front cover of The Art of Backscratching in Chicago
The Art of Backscratching in Chicago
Driving with Ed McElroy
Neil Steinberg
University of Chicago Press, 2013
“Ed McElroy, clear of eye, sound of mind, and eighty-three years of age . . . guides his black Cadillac down Halsted Street.” So begins longtime Chicago journalist Neil Steinberg’s nuanced homage to Ed McElroy: an old-school, behind-the-scenes backscratcher who has driven the rich, powerful, and well-connected around the city, doing favors and calling them in, for decades. Helping a young Steinberg understand the city, McElroy and his take on how a Mayor’s son gets to be Mayor and how a wily up-and-comer marries the daughter of a powerful alderman and later becomes governor would enthrall even the most seasoned Chicagoan. In this drive around town and through time, Steinberg ultimately serves up audacious and funny anecdotes about how it helps to stay connected, to know a guy, and to help people out when you can.
[more]

front cover of Driving a Table Down
Driving a Table Down
Barry Phipps
University of Iowa Press, 2020
On September 23, 2018, photographer Barry Phipps drove seven hours south from his home in Iowa to his parents’ house in southern Missouri. There they wrestled a family heirloom into his car—a wooden table for his Aunt Diane—and Barry and his mother drove more than twelve hundred miles to Di­ane’s home on Florida’s Gulf Coast, stayed a few days, then drove back to Missouri.

Phipps presents the 104 color photographs in Driving a Table Down—selected from more than 2,000 photo­graphs taken over the twelve-day trip—in sequential order to show, in his words, “what does and does not change as one travels through shifting cultural and geographic regions.” By capturing the present mo­ment while referencing the past with faded signs, al­most obliterated murals, closed businesses in quiet towns, forgotten tourist attractions, and many other layers of historical accumulations, the photographs illustrate the stark fact that the present is never en­tirely present tense. Phipps’s attention to the real-time details of rural regions of the Midwest and the South, juxtaposed with personal photographs of his family, gives us a momentary definition of America in a state of flux, an America that looks to the past in a time of an uncertain future.
 
[more]

front cover of Driving in Cars with Homeless Men
Driving in Cars with Homeless Men
Stories
Kate Wisel
University of Pittsburgh Press, 2020
A Library Journal Best Book of 2019
Finalist, 2019 Foreword Indies Award


Driving in Cars with Homeless Men is a love letter to women moving through violence. These linked stories are set in the streets and the bars, the old homes, the tiny apartments, and the landscape of a working-class Boston. Serena, Frankie, Raffa, and Nat collide and break apart like pool balls to come back together in an imagined post-divorce future. Through the gritty, unraveling truths of their lives, they find themselves in the bed of an overdosed lover, through the panting tongue of a rescue dog who is equally as dislanguaged as his owner, in the studio apartment of a compulsive liar, sitting backward but going forward in the galley of an airplane, in relationships that are at once playgrounds and cages. Homeless Men is the collective story of women whose lives careen back into the past, to the places where pain lurks and haunts. With riotous energy and rage, they run towards the future in the hopes of untangling themselves from failure to succeed and fail again.
 
[more]

front cover of Driving the Body Back
Driving the Body Back
Mary Swander
University of Iowa Press, 1998

front cover of Far Flung
Far Flung
Improvisations on National Parks, Driving to Russia, Not Marrying a Ranger, the Language of Heartbreak, and Other Natural Disasters
Cassandra Kircher
West Virginia University Press, 2019

Cassandra Kircher was in her twenties when she was hired by the National Park Service, landing a life that allowed her to reinvent herself. For four years she collected entrance fees and worked in the dispatch office before being assigned as the first woman to patrol an isolated backcountry district of Colorado’s Rocky Mountain National Park. There, Kircher encountered wonder and beauty, accidents and death. Although she always suspected the mountains might captivate her, she didn’t realize that her adopted landscape would give her strength to confront where she was from—both the Midwest that Willa Cather fans will recognize, and a childhood filled with problems and secrets.

Divided and defined by geographic and psychological space, Far Flung begins in the Rockies but broadens its focus as Kircher negotiates places as distant as Alaska’s Kenai Peninsula, Russia’s Siberian valleys, and Wisconsin’s lake country, always with Colorado as a heartfelt pivot. These thirteen essays depict a woman coming to terms with her adoration for the wilds of the West and will resonate with all of us longing to better understand ourselves and our relationships to the places and people we love most.

[more]

front cover of Road Sides
Road Sides
An Illustrated Companion to Dining and Driving in the American South
By Emily Wallace
University of Texas Press, 2019

An illustrated glovebox essential, Road Sides explores the fundamentals of a well-fed road trip through the American South, from A to Z. There are detours and destinations, accompanied by detailed histories and more than one hundred original illustrations that document how we get where we’re going and what to eat and do along the way.

Learn the backstory of food-shaped buildings, including the folks behind Hills of Snow, a giant snow cone stand in Smithfield, North Carolina, that resembles the icy treats it sells. Find out how kudzu was used to support a burgeoning highway system, and get to know Edith Edwards—the self-proclaimed Kudzu Queen—who turns the obnoxious vine into delicious teas and jellies. Discover the roots of kitschy roadside attractions, and have lunch with the state-employed mermaids of Weeki Wachee Springs in Florida.

Road Sides is for everyone—the driver in search of supper or superlatives (the biggest, best, and even worst), the person who cannot resist a local plaque or snack and pulls over for every historical marker and road stand, and the kid who just wants to gawk at a peach-shaped water tower.

[more]


Send via email Share on Facebook Share on Twitter