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6 books match the query 'Dominicans'

cover of Bartolomé de las Casas and the Defense of Amerindian Rights: A Brief History with Documents

Bartolomé de las Casas and the Defense of Amerindian Rights

A Brief History with Documents

Edited by Lawrence A. Clayton and David M. Lantigua

University of Alabama Press, 2020

The writings of a sixteenth-century advocate who challenged empire in defense of Indigenous peoples.

With the exception of Christopher Columbus, Bartolomé de las Casas is arguably the most notable figure of the Encounter Age. He is remembered principally as the creator of the Black Legend, as well as the protector of American Indians. He was one of the pioneers of the human rights movement, and a Christian activist who invoked law and Biblical scripture to challenge European colonialism in the great age of the Encounter. He was also one of the first and most thorough chroniclers of the conquest, and a biographer who saved the diary of Columbus’s first voyage for posterity by transcribing it in his History of the Indies before the diary was lost.

Bartolomé de las Casas and the Defense of Amerindian Rights: A Brief History with Documents provides the most wide-ranging and concise anthology of Las Casas’s writings, in translation, ever made available. It contains not only excerpts from his most well-known texts, but also his largely unavailable writings on political philosophy and law, and addresses the underappreciated aspects of his thought. Fifteen of the twenty-six documents are entirely new translations of Las Casas’s writings, a number of them appearing in English for the first time.

This volume focuses on his historical, political, and legal writings that address the deeply conflicted and violent sixteenth-century encounter between Europeans and indigenous peoples of the Americas. It also presents Las Casas as a more comprehensive and systematic philosophical and legal thinker than he is typically given credit for. The introduction by Lawrence A. Clayton and David M. Lantigua places these writings into a synthetic whole, tracing his advocacy for indigenous peoples throughout his career. By considering Las Casas’s ideas, actions, and even regrets in tandem, readers will understand the historical dynamics of Spanish imperialism more acutely within the social-political context of the times.
 

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cover of Black behind the Ears: Dominican Racial Identity from Museums to Beauty Shops

Black behind the Ears

Dominican Racial Identity from Museums to Beauty Shops

Ginetta E. B. Candelario

Duke University Press, 2007

Black behind the Ears is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republic’s history, the national body has been defined as “not black,” even as black ancestry has been grudgingly acknowledged. Rejecting simplistic explanations, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be both indigenous to the Republic (indios) and “Hispanic.” Both indigeneity and Hispanicity have operated as vehicles for asserting Dominican sovereignty in the context of the historically triangulated dynamics of Spanish colonialism, Haitian unification efforts, and U.S. imperialism. Candelario shows how the legacy of that history is manifest in contemporary Dominican identity discourses and displays, whether in the national historiography, the national museum’s exhibits, or ideas about women’s beauty. Dominican beauty culture is crucial to efforts to identify as “indios” because, as an easily altered bodily feature, hair texture trumps skin color, facial features, and ancestry in defining Dominicans as indios.

Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-century European and American travel narratives.

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cover of Light and Glory: The Transfiguration of Christ in Early Franciscan and Dominican Theology

Light and Glory

The Transfiguration of Christ in Early Franciscan and Dominican Theology

Aaron Canty

Catholic University of America Press, 2011

Light and Glory offers an engaging comparison of the teachings of seven thirteenth-century theologians -- three Franciscans and four Dominicans -- on the subject of the transfiguration of Christ.
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cover of Prierias: The Life and Works of Silvestro Mazzolini Da Prierio (1456–1527)

Prierias

The Life and Works of Silvestro Mazzolini Da Prierio (1456–1527)

Michael Tavuzzi

Duke University Press, 1997

The Italian Dominican friar Silvestro Mazzolini da Prierio (1456–1527), known as Prierias, is chiefly remembered as the church official designated to respond to Luther’s 95 theses of December 1517—a response blamed for fanning the flames of the Reformation throughout Europe. In Prierias, Michael Tavuzzi presents the first full biography of this little-known, yet eminent, sixteenth-century ecclesiastic, as well as an account of his wide-ranging literary works.
Tavuzzi shows that, aside from being Luther’s first opponent, Prierias played a key role in significant early-sixteenth-century controversies such as the cases of Reuchlin, Erasmus, and Pomponazzi. Drawing on previously untapped primary sources, Tavuzzi traces Prierias’s early career as preacher, professor, inquisitor, and administrator, and places him in the context of the struggles fought between unreformed and observant friars during the Renaissance. Prierias’s activities as Master of the Sacred Palace, his long-standing and bitter conflict with Cardinal Cajetan, and especially his forceful writings warning against the threat of witches and witchcraft are also described. Focusing closely on Prierias’s clash with Luther, Tavuzzi accounts for its development and illuminates the ecclesiological issues at stake. Prierias reveals the little-known world of the friars on the eve of the Reformation.
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cover of Siblings of Soil: Dominicans and Haitians in the Age of Revolutions

Siblings of Soil

Dominicans and Haitians in the Age of Revolutions

Charlton W. Yingling

University of Texas Press, 2022

2023 Honorable Mention, Isis Duarte Book Prize, Haiti/ Dominican Republic section (LASA)

After revolutionary cooperation between Dominican and Haitian majorities produced independence across Hispaniola, Dominican elites crafted negative myths about this era that contributed to anti-Haitianism.


Despite the island’s long-simmering tensions, Dominicans and Haitians once unified Hispaniola. Based on research from over two dozen archives in multiple countries, Siblings of Soil presents the overlooked history of their shared imperial endings and national beginnings from the 1780s to 1822. Haitian revolutionaries both inspired and aided Dominican antislavery and anti-imperial movements. Ultimately, Santo Domingo's independence from Spain came in 1822 through unification with Haiti, as Dominicans embraced citizenship and emancipation. Their collaboration resulted in one of the most unique and inclusive forms of independence in the Americas.

Elite reactions to this era formed anti-Haitian narratives. Racial ideas permeated the revolution, Vodou, Catholicism, secularism, and even Deism. Some Dominicans reinforced Hispanic and Catholic traditions and cast Haitians as violent heretics who had invaded Dominican society, undermining the innovative, multicultural state. Two centuries later, distortions of their shared past of kinship have enabled generations of anti-Haitian policies, assumptions of irreconcilable differences, and human rights abuses.

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cover of Tell Me the Story of How I Conquered You: Elsewheres and Ethnosuicide in the Colonial Mesoamerican World

Tell Me the Story of How I Conquered You

Elsewheres and Ethnosuicide in the Colonial Mesoamerican World

By José Rabasa

University of Texas Press, 2011

Folio 46r from Codex Telleriano-Remensis was created in the sixteenth century under the supervision of Spanish missionaries in central Mexico. As an artifact of seismic cultural and political shifts, the manuscript painting is a singular document of indigenous response to Spanish conquest. Examining the ways in which the folio's tlacuilo (indigenous painter/writer) creates a pictorial vocabulary, this book embraces the place "outside" history from which this rich document emerged.

Applying contemporary intellectual perspectives, including aspects of gender, modernity, nation, and visual representation itself, José Rabasa reveals new perspectives on colonial order. Folio 46r becomes a metaphor for reading the totality of the codex and for reflecting on the postcolonial theoretical issues now brought to bear on the past. Ambitious and innovative (such as the invention of the concepts of elsewheres and ethnosuicide, and the emphasis on intuition), Tell Me the Story of How I Conquered You embraces the performative force of the native scribe while acknowledging the ineffable traits of 46r—traits that remain untenably foreign to the modern excavator/scholar. Posing provocative questions about the unspoken dialogues between evangelizing friars and their spiritual conquests, this book offers a theoretic-political experiment on the possibility of learning from the tlacuilo ways of seeing the world that dislocate the predominance of the West.

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