front cover of Novel Houses
Novel Houses
Twenty Famous Fictional Dwellings
Christina Hardyment
Bodleian Library Publishing, 2019
Many beloved novels have place at their heart—and often even in their title. Novel Houses visits unforgettable dwellings in twenty legendary works of English and American fiction, exploring how Uncle Tom’s Cabin came to start the American Civil War, why Bleak House is used as the name of a happy home, and what Jane Austen had in mind when she worked out the plot for Mansfield Park. Taking up the importance of 221B Baker Street to Sherlock Holmes, and of Bag-End to the hobbits who called it home, the book also sheds fresh light on Emily Brontë’s Wuthering Heights, Mervyn Peake’s Gormenghast, and the real-life settings of Daphne du Maurier’s Rebecca and E. M. Forster’s Howards End. Throughout, the book invites us to consider how houses, while so fundamental to these stories, also reveal much about their authors’ passions and preoccupations. A winning combination of literary criticism, geography, and biography, this is an entertaining and insightful celebration of beloved novels and the extraordinary role that houses play—whether grand or small, unique or ordinary, real or imagined.
 
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Unreal Houses
Character, Gender, and Genealogy in the Tale of Genji
Edith Sarra
Harvard University Press, 2020

The Tale of Genji (ca. 1008), by noblewoman Murasaki Shikibu, is known for its sophisticated renderings of fictional characters’ minds and its critical perspectives on the lives of the aristocracy of eleventh-century Japan. Unreal Houses radically rethinks the Genji by focusing on the figure of the house. Edith Sarra examines the narrative’s fictionalized images of aristocratic mansions and its representation of the people who inhabit them, exploring how key characters in the Genji think about houses in both the architectural and genealogical sense of the word.

Through close readings of the Genji and other Heian narratives, Unreal Houses elucidates the literary fabrication of social, architectural, and affective spaces and shows how the figure of the house contributes to the structuring of narrative sequences and the expression of relational nuances among fictional characters. Combining literary analysis with the history of gender, marriage, and the built environment, Sarra opens new perspectives on the architectonics of the Genji and the feminine milieu that midwifed what some have called the world’s first novel.

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