front cover of At Home
At Home
Historic Houses of Eastern Massachusetts
Beth Luey
University of Massachusetts Press, 2019
With its abundant history of prominent families, Massachusetts boasts some of the most historically rich residences in the country. In the eastern half of the Commonwealth, these include Presidents John and John Quincy Adams's home in Quincy, Bronson and Louisa May Alcott's Orchard House in Concord, the Charles Bulfinch—designed Harrison Gray Otis House in Boston, and Edward Gorey's Elephant House in Yarmouth Port.

In At Home: Historic Houses of Eastern Massachusetts, Beth Luey uses architectural and genealogical texts, wills, correspondences, and diaries to craft delightful narratives of these notable abodes and the people who variously built, acquired, or renovated them. Filled with vivid details and fresh perspectives that will surprise even the most knowledgeable aficionados, each chapter is short enough to serve as an introduction for a visit to its house. All the homes are open to the public.
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logo for Amherst College Press
Local Ecologies
Artistic Investigations of Eastern Massachusetts
Edited by Kirsten Swenson and Rebecca Uchill
Amherst College Press, 2026
​​Local Ecologies is an innovative multimedia exploration of the diverse coastal and river ecosystems of Eastern Massachusetts. The book’s rich archive of essays, interviews, and artistic projects reveals the region’s layered Indigenous, colonial, and industrial histories, showing how art can deepen understanding of place through strategies for reading the ground with greater care. By recognizing entangled histories and working within difficult inheritances, this volume foregrounds multiple ways of knowing and making place—through observation, research, memory, and collective action—offering the reader models for ongoing engagement with the region and beyond.

Developed through a multiyear collaboration among artists, scholars, activists, and community stakeholders, this volume takes its name from an initiative hosted by three University of Massachusetts campuses (Boston, Dartmouth, and Lowell) in 2019 and 2020. In expanded forms, the book’s contributors reflect on sites such as Jerry’s Pond in Cambridge, Deer Island in Boston Harbor, New Bedford Harbor, and the Merrimack River, tracing histories of colonialism and displacement, and presenting contemporary acts of resistance and reclamation. At a moment when the infrastructures of cultural memory are increasingly under threat, Local Ecologies insists on art as a vital mode of collective reckoning and possibility.
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