Dead Balls and Double Curves: An Anthology of Early Baseball Fiction collects twenty-two classic stories from baseball’s youth, presented in chronological order to capture the development of this most American of sports. Many of these tales have never before been reprinted, adding historical value to the rich literary merits of this anthology.

Editor Trey Strecker’s collection begins with an informal village match in an excerpt from James Fenimore Cooper’s Home as Found (1838), published the year prior to Abner Doubleday’s alleged invention of the game outside Cooperstown, New York, and concludes with the arrival of the superstar slugger that signaled the end of the dead-ball era in Heywood Broun’s The Sun Field (1923). The sampling of fiction from the eighty-five-year interim loads the bases with the humor, realism, and athletic gallantry of the sport’s earliest years. Not all grandstanding and heroism, these stories also explore cultural and class conflicts, racial strife, town rivalries, labor disputes, gambling scandals, and the striking personalities that decorated a simple game’s evolution into a national pastime.

Dead Balls and Double Curves presents a lineup of first-division writers, including Mark Twain, Frank Norris, Christy Mathewson, Edna Ferber, and the game’s poet laureate, Ring Lardner, plus legendary characters such as Baseball Joe, South-Paw Skaggs, Tin Can Tommy, and the sole artiste of the mythic double curve, Frank Merriwell. Throughout the volume, each author’s abiding affection for the game and its characters shines through with diamond-like focus.

“We wait for baseball all winter long,” Bill Littlefield wrote in Boston Magazine a decade ago, “or rather, we remember it and anticipate it at the same time. We re-create what we have known and we imagine what we are going to do next. Maybe that’s what poets do, too.”

Poetry and baseball are occasions for well-put passion and expressive pondering, and just as passionate attention transforms the prose of everyday life into poetry, it also transforms this game we write about, play, or watch. Editors Brooke Horvath and Tim Wiles unite their own passion for baseball and poetry in this collection, Line Drives: 100 Contemporary Baseball Poems, providing a forum for ninety-two poets. Line after line, like baseball itself game after game and season after season, these poems manage to make the old and the familiar new and surprising.

The poems in these pages invite interrogation, and the reader—like the true baseball fan—must be willing to play the game, for these poems are fun, fresh, angry, nostalgic, meditative, and meant to be read aloud. They are keen on taking us deeply into baseball as sport and intent on offering countless metaphors for exploring history, religion, love, family, and self-identity. Each poem delivers images of pure beauty as the poets speak of murder and ghost runners and old ball gloves, of baseball as a tie that binds families—and indeed the nation—together, of the game as a stage upon which no-nonsense grit and skill are routinely displayed, and of the delight experienced in being one amid a mindlessly happy crowd. This book is true to the game’s long season and to the lives of those the game engages.

An admirer of Pirate president Barney Dreyfuss, prolific baseball writer Frederick G. Lieb consorted with the club’s biggest stars, christened the legendary Dreyfuss “the first-division man,” and produced The Pittsburgh Pirates, one of the fifteen celebrated histories of major league teams commissioned by G. P. Putnam’s Sons in the 1940s and 1950s. Originally published in 1948, Lieb’s history ranges from the ball club’s earliest professional days in the late nineteenth century as the Pittsburgh Alleghenies to its spring training session in preparation for the 1948 season, a span that included six National League pennants and two World Series championships, as well as a loss to the Boston Red Sox, then the Pilgrims, at the inaugural World Series a century ago.

“This reprint of Fred Lieb’s The Pittsburgh Pirates is an invitation for baseball readers to enjoy Lieb’s wonderful stories of the great Pirate teams of the first half of the twentieth century,” writes Richard “Pete” Peterson in the new foreword to this edition. “Lieb’s book is rich with accounts of World Series triumphs and disappointments, of epic encounters on the playing field, like that between Wagner and Cobb, of mutinies in the clubhouse, of courageous comebacks, and of devastating defeats, including the infamous ‘homer in the gloaming.’”

In Lieb’s personable and anecdotal prose, honed over the course of his sustained sportswriting career, the book conveys “baseball drama of the highest order,” including the pre-Dreyfuss days of Captain Kerr, Ned Hanlon, and Connie Mack; Dreyfuss’s dynasty in the early twentieth century; the dramatic World Series triumphs of 1909 and 1925; the end of the Dreyfuss era and the sale of the club to a syndicate headed by John Galbreath and Bing Crosby; and the purchase of Hank Greenberg and the emergence of slugger Ralph Kiner. Aided by twenty-five black-and-white photographs, this rare history revisits the glories and stories of “fabulous old Pirates” such as Honus Wagner, Tommy Leach, Fred Clarke, Babe Adams, Max Carey, Kiki Cuyler, Pie Traynor, Paul and Lloyd Waner, and Arky Vaughan.

It happens every summer: packs of beer-bellied men with gloves and aluminum bats, putting their middle-aged bodies to the test on the softball diamond. For some, this yearly ritual is driven by a simple desire to enjoy a good ballgame; for others, it’s a way to forge friendships—and rivalries. But for one short, wild-haired, bespectacled professor, playing softball in New York’s Central Park means a whole lot more. It's one last chance to heal the nagging wounds of Little League trauma before the rust of decline and the relentless responsibilities of fatherhood set in.

Professor Baseball is the coming-of-middle-age story of New York University professor and Little League benchwarmer Edwin Amenta. As rookie manager of the Performing Arts Softball League’s doormat Sharkeys, he reverses softball’s usual brawn-over-brains formula. He coaxes his skeptical teammates to follow his sabermetric and sociological approach, based equally on Bill James and Max Weber, which in the heady days of early success he dubs “Eddy Ball.” But Amenta soon learns that his teammates’ attachments to favorite positions and time-honored (if ineffective) strategies are hard to break—especially when the team begins losing. And though he rejects the baseball-as-life metaphor, life keeps intruding on his softball season. Amenta here comes to grips with the humiliation of assisted reproduction, suffers mysterious ailments, and finds himself lingering at the sponsor’s bar, while his partner, a beautiful but baseball-challenged professor, second-guesses his book in the making. Can he turn his team—and his life—around?

Packed with colorful personalities, dramatic games, and the bustle of New York life, Professor Baseball will charm anyone who has ever root, root, rooted for the underdog.