front cover of Harriet Bosse
Harriet Bosse
Strindberg's Muse and Interpreter
Carla Waal
Southern Illinois University Press, 1990
Harriet Bosse, a delicate beauty with rich theatrical talent, wasan inspiration for the prominent and controversial playwright August Strindberg. After their three-year marriage collapsed, she became his interpreter to the world, guardian of the Strindberg legend. This first biography of Harriet Bosse in English explores her own important career as an actress on the Swedish stage, as well as her influence on Strindberg’s work. Waal has separated Harriet Bosse from her romanticized image in the shadow of August Strindberg and has shown her as a person, fascinating and self-sufficient. Her daughter-in-law Randi Wingård said: "Harriet was a great personality, and even if she was tiny, one could nothelp noticing her in any gathering. She attracted everyone’s attention." While tracing the development of Bosse’s career, her triumphs and disappointments, Waal chronicles the beginnings of Swedish filmmaking in early silent films as well as four decades of major developments in Swedish theatre. But Bosse’s marriage to Strindberg and her relationship to his writing are an integral part of her story, and Waal also details the couple’s stormy marriage, from 1901 to 1903, the reasons for its failure, and the personal and career influences they continued to exert on each other. As Strindberg’s inspiration for many literary works, Bosse was alternately vilified and idealized. Much of what Strindberg wrote after meeting Bosse reflects his adoration of her and his despair over the problems of their relationship. She inspired two of his major works of poetry, "The Golden Eagle" and "The Dutchman," in addition to the character of the virgin princess in Swan White. On stage she played eight minor and six major Strindberg roles, including Indra’s Daughter in A Dream Play and Christina in Queen Christina.
Much information for this book is drawn from previously inaccessible sources, including unpublished materials in libraries, archives, and private collections, mostly in Scandinavia. Waal interviewed Strindberg and Bosse’s daughter Anne Marie Wyller Hagelin (to whom the book is dedicated) as well as other members of Bosse’s family and a wide range of actors, critics, directors, and scholars. Forty-one photographs are included in the text.
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Strindberg's Letters
August Strindberg
University of Chicago Press, 1992
This is the first major collection in English of August Strindberg's letters, the most vital and wide-ranging body of correspondence in Scandinavian literature. Of ten thousand surviving letters, Michael Robinson has selected and translated more than five hundred of the most important, which trace Strindberg's development and provide a comprehensive view of the life and work of this towering figure in European literary and theatrical Modernism.

Strindberg's plays, novels, and short stories, which influenced film and theatre artists from Artaud and the German Expressionists to Ingmar Bergman and Woody Allen, chart an artistic evolution from Naturalism to the revolt against realism that issued in Expressionist drama. These letters help to explain Strindberg's seminal force and testify to the broad range of his interests, energies, and imaginative instincts. An essential part of their author's oeuvre, the letters provide invaluable insight into Strindberg the artist, the political thinker, and the person, and were regarded by Strindberg himself as an integral component of his autobiographical project.

The letters, some of them published here for the first time, have been meticulously edited and are supported by an extensive introduction and notes.
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Strindberg's Letters, Volume 1
1862-1892
August Strindberg
University of Chicago Press, 1992
This is the first major collection in English of August Strindberg's letters, the most vital and wide-ranging body of correspondence in Scandinavian literature. Of ten thousand surviving letters, Michael Robinson has selected and translated more than five hundred of the most important, which trace Strindberg's development and provide a comprehensive view of the life and work of this towering figure in European literary and theatrical Modernism.
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Strindberg's Letters, Volume 2
1892-1912
August Strindberg
University of Chicago Press, 1992
This is the first major collection in English of August Strindberg's letters, the most vital and wide-ranging body of correspondence in Scandinavian literature. Of ten thousand surviving letters, Michael Robinson has selected and translated more than five hundred of the most important, which trace Strindberg's development and provide a comprehensive view of the life and work of this towering figure in European literary and theatrical Modernism.
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