Located on the shore of Lake Superior near the Iron Range of Minnesota and, for much of its history, the site of vast steel, lumber, and shipping industries, Duluth has been home to people who worked tirelessly in the rail yards, grain elevators, and harbor. Here, for the first time, By the Ore Docks presents a compelling, full-length history of the people who built this port city and struggled for both the growth of the city and the rights of their fellow workers.

In By the Ore Docks, Richard Hudelson and Carl Ross trace seventy years in the lives of Duluth’s multi-ethnic working class—Scandinavians, Finns, Italians, Poles, Irish, Jews, and African Americans—and chronicle, along with the events of the times, the city’s vibrant neighborhoods, religious traditions, and communities. But they also tell the dramatic story of how a populist worker’s coalition challenged the “legitimate American” business interests of the city, including the major corporation U.S. Steel.

From the Knights of Labor in the 1880s to the Industrial Workers of the World, the AFL and CIO, and the Democratic Farmer-Labor party, radical organizations and their immigrant visionaries put Duluth on the national map as a center in the fight for worker’s rights—a struggle inflamed by major strikes in the copper and iron mines.

By the Ore Docks is at once an important history of Duluth and a story of its working people, common laborers as well as union activists like Ernie Pearson, journalist Irene Paull, and Communist party gubernatorial candidate Sam Davis. Hudelson and Ross reveal tension between Duluth’s ethnic groups, while also highlighting the ability of the people to overcome those differences and shape the legacy of the city’s unsettled and remarkable past.

Richard Hudelson is professor of philosophy at the University of Wisconsin, Superior. He is the author of, among other works, Marxism and Philosophy in the Twentieth Century and The Rise and Fall of Communism.

Carl Ross (1913–2004) was a labor activist and the author of The Finn Factor in American Labor, Culture, and Society. He was director of the Twentieth-Century Radicalism in Minnesota Project of the Minnesota Historical Society.

"The waves on Lake Superior nearly splattered them all over the cliffs, and mosquitoes almost ate them alive in the Boundary Waters. Halfway through the three-month trip, they buried their underwear. But who needs underwear when you’re 22 years old and living out the adventure of a boyhood dream?" —St. Paul Pioneer Press

"Distant Fires, a true-life adventure, describes a 1,700-mile canoe trip from Duluth to York Factory on Hudson Bay. Anderson and a companion retraced the paddles taken by Eric Sevareid and a companion almost sixty years earlier. Their trials and tribulations, plus Anderson’s sense of humor, make the trip fun in book form. Pen-and-ink illustrations are by noted Minnesota wildlife artist Les Kouba." —Minneapolis Star Tribune

"Distant Fires is a voyage of discovery. Scott Anderson is an inquisitive traveler, and when he sees something that piques his interest, he stops for a chat. He also has a marvelous eye for the natural world that surrounds him in his summerlong journey. He is a natural-born writer." —Duluth News Tribune

"Some of [Anderson’s] phrasing is very happy indeed: ‘the resting place of the rivers.’ I wish I had written that." —Eric Sevareid

From 1915 to 1971 the large U.S. Steel plant was a major part of Duluth’s landscape and life. Just as important was Morgan Park—an innovatively planned and close-knit community constructed for the plant’s employees and their families. In this new book Arnold R. Alanen brings to life Morgan Park, the formerly company-controlled town that now stands as a city neighborhood, and the U.S. Steel plant for which it was built.

Planned by renowned landscape architects, architects, and engineers, and provided with schools, churches, and recreational and medical services by U.S. Steel, Morgan Park is an iconic example—like Lowell, Massachusetts, and Pullman, Illinois—of a twentieth-century company town, as well as a window into northeastern Minnesota’s industrial roots.

Starting with the intense political debates that preceded U.S. Steel’s decision to build a plant in Duluth, Morgan Park follows the town and its residents through the boom years to the closing of the outmoded facility—an event that foreshadowed industrial shutdowns elsewhere in the United States—and up to today, as current residents work to preserve the community’s historic character.

Through compelling archival and contemporary photographs and vibrant stories of a community built of concrete and strong as steel, Alanen shows the impact both the plant and Morgan Park have had on life in Duluth.

Arnold R. Alanen is professor of landscape architecture at the University of Wisconsin–Madison. His previous books include Main Street Ready-Made: The New Deal Community of Greendale, Wisconsin and Preserving Cultural Landscapes in America.  

Duluth may be the city of “untold delights” as lampooned in a Kentucky congressman’s speech in 1871. Or it may be portrayed by a joke in Woody Allen’s film Manhattan. Or then again, it may be the “Zenith City of the unsalted seas” celebrated by Dr. Thomas Preston Foster, founder of the city’s first newspaper. But whatever else it may be, this city of granite hills, foghorns, and gritty history, the last stop on the shipping lanes of the Great Lakes, is undeniably a city with character—and characters. Duluth native Michael Fedo captures these characters through the happy-go-melancholy lens nurtured by the people and landscape of his youth. In Zenith City Fedo brings it back home. Framed by his reflections on Duluth’s colorful—and occasionally very dark—history and its famous visitors, such as Sinclair Lewis, Joe DiMaggio, and Bob Dylan, his memories make the city as real as the boy next door but with a better story.

Here, among the graceful, poignant, and often hilarious remembered moments—pranks played on a severe teacher, the family’s unlikely mob connections, a rare childhood affliction—are the coordinates of Duluth’s larger landscape: the diners and supper clubs, the baseball teams, radio days, and the smelt-fishing rites of spring. Woven through these tales of Duluth are Fedo’s curious, instructive, and ultimately deeply moving stories about becoming a writer, from the guidance of an English teacher to the fourteen-year-old reporter’s interview with Louis Armstrong to his absorption in the events that would culminate in his provocative and influential book The Lynchings in Duluth. These are the sorts of essays—personal, cultural, and historical, at once regional and far-reaching—that together create a picture of people in a place as rich in history and anecdote as Duluth and of the forces that forever bind them together.