Only a few of us seek immortality, and fewer still by writing. But Arthur Inman challenged the odds. He calculated that if he kept a diary and spared no thoughts or actions, was entirely honest and open, and did not care about damage or harm to himself or others, he would succeed in gaining attention beyond the grave that he could not attain in life.
The diary became a many-layered and strikingly animated work of a gifted writer, by turns charming, repellent, shocking, cruel, and comical. But the diary is also an uninhibited history of his times, of his eccentricities and fantasies, of his bizarre marriage arrangements and sexual adventures. Inman’s explorations of his own troubled nature made him excessively curious about the secret lives of others. Like some ghostly doctor-priest, he chronicled their outpourings of head and heart as vividly as he did his own. The diary reads like a nonfiction novel as it moves inexorably toward disaster.
This is an abridged version of the celebrated two-volume work published by Harvard as The Inman Diary: A Public and Private Confession.
Texas has been home to so many colorful characters, out-of-staters might wonder if any normal people live here. And it's true that the "Texian" desire to act out sometimes overcomes even the most sober citizens—which makes it a real challenge for the genuine eccentrics to distinguish themselves from the rest of us. Fortunately, though, many maverick Texans have risen to the test, and in this book, Gene Fowler introduces us to a gallery of Texas eccentrics from the worlds of oil, ranching, real estate, politics, rodeo, metaphysics, showbiz, art, and folklore.
Mavericks rounds up dozens of Fowler's favorite Texas characters, folks like the Trinity River prophet Commodore Basil Muse Hatfield; the colorful poet-politician Cyclone Davis Jr.; Big Bend tourist attraction Bobcat Carter; and the dynamic chief executive of the East Texas Oil Field Governor Willie. Fowler persuasively argues that many of these characters should be viewed as folk performance artists who created "happenings" long before the modern art world took up that practice in the 1960s. Other featured mavericks run the demographic gamut from inspirational connoisseurs of the region's native quirkiness to creative con artists and carnival oddities. But, artist or poser, all of the eccentrics in Mavericks completely embody the style and spirit that makes Texas so interesting, entertaining, and culturally unique.
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