Contributors. Kevin Brownlee, Marina Scordilis Brownlee, Elizabeth Clark, Valeria Finucci, Dale Martin, Gianna Pomata, Maureen Quilligan, Nancy Siraisi, Peter Stallybrass,Valerie Traub
In the years after the Revolutionary War, the fledgling republic of America was viewed by many Europeans as a degenerate backwater, populated by subspecies weak and feeble. Chief among these naysayers was the French Count and world-renowned naturalist Georges-Louis Leclerc de Buffon, who wrote that the flora and fauna of America (humans included) were inferior to European specimens.
Thomas Jefferson—author of the Declaration of Independence, U.S. president, and ardent naturalist—spent years countering the French conception of American degeneracy. His Notes on Virginia systematically and scientifically dismantled Buffon’s case through a series of tables and equally compelling writing on the nature of his home state. But the book did little to counter the arrogance of the French and hardly satisfied Jefferson’s quest to demonstrate that his young nation was every bit the equal of a well-established Europe. Enter the giant moose.
The American moose, which Jefferson claimed was so enormous a European reindeer could walk under it, became the cornerstone of his defense. Convinced that the sight of such a magnificent beast would cause Buffon to revise his claims, Jefferson had the remains of a seven-foot ungulate shipped first class from New Hampshire to Paris. Unfortunately, Buffon died before he could make any revisions to his Histoire Naturelle, but the legend of the moose makes for a fascinating tale about Jefferson’s passion to prove that American nature deserved prestige.
In Mr. Jefferson and the Giant Moose, Lee Alan Dugatkin vividly recreates the origin and evolution of the debates about natural history in America and, in so doing, returns the prize moose to its rightful place in American history.
An insightful reconsideration of our historical moment seen through the lens of madness
In Seeing Through Madness, W. J. T. Mitchell pursues the idea of “putting madness to work” by transforming it from an individual affliction—an illness to be treated—into a critical framework for understanding the human condition. The human species is now a danger to itself and others—the very definition of mental disorder in most societies. Therefore, it is time, Mitchell argues, for a fundamental reconsideration of madness, not only as a subject in media and the arts but more fundamentally as a “critical optic” on our historical moment. It is time to see through madness in all its variations, to see by means of it as a template for understanding, and to see it through to some form of wisdom.
While drawing a sense of urgency from Michell’s conviction that the whole world is experiencing a widespread political madness, the book specifically focuses on American psychoses and collective disorders, not least the country’s delusional exceptionalism.
Incisive, eclectic, and occasionally enraged, Mitchell’s essays are the guide we need to see us through crazy times.
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