Murder and mayhem may seem like unreasonable company for Aristotle, one of the founding minds of Western philosophy. But in the skilled hands of Margaret Doody, the pairing could not be more logical. With her Aristotle Detective novels, Margaret Doody brings a Holmesian hero to the bloodied streets of ancient Greece, trading the pipe and deerstalker of Sherlock for the woolen chiton and sandals of Aristotle. Replete with suspense, historical detail, and humor, and complemented by an ever-growing cast of characters and vivid descriptions of the ancient world, Doody’s mysteries are as much lively takes on the figures and forms of the classics as they are classic whodunits in their own right.

Stephanos and his teacher return in Aristotle and Poetic Justice, when a party given by wealthy Athenian silver miners leads to kidnapping, a ghost, a road trip to Delphi, and, of course, murder. More historical fiction than a detective novel, this sequel runs the gamut of Athenian social customs, myth, politics, and economics—from the trials of virgin love to the dangers of silver lust.

 

Murder and mayhem may seem like unreasonable company for Aristotle, one of the founding minds of Western philosophy. But in the skilled hands of Margaret Doody, the pairing could not be more logical. With her Aristotle Detective novels, Margaret Doody brings a Holmesian hero to the bloodied streets of ancient Greece, trading the pipe and deerstalker of Sherlock for the woolen chiton and sandals of Aristotle. Replete with suspense, historical detail, and humor, and complemented by an ever-growing cast of characters and vivid descriptions of the ancient world, Doody’s mysteries are as much lively takes on the figures and forms of the classics as they are classic whodunits in their own right.

With Aristotle and the Secrets of Life, tensions between the Athenians and the Makedonians—followers of another of Aristotle’s former students, Alexander the Great—draw our heroes across the Aegean Sea. Even as Aristotle and Stephanos escape from pirates, uncover conspiracy, and face the horrors of war, Aristotle finds time to discuss his studies of the natural world in this gripping tale of their quest into darkness.   

Murder and mayhem may seem like unreasonable company for Aristotle, one of the founding minds of Western philosophy. But in the skilled hands of Margaret Doody, the pairing could not be more logical. With her Aristotle Detective novels, Margaret Doody brings a Holmesian hero to the bloodied streets of ancient Greece, trading the pipe and deerstalker of Sherlock for the woolen chiton and sandals of Aristotle. Replete with suspense, historical detail, and humor, and complemented by an ever-growing cast of characters and vivid descriptions of the ancient world, Doody’s mysteries are as much lively takes on the figures and forms of the classics as they are classic whodunits in their own right.

In Aristotle Detective, we first meet Stephanos—naive Watson to Aristotle’s learned Holmes—a young landed Athenian and student of Aristotle. With the aid of his cunning, olive-loving teacher, Stephanos must clear his exiled cousin of murder and save his family’s honor in a tense public trial. Will Stephanos survive to cinch the case?

In Jane Austen’s works, a name is never just a name. In fact, the names Austen gives her characters and places are as rich in subtle meaning as her prose itself. Wiltshire, for example, the home county of Catherine Morland in Northanger Abbey, is a clue that this heroine is not as stupid as she seems: according to legend, cunning Wiltshire residents caught hiding contraband in a pond capitalized on a reputation for ignorance by claiming they were digging up a “big cheese”—the moon’s reflection on the water’s surface. It worked.

In Jane Austen’s Names, Margaret Doody offers a fascinating and comprehensive study of all the names of people and places—real and imaginary—in Austen’s fiction. Austen’s creative choice of names reveals not only her virtuosic talent for riddles and puns. Her names also pick up deep stories from English history, especially the various civil wars, and the blood-tinged differences that played out in the reign of Henry VIII, a period to which she often returns. Considering the major novels alongside unfinished works and juvenilia, Doody shows how Austen’s names signal class tensions as well as regional, ethnic, and religious differences. We gain a new understanding of Austen’s technique of creative anachronism, which plays with and against her skillfully deployed realism—in her books, the conflicts of the past swirl into the tensions of the present, transporting readers beyond the Regency.

Full of insight and surprises for even the most devoted Janeite, Jane Austen’s Names will revolutionize how we read Austen’s fiction.