institutions, a relationship that is the cornerstone of Western liberal democracies.

Through interviews with mourners, stakeholders, and medical professionals, examination of media debates in France and the Czech Republic, Durnová shows that liberal institutions, in their attempts to accommodate the emotional experience at the end of life, ultimately fail. She describes this deadlock as the “politics of intimacy,” revealing that political institutions deploy power through collective acknowledgment of individual emotions but fail to maintain this recognition because of this same experience.

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The Politics of Mourning
Death and Honor in Arlington National Cemetery
Micki McElya
Harvard University Press, 2016

Pulitzer Prize Finalist
Winner of the John Brinckerhoff Jackson Book Prize
Winner of the Sharon Harris Book Award
Finalist, Jefferson Davis Award of the American Civil War Museum


Arlington National Cemetery is one of America’s most sacred shrines, a destination for millions who tour its grounds to honor the men and women of the armed forces who serve and sacrifice. It commemorates their heroism, yet it has always been a place of struggle over the meaning of honor and love of country. Once a showcase plantation, Arlington was transformed by the Civil War, first into a settlement for the once enslaved, and then into a memorial for Union dead. Later wars broadened its significance, as did the creation of its iconic monument to universal military sacrifice: the Tomb of the Unknown Soldier.

As Arlington took its place at the center of the American story, inclusion within its gates became a prerequisite for claims to national belonging. This deeply moving book reminds us that many brave patriots who fought for America abroad struggled to be recognized at home, and that remembering the past and reckoning with it do not always go hand in hand.

“Perhaps it is cliché to observe that in the cities of the dead we find meaning for the living. But, as McElya has so gracefully shown, such a cliché is certainly fitting of Arlington.”
American Historical Review

“A wonderful history of Arlington National Cemetery, detailing the political and emotional background to this high-profile burial ground.”
Choice

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Pompeii's Living Statues
Ancient Roman Lives Stolen from Death
Eugene Dwyer
University of Michigan Press, 2010

In AD 79, Mt. Vesuvius erupted in two stages. While the first stage was incredibly destructive, it was the second stage, a so-called pyroclastic flow, that inundated Pompeii with a combination of superheated gases, pumice, and rocks, killing tens of thousands of people and animals and burying them in ash and mud.

During excavations of the town in 1863, Giuseppe Fiorelli, the director of the dig, poured plaster of paris into a cavity under the soil revealed by a workman's pick. When the plaster set and the mound was uncovered, all were amazed to see the secret that the ground had held for 1,800 years: a detailed cast of an ancient Pompeian such as no one had seen before, frozen in the instant of dying and complete in every respect, including outlines of the clothes he was wearing at the time of the destruction. The bodies, photographed and exhibited in the specially built Pompeii Museum, completely changed the world's ideas of life in ancient Italy.

Pompeii's Living Statues is a narrative account, supported by contemporary documents, of the remarkable discovery of those ancient victims preserved in the volcanic mud of Vesuvius.

Eugene Dwyer examines these casts and related records, the originals of a number of which (along with their museum) were lost in World War II bombing. As he considers the casts as archaeological and cultural pieces, he also discusses Pompeii and its artifacts in the context of Italian unification and party politics, the development of modern excavation methods, and the challenges of maintaining a very large archaeological site. Dwyer's clear organization and writing style, combined with a collection of photographs and engravings, make for a fascinating exploration of Pompeii and its victims.

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Postmortem
How Medical Examiners Explain Suspicious Deaths
Stefan Timmermans
University of Chicago Press, 2006
As elected coroners came to be replaced by medical examiners with scientific training, the American public became fascinated with their work. From the grisly investigations showcased on highly rated television shows like C.S.I. to the bestselling mysteries that revolve around forensic science, medical examiners have never been so visible—or compelling. They, and they alone, solve the riddle of suspicious death and the existential questions that come with it. Why did someone die? Could it have been prevented? Should someone be held accountable? What are the implications of ruling a death a suicide, a homicide, or an accident? Can medical examiners unmask the perfect crime?

Postmortem goes deep inside the world of medical examiners to uncover the intricate web of pathological, social, legal, and moral issues in which they operate. Stefan Timmermans spent years in a medical examiner’s office, following cases, interviewing examiners, and watching autopsies. While he relates fascinating cases here, he is also more broadly interested in the cultural authority and responsibilities that come with being a medical examiner. Although these professionals attempt to remain objective, medical examiners are nonetheless responsible for evaluating subtle human intentions. Consequently, they may end—or start—criminal investigations, issue public health alerts, and even cause financial gain or harm to survivors. How medical examiners speak to the living on behalf of the dead, is Timmermans’s subject, revealed here in the day-to-day lives of the examiners themselves.
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Punishment and Death
The Need for Radical Analysis, Volume 2006
Ethan Blue and Patrick Timmons, eds.
Duke University Press
This special issue of Radical History Review considers the persistence of death and suffering in the history of punishment to be part of historical legacies created by slavery and colonialism. These essays, which focus primarily on the United States, contend that the most “modern” political systems of the twenty-first century still stand behind mechanisms of violence and death in their geopolitical strategies, sanctioning military use of torture and punishment, much like thoroughly repressive regimes, to incapacitate their enemies and even their own citizens. The issue further argues that the infliction of pain, suffering, and untimely death through punishment is foundational, rather than exceptional, to modern state power.

The issue’s contributors—comprising both academics and activists—examine the practices of punishment and death imposed upon citizens, particularly through penal systems. One contributor exposes how the indignation and outrage many Americans expressed toward the military torture at Abu Ghraib do not extend to similar instances of torture (beatings, “shower-baths,” sexual abuse, etc.) against inmates of color within the U.S. prison system. Another contributor reflects on the unexpected but effective alliance between antiprison activists and the environmental justice movement in California, which worked to stop the massive prison-building boom of the late twentieth and early twenty-first centuries. Bringing a longer sweep of Western colonialism into view, another essay reveals the racial prejudices within disciplinary processes of Puerto Rico that lingered even after the island’s emancipation from the Spanish American empire, leading to unequal distribution of punishment on both colonial and domestic subject populations.

Contributors. Ethan Blue, Rose Braz, Helena Cobban, Craig Gilmore, Alan Eladio Gómez, R. J. Lambrose, Heather Jane McCarty, Dylan Rodríguez, Kelvin Santiago-Valles, Carolyn Strange, Patrick Timmons

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