A SCHOLARLY BOOK REPOSITORY92 start with T start with T
In his extensive introduction to this volume, Leon H. Mayhew brings a new focus and clarity to Talcott Parsons's work. Explicating Parsons on his own terms, Mayhew discusses the basic tools of Parsonian analysis and interprets the larger themes of his work. He provides a chronological account of the development of Parsons's thought, his presuppositions, and his position on the ideological spectrum of social thought.
Mayhew then presents twenty of Parsons's essays, touching on each of the major aspects of his work, including "action" theory and the celebrated four-function scheme. Other topics covered include the role of theory in social research, evolutionary universals in society, influence, control, and the mass media.
"Talcott Parsons on Institutions and Social Evolution will become a standard reference for those studying that development of his sociological ideas."—Martin Bulmer, The Times Higher Education Supplement
Like a walking tour with a literate friend and expert, Cindy Crosby's Tallgrass Prairie prepares travelers and armchair travelers for an adventure in the tallgrass. Crosby's engaging gateway assumes no prior knowledge of tallgrass landscapes, and she acquaints readers with the native plants they’ll discover there. She demystifies botanic plant names and offers engaging mnemonic tips for mastering Latin names with verve and confidence. Visitors to the prairie will learn to identify native plants using the five senses to discover what makes each plant unique or memorable. In the summer, for example, the unusual square stem of cup plant, Silphium perfoliatum, sets it apart from its neighbors. And its distinctive leaf cups water after the rain.
A gifted raconteur, Crosby tells stories about how humankind has adopted the prairie as a grocery, an apothecary, and even as a shop for love charms. Rounding out this exceptional introduction are suggestions for experiencing the American prairie, including journaling techniques and sensory experiences, tips for preparing for a hike in tallgrass landscapes, ways to integrate native prairie plants into home landscapes (without upsetting the neighbors), and a wealth of resources for further exploration.
An instant classic in the tradition of American naturalist writing, The Tallgrass Prairie will delight not only scholars and policy makers, but guests to tallgrass prairie preserves, outdoors enthusiasts and gardeners, and readers interested in American ecosystems and native plants.
Robert Michael Pyle’s popular “Tangled Bank” column appeared in fifty-two consecutive issues of Orion and Orion Afield magazines over eleven years. Each essay collected in The Tangled Bank explores Charles Darwin’s contention that the elements of such a bank, and by extension all the living world, are endlessly interesting and ever evolving.
Pyle’s thoughtful and concise narratives range in subject from hops and those who love them to independent bookstores to the monarchs of Mexico. In each piece, Pyle refutes “the idea that the world is a boring place,” sharing his meticulous observations of the endless and fascinating details of the living earth.
When we eat, we eat the world: taking something from outside and making it part of us. But what does it taste of? And can we develop our taste? In Taste, Sarah Worth argues that taste is a sense that needs educating, for the real pleasures of eating only come with an understanding of what one really likes. From taste as an abstract concept to real examples of food, she explores how we can learn about and develop our sense of taste through themes ranging from pleasure, authenticity, and food fraud, to visual images, recipes, and food writing.
Insightful, good-humored essays on the possibilities of alien life and the uses of space exploration, based on an astrobiologist’s everyday conversations with his fellow humans—taxi drivers, to be precise.
If you’ve ever sat in the back seat of a taxi, you know that cabbies like to talk. Sports or politics, your job or theirs, taxi drivers are fine conversationalists on just about any topic. And when the passenger is astrobiologist Charles Cockell, that topic is usually space and what, if anything, lives out there.
Inspired by conversations with drivers all over the world, Taxi from Another Planet tackles the questions that everyday people have about the cosmos and our place in it. Will we understand aliens? What if there isn’t life out in the universe? Is Mars our Plan B? And why is the government spending tax dollars on space programs anyway? Each essay in this genial collection takes questions like these as a starting point on the way to a range of insightful, even poignant, observations. Cockell delves into debates over the inevitability of life and looks to both human history and scientific knowledge to consider what first contact will be like and what we can expect from spacefaring societies. He also offers a forceful argument for the sympathies between space exploration and environmentalism.
A shrewd and entertaining foray into the most fundamental mysteries, Taxi from Another Planet brings together the wisdom of scientific experts and their fellow citizens of Earth, the better to understand how life might unfold elsewhere.
With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television’s changing role in public places and at home, the Internet’s use as a means of social activism, and television’s role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television’s past, present, and future.
Contributors. William Boddy, Charlotte Brunsdon, John T. Caldwell, Michael Curtin, Julie D’Acci, Anna Everett, Jostein Gripsrud, John Hartley, Anna McCarthy, David Morley, Jan Olsson, Priscilla Peña Ovalle, Lisa Parks, Jeffrey Sconce, Lynn Spigel, William Uricchio
In Miscamble’s thorough introduction of O’Connell, he writes that the latter “utilized his striking talents as a historian as an integral part of his fundamental vocation as a priest. [O’Connell] once described the historian as a veritable ‘midwife to our faith,’ who must capture, as best as evidence will allow, the truth of the past.” This position lends itself to the structure of this work. The first part is the sadly incomplete memoirs of Fr. O’Connell, wherein the reader meets the historian and moves with eagerness and confidence into the essays that follow. Highlights of these collected essays include thoughts on Cardinal Newman, Belloc, the Spanish Inquisition, and the historical perspective of evangelization in the United States and modernism at large. What one reads are stories that might have been lost but are here preserved in what can with all moral certainty be called truthfulness. As his friend Ralph McInerny once qualified him, O’Connell combined compassion and judgment such that his histories were always indeed primarily stories and, as the reader well knows, stories have layers and threads and are not told simply for their conclusions.
O’Connell succeeds in showing one how human history is written. Above all, he reveals that history is made by humans, but must also be remembered and deciphered by humans who cannot forego leaving their own marks and prints on everything they encounter (in memory or otherwise). The objectivity we seek can be found in one historical account alone, asserts the priest-storyteller, yet a sharp eye to the past is always consonant with a compassionate desire to understand. Bill Schmitt, Fr. Bill Miscamble and David Solomon do posterity a service by giving us this man and his masterful engagement of history. These friends of O’Connell deem the historian’s passion for truth-in-context to be foundational for shaping stories that matter, including his own.
"This artful combination of memoir and selected essays reawakens our memory of Father O'Connell in all his immense personal charm, intellectual energy, rich erudition, keen wit, and steadfast dedication to his interlocking callings as priest and historian." —J. Philip Gleason, Emeritus Professor, History Department, University of Notre Dame
"The work of a master historian, these memoirs and essays are reliable in recounting what happened, insightful in judging how and why, and eloquent in presenting it all with a flair and wit rarely equaled in historical writing. Moreover, they come forth from a Catholic faith so deep and secure that it need not be imposed on the reader. Rather, they do what good historical writing does, placing the reader into a past that can be seen and felt, recognized and understood. Whether it be his colorful accounts of the tumultuous life and times of Thomas More, or the valiant struggles of Newman and the Oxford Movement, or his own seminary training and teaching in St. Paul, or his fortunes as a graduate student at Notre Dame under the tutelage of the eminent Monsignor Phillip Hughes—whatever the topic, reading O’Connell’s history gives one the gift of being able to say, I remember that happening and I wasn’t even there!"—Michael J. Baxter, Director of Catholic Studies, Regis University in Denver
"O'Connell was a master story teller. He was not, however, just a story teller. He was painstakingly rigorous in what and how he taught. His stories always perfectly illustrated a point, but they were never a substitution for the truth--rather an illustration of it." —Bradley Birzer, Russell Amos Kirk Chair in American Studies, Hillsdale College
The books found in the bundle are:
•Neuroscience, Psychology and Religion by Malcolm Jeeves and Warren Brown
•Technology and Religion by Noreen Herzfeld
•Horizons of Cosmology by Joseph Silk
•Paleontology by Ian Tttersall
•Cognitive Science, Religion, and Theology by Justin L. Barrett
•Ecology and the Environment by R. J. Berry
•The Language of Genetics by Denis Alexander
•Mathematics and Religion by Javier Leach
•The Templeton Science and Religion Reader
•The Templeton Science and Religion Study Guide
This bundle is only sold in e-book format!
Ten Theses for an Aesthetics of Politics is an invitation to culture makers, political thinkers of all kinds, and everyday spectators to reconsider their love of the world of appearances. Inspired by Jacques Rancière’s Ten Theses on Politics and work by Hannah Arendt, Stanley Cavell, and Roland Barthes, Davide Panagia offers conceptual provocations that emphasize the sense of conviction one has when facing the frictions of aesthetic experience. Rooted in varied and variable experiences of border crossings, Panagia invites readers to reflect on the relational practices that appearances engender.
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
In Tending the Valley, Alice chronicles their efforts to return the land to its natural prairie state and to manage their oak and pine woods. Along the way they joined the land restoration movement, became involved in a number of stewardship groups, and discovered the depths of dedication and toil required to bring their dream to fruition. With hard-earned experience and the evocative language of a poet, D’Alessio shares her personal triumphs and setbacks as a prairie steward, along with a profound love for the land and respect for the natural history of the Driftless.
Antonetta reflects on a life spent wrestling with bipolar disorder, drug dependency, and the trauma of electroshock treatment—exploring these experiences alongside conversations with some of the world’s leading neuroscientists and physicists, and with psychics. The result is a meditation on the legacy of family, on thought and being, and what we humans can actually ever really know about our world.
Who are the serpent handlers? What motivates them to continue their potentially lethal practices through the generations? Documentary photographer Lauren Pond traveled to West Virginia in search of answers to these questions. There she met Pastor Randy “Mack” Wolford, one of the best-known Signs Following preachers in the region, and spent the following year documenting Mack and his family. The course of her work changed dramatically in May 2012, when Mack, then forty-four years old, suffered a fatal rattlesnake bite during a worship service she attended. Pond photographed the events that followed and has continued her relationship with Mack’s family.
Test of Faith provides a deeply nuanced, personal look at serpent handling that not only invites greater understanding of a religious practice that has long faced derision and criticism; it also serves as a meditation on the photographic process, its ethics, and its capacity to generate empathy.
Published by Duke University Press and the Center for Documentary Studies at Duke University
The Texanist, Texas Monthly’s perennially popular back-page column, has become the magazine’s most-read feature. With an inimitable style and an unassailable wholesomeness, columnist David Courtney has counseled many a well-intentioned Texan, native or wannabe, on how to properly conduct him- or herself. Until the July 2016 issue, an original illustration by the late award-winning artist Jack Unruh, depicting the Texanist in a situation described in the column, accompanied the Texanist’s sage wisdom. Unruh’s peerless illustrations displayed a sly wit that paired perfectly with Courtney’s humorous ripostes.
The Texanist gathers several dozen of Unruh’s most unforgettable illustrations, along with the fascinating, perplexing, and even downright weird questions that inspired them. Curing the curious, exorcizing bedevilment, and orienting the disoriented, the Texanist advises on such things as: Is it wrong to wear your football team’s jersey to church? When out at a dancehall, do you need to stick with the one that brung ya? Is it real Tex-Mex if it’s served with a side of black beans? Can one have too many Texas-themed tattoos? The Texanist addresses all of these important subjects and more. Whether you heed the good guidance, or just enjoy the whimsical illustrations, The Texanist will both entertain and educate you.
The Text & Beyond: Essays in Literary Linguistics is a collection of suggestive models for those interested in using the tools of linguistics to meet the aims of literary criticism and theory. Only very recently have linguists and literary scholars come to recognize that their goals are compatible.
Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.
The volume also features selections from Krzhizhanovsky's compelling and idiosyncratic essays on Shakespeare, Pushkin, Shaw, and the philosophy of theater. Professionally, he worked with director Alexander Tairov at the Moscow Kamerny Theater, and his original philosophy of the stage bears comparison with the great theater theorists of the twentieth century. In these writings, he reflects on the space and time of the theater, the resonance of language onstage, the experience of the actor, and the relationship between the theater and the everyday. Commentary by Alisa Ballard Lin and Caryl Emerson contextualizes Krzhizhanovsky's writings.
A comprehensive series of essays exploring Peter C. Phan’s groundbreaking work to widen Christian theology beyond the Western world
Peter C. Phan’s wide-ranging contributions to theology and his pioneering work on religious pluralism, migration, and Christian identity have made a global impact on the field.
The essays in Theology without Borders offer a variety of perspectives across Phan’s fundamental work in eschatology, world christianity, interreligious dialogue, and much more. Together, these essays offer a comprehensive assessment of Phan’s groundbreaking work across a range of theological fields. Included in the conversation are discussions of world Christianity and migration, Christian identity and religious pluralism, Christian theology in Asia, Asian American theology, eschatology, and Phan’s lasting legacy.
Theology without Borders provides a welcome overview for anyone interested in the career of Peter C. Phan, his body of work, and its influence.
In his first book devoted exclusively to naturalism, Donald Pizer brings together thirteen essays and four reviews written over a thirty-year period that in their entirety constitute a full-scale interpretation of the basic character and historical shape of naturalism in America.
The essays fall into three groups. Some deal with the full range of American naturalism, from the 1590s to the late twentieth century, and some are confined either to the 1890s or to the twentieth century. In addition to the essays, an introduction in which Pizer recounts the development of his interest in American naturalism, reviews of recent studies of naturalism, and a selected bibliography contribute to an understanding of Pizer’s interpretation of the movement.
One of the recurrent themes in the essays is that the interpretation of American naturalism has been hindered by the common view that the movement is characterized by a commitment to Emile Zola’s deterministic beliefs and that naturalistic novels are thus inevitably crude and simplistic both in theme and method. Rather than accept this notion, Pizer insists that naturalistic novels be read closely not for their success or failure in rendering obvious deterministic beliefs but rather for what actually does occur within the dynamic play of theme and form within the work.
Adopting this method, Pizer finds that naturalistic fiction often reveals a complex and suggestive mix of older humanistic faiths and more recent doubts about human volition, and that it renders this vital thematic ambivalence in increasingly sophisticated forms as the movement matures. In addition, Pizer demonstrates that American naturalism cannot be viewed monolithically as a school with a common body of belief and value. Rather, each generation of American naturalists, as well as major figures within each generation, has responded to threads within the naturalistic impulse in strikingly distinctive ways. And it is indeed this absence of a rigid doctrinal core and the openness of the movement to individual variation that are responsible for the remarkable vitality and longevity of the movement.
Because the essays have their origin in efforts to describe the general characteristics of American naturalism rather than in a desire to cover the field fully, some authors and works are discussed several times (though from different angles) and some referred to only briefly or notat all. But the essays as a collection are "complete" in the sense that they comprise an interpretation of American naturalism both in its various phases and as a whole. Those authors whose works receive substantial discussion include Stephen Crane, Frank Norris, Theodore Dreiser, Edith Wharton, James T. Farrell, Norman Mailer, Joyce Carol Oates, and William Kennedy. Of special interest is Pizer’s essay on Ironweed, which appears here for the first time.
Can social theories forge new paths into an uncertain future?
The future has become increasingly difficult to imagine. We might be able to predict a few events, but imagining how looming disasters will coincide is simultaneously necessary and impossible. Drawing on speculative fiction and social theory, Theory for the World to Come is the beginning of a conversation about theories that move beyond nihilistic conceptions of the capitalism-caused Anthropocene and toward generative bodies of thought that provoke creative ways of thinking about the world ahead. Matthew J. Wolf-Meyer draws on such authors as Kim Stanley Robinson and Octavia Butler, and engages with afrofuturism, indigenous speculative fiction, and films from the 1970s and ’80s to help think differently about the future and its possibilities.
Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
This first of two volumes of Voegelin's miscellaneous papers brings together crucial writings, published for the first time, from the early, formative period of this scholar's thought. The book begins with Voegelin's dissertation on sociological method, completed under the direction of Othmar Spann and Hans Kelsen at the University of Vienna in 1922. It reveals an intimate knowledge of the writings of Georg Simmel and a skillful use of insights gained from Edmund Husserl's Logical Investigations and Ideas.
The dissertation, and other smaller pieces written at this time, addresses problems that remained of great importance to Voegelin throughout his life: the relation of insight to language, the structure of the human being, and the human's spiritual center. They disclose both Voegelin's theoretical reference points during these early years, including the thought of Henri Bergson, Othmar Spann, Georg Simmel, and Edmund Husserl, as well the young scholar's remarkably independent approach to theoretical problems.
Moreover, this volume includes a work that is fundamental to an understanding of Voegelin's theoretical development: his extended study on the "theory of governance," written between 1930 and 1932. It follows the issues that confront political society to their roots in the soul and in the soul's relationship to the ground of being.
The Theory of Governance and Other Miscellaneous Papers presents a meditative-exegetic study of texts from Augustine, Descartes, and Husserl, early examples of the meditations that became central to Voegelin's later work. Other essays included in this volume such as "Theory of Law" and "Political Theory as Human Science" develop these theoretical insights and refine Voegelin's methodological tools. This volume will be of interest to all scholars of the work of Eric Voegelin and of the refoundation of political philosophy in the twentieth century in general.
The Southwest Berger sees is an unusual, even odd, place, with inhabitants that are just as strange. In this collection of essays he introduces us to people and places that define a region and a way of life. We meet eccentric desert dwellers like Cactus Pete, who claimed to have mapped the mountains of Venus long before NASA penetrated its clouds. We chart the canals of Phoenix, which have created a Martian landscape out of an irrigation system dating back to the ancient Hohokam; stay at a "wigwam" motel in Holbrook, whose kitsch appeals even to Hopis; and dim our lights for the International Dark-Sky Association's efforts to keep night skies safe for astronomy.
Focusing on the interaction of people with the environment, Berger reveals an original vision of the Southwest that encompasses both city and wilderness. In a concluding essay centering on the sale of his mother's estate in Phoenix, he concedes that "our intention to leave the desert alone has resulted, unwittingly, in loss after loss, simply by our being here." Sometimes there are losses—a canyon, a house—but Berger attunes us to the prodigies of change.
There Will Always Be Boxing continues this tradition of excellence. A poignant look at Muhammad Ali—whose life was celebrated throughout the world following his death on June 3, 2016—highlights this collection of Hauser’s work. The year’s biggest fights are, as always, put in perspective. And once again, Hauser takes readers behind the scenes, giving them a seat at the table with boxing’s biggest power brokers as he reveals the inner workings of the sport and business of boxing.
There Will Always Be Boxing is sure not to disappoint the readers, writers, and critics who look forward to Hauser’s annual collection of articles about the contemporary boxing scene. This collection shows, once again, why Hauser is one of the last real champions of boxing and one of the very best who has ever written about the sport.
The essays investigate and meditate on a broad array of related topics, including drone strikes, tear gas, and military intervention; the sugar trade, the Dutch blackface celebration of Zwarte Piet, and constructions of whiteness in Europe and the U.S.; and visual arts of Russian avant-garde painters, an Iraqi choreographer living in Belgium, and German choreographer Pina Bausch.
This is a lyrical, timely book deeply salient to the political moment we continue to find ourselves in: a moment of incredible anti-refugee and anti-immigrant sentiment, a moment of xenophobic and misogynistic violence.
Collected essays by a leading philosopher situating the question of the animal in the broader context of a relational ontology
There is a revolution under way in our thinking about animals and, indeed, life in general, particularly in the West. The very words man, animal, and life have turned into flimsy conceptual husks—impediments to thinking about the issues in which they are embroiled. David Wood was a founding member of the early 1970s Oxford Group of philosophers promoting animal rights; he also directed Ecology Action (UK). Thinking Plant Animal Human is the first collection of this major philosopher’s influential essays on “animals,” bringing together his many discussions of nonhuman life, including the classic “Thinking with Cats.”
Exploring our connections with cats, goats, and sand crabs, Thinking Plant Animal Human introduces the idea of “kinnibalism” (the eating of mammals is eating our own kin), reflects on the idea of homo sapiens, and explores the place of animals both in art and in children’s stories. Finally, and with a special focus on trees, the book delves into remarkable contemporary efforts to rescue plants from philosophical neglect and to rethink and reevaluate their status. Repeatedly bubbling to the surface is the remarkable strangeness of other forms of life, a strangeness that extends to the human.
Wood shows that the best way of resisting simplistic classification is to attend to our manifold relationships with other living beings. It is not anthropocentric to focus on such relationships; they cast light in complex ways on the living communities of which we are part, and exploring them recoils profoundly on our understanding of ourselves.
“The phrase ‘public intellectual’ is much bandied about. Just a few real heavyweights in the world merit the title, and Steven Weinberg is preeminent among them.”
—Richard Dawkins
“Weinberg has a knack for capturing a complex concept in a succinct, unforgettable image… One of the smartest and most diligent scientists around.”
—Nature
In this wise and wide-ranging meditation, one of the most captivating science communicators of our time challenges us to reconsider the entanglement of science and society. From the cosmological to the personal, from astronomy and quantum physics to the folly of manned spaceflight and the rewards of getting things wrong, Steven Weinberg shares his views on the workings of the universe and our aspirations and limitations. Third Thoughts aims to provoke and inform and never loses sight of the human dimension of scientific discovery.
“One of the 20th century’s greatest physicists…shares his strongly-held opinions on everything from the Higgs boson to the state of theoretical physics and the problems of science and society.”
—Forbes
“This book should be read not only for its insightful and illuminating explanations of a wide range of physical phenomena but also for the opportunity it affords to follow the wanderings of a brilliant mind through topics ranging from high-energy physics and the makeup of the cosmos to poetry, and from the history and philosophy of science to the dangers of economic inequality… [A] captivating book.”
—Mario Livio, Science
With eloquence, subtle humor, and an urgent poignancy, Crenshaw delivers a powerful and moving collection of nonfiction essays, tied together by place and the violence of the world in which we live.
The contributors to this stimulating collection address the ways in which Thoreau and his successors attempt to cope with the basic epistemological split between perceiver and place inherent in writing about nature; related discussions involve the kinds of discourse most effective for writing about place. They focus on the impact on Thoreau and his successors of culturally constructed assumptions deriving from science, politics, race, gender, history, and literary conventions. Finally, they explore the implications surrounding a writer's appropriation or even exploitation of places and objects.
“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement
“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement
Thus began a life path devoted to natural history, nature conservation, and the language, and how they all meet in the literature of the land. Working in a succession of far-flung jobs in biological conservation, teaching, and field research, Pyle eventually threw in a regular paycheck in favor of a freelance existence devoted to his mutual passions for nature study and writing.
All along, he wrote, and wrote: to date, twenty books and hundreds of essays, stories, papers, and poems. But it is the occasional prose--the deeply personal essays that explored and indulged his immediate fascinations--that make up this selection of never-before-collected testimonies. Beginning with that 1965 cri de coeur written on mountain motel stationery, Through a Green Lens ranges across broad territory of topic, vehicle, geography, populace, and politics, concluding with powerful forewords for two 2015 books, Earth and Eros and Nerves and Numbers. Pyle's half-century long view, acute and uncommonly attuned to the physical world, gives readers a remarkable window on the natural setting of our life and times.
Throwing Fire at the Sun, Water at the Moon is a blend of ancient myths, poetry, journal extracts, short stories, and essays that tell her people's story from the early 1500s to the present, and her family's story over the past five generations. Reproductions of Endrezze's paintings add an additional dimension to her story and illuminate it with striking visual imagery. Endrezze has combed history and legend to gather stories of her immediate family and her mythical ancient family, the two converging in the spirit of storytelling. She tells Aztec and Yaqui creation stories, tales of witches and seductresses, with recurring motifs from both Yaqui and Chicano culture. She shows how Christianity has deeply infused Yaqui beliefs, sharing poems about the Flood and stories of a Yaqui Jesus. She re-creates the coming of the Spaniards through the works of such historical personages as Andrés Pérez de Ribas. And finally she tells of those individuals who carry the Yaqui spirit into the present day. People like the Esperanza sisters, her grandmothers, and others balance characters like Coyote Woman and the Virgin of Guadalupe to show that Yaqui women are especially important as carriers of their culture.
Greater than the sum of its parts, Endrezze's work is a new kind of family history that features a startling use of language to invoke a people and their past--a time capsule with a female soul. Written to enable her to understand more about her ancestors and to pass this understanding on to her own children, Throwing Fire at the Sun, Water at the Moon helps us gain insight not only into Yaqui culture but into ourselves as well.
As a youth in Denver, Donald Mace Williams developed an affection for high mountain country. After a journalistic career spent mostly on flat lands, he set out to rediscover what was special about country above timberline. He hiked the high alpine in four of America's major ranges-the Rockies, Sierra Nevada, Cascades, and northern Appalachians-and in his narrative of his travels, he tells us what he saw and learned and who he met. Having visited some of these areas when younger, Williams compares his psychological and physical responses as an older man and how his ideas about how to treat the environment have evolved. A recurring theme is the compromises that people such as he make between the pull of mountains and freedom and the responsibilities of making a living in the lowlands. Mainly, he observes and experiences what is distinctive about the timberline environment.
Throughout his book, Williams gently informs readers regarding timberline history, nature, weather, and archaeology; high altitude physiology; and environmental concerns. Frequently, he recounts encounters with interesting and varied people he meets on the trails: a young British hiking companion who has come back to Colorado to repeat a climb on which, a year previously, his two fellow climbers died; a pilot who climbs isolated peaks in the Sierra Nevada in search of bouillon-can scrolls signed by famous early mountaineers; a "Literate Farmer" who pauses on a mountain trail in Vermont to discuss Robert Frost.
Donald Mace Williams is a retired journalist who has worked for such newspapers as The Wichita Eagle, Newsday, and the Fort Worth Star-Telegram. He has a Ph.D. in English from the University of Texas, has published one previous book (Interlude in Umbarger: Italian POWs and a Texas Church); poems in Western Humanities Review, Iron Horse Literary Review, and South Dakota Review; and a short story in Southwest Review. He now lives in Texas.
To Go Into the Words is the latest book of critical prose from renowned poet and scholar of Jewish literature Norman Finkelstein. Through a rigorous examination of poets such as William Bronk, Helen Adam, and Nathaniel Mackey, the book engages the contemporary poetic fascination with transcendence through the radical delight with language. By opening up a given poem, Finkelstein seeks the “gnosis” or insight of what it contains so that other readers can understand and appreciate the works even more.
Pulling from Finkelstein’s experience of writing thirteen books of poetry and six books of literary criticism, To Go Into the Words consistently rewards the reader with insights as transformative as they are well-considered and deftly mapped out. This volume opens the world of poetry to poets, scholars, and readers by showcasing “the gnosis that is to be found in modern poetry.”
“Fascinating and instructive…King’s philosophy, speaking to us through the written word, may turn out to constitute his most enduring legacy.”
—Annette Gordon-Reed, New York Review of Books
Martin Luther King, Jr., is one of America’s most revered figures, yet despite his mythic stature, the significance of his political thought remains underappreciated. In this indispensable reappraisal, leading scholars—including Cornel West, Martha Nussbaum, and Danielle Allen—consider the substance of his lesser known writings on racism, economic inequality, virtue ethics, just-war theory, reparations, voting rights, civil disobedience, and social justice and find in them an array of compelling challenges to some of the most pressing political dilemmas of our time.
“King was not simply a compelling speaker, but a deeply philosophical intellectual…We still have much to learn from him.”
—Quartz
“A compelling work of philosophy, all the more so because it treats King seriously without inoculating him from the kind of critique important to both his theory and practice.”
—Los Angeles Review of Books
Taken together, these pivotal essays introduce the reader to Schürmann’s most urgent concerns and assemble the conceptual tools that go on to lay the groundwork for his final work, Broken Hegemonies, which offers a subversive re-reading of the history of Western metaphysics outside of Foucault’s genealogical approach. To the reader unfamiliar with Schürmann’s work, these texts establish him as one of the most radical thinkers of the late 20th century, whose work might eventually become legible in our present.
In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates—through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others—emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.
Communal camaraderie, love of the land and its food, and joy in hard work done well describe Western lives ignored or misrepresented in most histories of California and the West. Yet nostalgia does not drive Frank Bergon’s intellectual return to that world. Also prevalent was a culture of fighting, ignorance about alcoholic addiction, brutalizing labor, and a feudal mentality that created a pain better lost and bid good riddance.
Through it all, what emerges from his portraits and essays is a revelation of small-town and ranch life in the rural West. A place where the American way of extirpating the past and violently altering the land is accelerated. What Bergon has written is a portrayal of a past and people shaping the country he called home.
This volume brings to English-language readers the results of an important long-term project of historians from China and Japan addressing contentious issues in their shared modern histories. Originally published simultaneously in Chinese and Japanese in 2006, the thirteen essays in this collection focus renewed attention on a set of political and historiographical controversies that have steered and stymied Sino-Japanese relations from the mid-nineteenth century through World War II to the present.
These in-depth contributions explore a range of themes, from prewar diplomatic relations and conflicts, to wartime collaboration and atrocity, to postwar commemorations and textbook debates—all while grappling with the core issue of how history has been researched, written, taught, and understood in both countries. In the context of a wider trend toward cross-national dialogues over historical issues, this volume can be read as both a progress report and a case study of the effort to overcome contentious problems of history in East Asia.
Bringing together decades of teaching experience, contributors offer perspectives from school- and community-based programs, as well as the tribal, district, and university level. They address special education, language revitalization, wellness, self-determination and sovereignty, and university-tribal-community partnerships. These contributions foreground Diné ways of knowing both as an educational philosophy and as an active practice applied in the innovative programs the book highlights. The contributors deepen our understanding of the state of Navajo education by sharing their perspectives about effective teaching practices and the development of programs that advance educational opportunities for Navajo youth.
This work provides stories of Diné resilience, resistance, and survival. It articulates a Diné-centered pedagogy that will benefit educators and learners for generations to come. Transforming Diné Education fills a need in the larger literature of curricular and programmatic development and provides tools for academic success for all American Indian students.
Contributors
Berlinda Begay
Lorenda Belone
Michael “Mikki” Carroll
Quintina “Tina” Deschenie
Henry Fowler
Richard Fulton
Davis E. Henderson
Kelsey Dayle John
Lyla June Johnston
Tracia Keri Jojola
Tiffany S. Lee
Shawn Secatero
Michael Thompson
Pedro “Pete” Vallejo
Christine B. Vining
Vincent Werito
Duane “Chili” Yazzie
The ethnographic methods that anthropologists first developed to study other cultures—fieldwork, participant observation, dialogue—are now being adapted for a broad array of applications, such as business, conflict resolution and demobilization, wildlife conservation, education, and biomedicine. In Transforming Ethnographic Knowledge, anthropologists trace the changes they have seen in ethnography as a method and as an intellectual approach, and they offer examples of ethnography’s role in social change and its capacity to transform its practitioners.
Senior scholars Mary Catherine Bateson, Sidney Mintz, and J. Lorand Matory look back at how thinking ethnographically shaped both their work and their lives, and George Marcus suggests that the methods for teaching and training anthropologists need rethinking and updating. The second part of the volume features anthropologists working in sectors where ethnography is finding or claiming new relevance: Kamari Maxine Clarke looks at ethnographers’ involvement (or non-involvement) in military conflict, Csilla Kalocsai employs ethnographic tools to understand the dynamics of corporate management, Rebecca Hardin and Melissa Remis take their own anthropological training into rainforests where wildlife conservation and research meet changing subsistence practices and gendered politics of social difference, and Marcia Inhorn shows how the interests in mobility and diasporic connection that characterize a new generation of ethnographic work also apply to medical technologies, as those mediate fertility and relate to social status in the Middle East.
Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek’s dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again; this exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer’s, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator’s Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity. The result is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home.
West Virginia is one of the most homogeneous states in the nation, with among the lowest ratios of foreign-born and minority populations among the states. But as this collection of historical studies demonstrates, this state was built by successive waves of immigrant labors, from the antebellum railroad builders to the twentieth-century coal miners. Transnational West Virginia offers a new understanding of how laborers and their communities shape a region's history. Transnational West Virginia includes essays and studies on immigrant networks, such as Irish workers along the B&O Railroad, Wheeling Germans in the Civil War era, Swiss immigration to West Virginia, and European Jews in Southern West Virginia. This work also covers Belgian glassworkers in West Virginia, black migration to Southern West Virginia, Italians in the Upper Kanawha Valley, Italian immigration to Marion County, Wheeling Iron and the Welsh, West Virginia and immigrant labor to 1920, Monongalia miners between the World Wars, and West Virginia rubber workers in Akron. Transnational West Virginia is the first volume in the West Virginia and Appalachia series, which is under the general editorship of West Virginia University Stuart and Joyce Robbins Chair of History Ronald L. Lewis. Kenneth Fones-Wolf, Associate Professor of History at WVU, also helped edit this collection of essays by ten distinguished scholars.
Transversality is the keyword that permeates the spirit of these thirteen essays spanning almost half a century, from 1965 to 2009. The essays are exploratory and experimental in nature and are meant to be a transversal linkage between phenomenology and East Asian philosophy.
Transversality is the concept that dispels all ethnocentrisms, including Eurocentrism. In the globalizing world of multiculturalism, Eurocentric universalism falls far short of being universal but simply parochial at the expense of the non-Western world. Transversality is intercultural, interspecific, interdisciplinary, and intersensorial. Transversal Rationality and Intercultural Texts means to transform the very way of philosophizing itself by infusing or hybridizing multiple traditions in the history of the world.
Like no other scholar, Jung bridges the gap between Asian and Western cultures. By engaging Western philosophers as diverse as Bacon, Descartes, Heidegger, Hegel, Merleau-Ponty, Derrida, Glissant, Barthes, Fenollosa, McLuhan, and Eastern philosophers such as Wang Yang-ming, Nishida Kitaro, Nishitani Keiji, Watsuji Tetsuro, Nhat Hanh, and Suzuki Daisetz Teitaro, this book marks an unparalleled contribution to comparative philosophy and the study of philosophy itself.
The drawings are black-and-white, pen-and-ink representations of high alpine ecosystems. The prose is stripped bare, abbreviated in an epigrammatic style that is poetic and spontaneous. Trees represented here are the Western Juniper or Sierra Juniper, the Limber, and the Bristlecone Pine—three species of long-lived, slow-growing conifers that grow across the Great Basin. While they represent only a small portion of the vegetative culture high in the western mountains, the Cohens use representation as abstraction as is utilized by writers and artists to convey a unique kind of microcosm of our natural environment. This book compares to such classics as Leopold’s A Sand County Almanac, and Berger’s Ways of Seeing, which open up lines of observation, analysis, and art for a new generation of readers.
In Treehab—named after a retreat cabin in rural Ontario—Smith muses how he has “always sought the path less traveled.” He rebuffs his diagnosis of ALS as only an unflappable stand-up comic could (“Lou Gehrig’s Disease? But I don’t even like baseball!”) and explores his complex, fulfilling experience of fatherhood, both before and after the onset of the disease.
Stories of his writing and performing life—punctuated by hilariously cutting jokes that comedians tell only to each other—are interspersed with tales of Smith’s enduring relationship with nature: boyhood sojourns in the woods of upstate New York and adult explorations of the remote Alaskan wilderness; snakes and turtles, rocks and minerals; open sky and forest canopy; God and friendship—all recurring touchstones that inspire him to fight for his survival and for the future of his two children.
Aiming his potent, unflinching wit at global warming, equal rights, sex, dogs, Thoreau, and more, Smith demonstrates here the inimitable insight that has made him a beloved voice of a generation. He reminds us that life is perplexing, beautiful, strange, and entirely worth celebrating.
The Trend of Economic Thinking captures Hayek's views on political economists and economic history—on Mandeville, Hume, Cantillon, Adam Smith, and Henry Thornton. Framed by insightful editorial notes, fifteen newly collected essays—including five previously unpublished pieces and two others never before available in English—provide a fascinating introduction to the historical context of political economy and the evolution of monetary practices. In a highlight of the collection, "On Being an Economist," Hayek reflects on the influence of economists, the time required for new ideas to take hold, the best way to educate economic theorists, and the need to follow one's own interests, often in opposition to fashionable beliefs. As always, the words of this outspoken scholar are sure to provoke debate.
The heart of the book is entitled, “Three Lectures on Thomism and its Current Situation.” During the Second Vatican Council and its immediate aftermath, the status of Thomism in Catholic intellectual circles and institutions was vigorously challenged. Once again, the problem of Thomism emerges: What is Thomism and where does it belong? Gilson’s devotion to elaborating the nature of Christian philosophy compels him to confront this question head-on. Indeed, because Gilson approaches Thomism as the veritable model for Christian philosophy he cannot ignore the attempts to suppress or supplant it.
And yet this section also contains a fourth lecture on Teilhard de Chardin, whom Gilson knew and held in high esteem. Was Teilhard's thought to become the new Christian philosophy and theology? Was it even appropriate to label his thought as proper philosophy and theology?
The second, somewhat shorter, portion of the book wrestles with the theme of dialogue that was very much in vogue in the 1960s. The central figure here is the French Marxist Roger Garaudy, internationally known for his call to dialogue with Christians. Gilson denies any possibility of such a dialogue, and certainly any usefulness in it. “I regret to say—not having myself any of the virtues of a skilled dialoguer, which are not to listen to what is being said and to take it in a sense that makes it easy to refute. It is a chimerical hope that there should be two people who proceed otherwise.” But specifically on the point of Christian and Marxist dialogue, from the massive ideological, bestial corpus of Marxism Gilson carves out its fundamental need for the world and serves it back to Garaudy, but without garnish, for among Marxists each has his own particular manner of impoverishing the concept of man.
What might be called the postscript of the book, “Wandering Amid the Ruins,” shares some of Gilson's own experiences and unease in the unsettled situation of the Catholic Church at that time. “The Council was the work of truly supernatural courage. For more than three centuries the Church was harshly blamed for not having taken the initiative to make necessary reforms in the sixteenth century.” Yet Gilson laments that perhaps the manner of enacting reform is confused and not in all cases simply intent on reversing the trends of empty churches and the vocations drought. Perhaps we have not understood the Council at all. Gilson’s kind but clear description of the turmoil in Catholic teaching and thought is for the reader essential to any understanding of the tension and transitions of this period of history.
A remarkably perceptive portrait of the Lone Star State, this collection of pieces from the New Yorker, the Nation, and other publications presents highlights of bestselling author Calvin Trillin’s classic writing on Texas subjects.
"Yes, I do have a Texas connection, but, as we say in the Midwest, where I grew up, not so's you'd know it." So Calvin Trillin introduces this collection of articles and poems about a place that turns up surprisingly often when he's ostensibly writing about something else. Whether reporting on the American scene for the New Yorker, penning comic verse and political commentary for the Nation, or writing his memoirs, Trillin has bumped into Texas again and again. He insists that "this has not been by design . . . there has simply been a lot going on in Texas." Astute readers will note, however, that Trillin's family immigrated to the United States through the port of Galveston, and, after reading this book, many will believe that the Lone Star State has somehow imprinted itself in the family's imagination.
Trillin on Texas gathers some of Trillin's best writing on subjects near to his heart—politics, true crime, food, and rare books, among them—which also have a Texas connection. Indulging his penchant for making "snide and underhanded jokes about respectable public officials," he offers his signature sardonic take on the Bush dynasty and their tendency toward fractured syntax; a faux, but quite believable, LBJ speech; and wry portraits of assorted Texas county judges, small town sheriffs, and Houston immigration lawyers. Trillin takes us on a mouthwatering pilgrimage to the barbecue joint that Texas Monthly proclaimed the best in Texas and describes scouting for books with Larry McMurtry—who rejects all of his "sleepers." He tells the stories of two teenagers who dug up half a million dollars in an ice chest on a South Texas ranch and of rare book dealer Johnny Jenkins, who was found floating in the Colorado River with a bullet wound in the back of his head. And he recounts how redneck movie reviewer "Joe Bob Briggs" fueled a war between Dallas's daily newspapers and pays tribute to two courageous Texas women who spoke truth to power—Molly Ivins and Sissy Farenthold.
Sure to entertain Texans and other folks alike, Trillin on Texas proves once again that Calvin Trillin is one of America's shrewdest observers and wittiest writers.
These essays examine the ways in which the consideration of ethical questions is shaped by the structures of knowledge and communication at work in clinical practice, by current assumptions regarding the concept of the body, and by the social and political implications of both. Representing various perspectives including medicine, nursing, philosophy, and sociology, these essays look anew at issues of abortion, reproductive technologies, the doctor-patient relationship, the social construction of illness, the cultural assumptions and consequences of medicine, and the theoretical presuppositions underlying modern psychiatry. Diverging from the tenets of mainstream bioethics, Troubled Bodies suggests that, rather than searching for the correct "coherent perspective" from which to draw ethical principles, we must apprehend the complexity and diversity of the discursive systems within which we dwell.
True-Love is the fulfillment of revered poet-critic Allen Grossman’s long service to poetry in the interests of humanity. Poetry’s singular mission is to bind love and truth together—love that desires the beloved’s continued life, knotted with the truth of life’s contingency—to help make us more present to each other.
In the spirit of Blake’s vow of “mental fight,” Grossman contends with challenges to the validity of the poetic imagination, from Adorno’s maxim “No poetry after Auschwitz,” to the claims of religious authority upon truth, and the ultimate challenge posed by the fact of death itself. To these challenges he responds with eloquent and rigorous arguments, drawing on wide resources of learning and his experience as master-poet and teacher. Grossman’s readings of Wordsworth, Hart Crane, Paul Celan, and others focus on poems that interrogate the real or enact the hard bargains that literary representation demands. True-Love is destined to become an essential book wherever poetry and criticism sustain one another.
Trust in Public Life is a collection of essays addressing the importance of trust in public life and how public servants can engender and sustain it. In “The Roots of Trust,” Anna Rowlands argues that our loss of trust is a feature of modernity that can only be solved through encounters with real people. In “Trust in Oneself,” Claire Gilbert makes the case that leaders need to have self-trust and confidence to rule. In “Trust in Institutions,” Anthony Ball offers a guide to rebuilding trust in institutions through four virtues: honesty, humility, compassion, and competence. Finally, in “Trust in People,” James Hawkey argues that trust between groups is a choice, not something that can be injected like a vaccine. Together, the essays offer valuable reflections on trust in public life, agreeing that it must be engendered, and offer guidance on how this might be achieved.
"If a critic's job is to puncture pomposity, deflate over-hyped reputations and ferret out true value, then Vizinczey is master of the art."—Publishers Weekly
"Stephen Vizinczey comes on like a pistol-packing stranger here to root out corruption and remind us of our ideals. He carries the role off with inspired gusto. His boldness and pugnacity are bracing and can be very funny."—Ray Sawhill, Newsweek
"Every piece in the book is good, and many are so good that, after dipping into the middle, I stayed up half of the night, reading with growing amazement and admiration."—Bruce Bebb, Los Angeles Reader
The past and the truth are slippery things, and the art of nonfiction writing requires the writer to shape as well as explore. In personal essays, meditations on the nature of memory, considerations of the genres of memoir, prose poetry, essay, fiction, and film, the contributors to this provocative collection attempt to find answers to the question of what truth in nonfiction means.
Contributors: John D’Agata, Mark Doty, Su Friedrich, Joanna Frueh, Ray González, Vivian Gornick, Barbara Hammer, Kathryn Harrison, Marianne Hirsch, Wayne Koestenbaum, Leonard Kriegel, David Lazar, Alphonso Lingis, Paul Lisicky, Nancy Mairs, Nancy K. Miller, Judith Ortiz Cofer, Phyllis Rose, Oliver Sacks, David Shields, and Leo Spitzer
In the last chapter of Walden, Henry David Thoreau proclaims a simple yet profound conviction: "Any truth is better than make- believe." Edward Galligan shares this conviction. In The Truth of Uncertainty: Beyond Ideology in Science and Literature, he argues that contemporary American critics should embrace literary truths with all of their ardent uncertainties rather than cling to the make-believe certainties of ideologies.
Postmodern critics fail to ask the truth-seeker's essential question, What does the evidence prove? and instead trust the generalizations and slogans of ideologies to guide their interpretations. Attempting to be up-to-date and profound, these critics lose sight of the literature they are supposed to explore.
The Truth of Uncertainty celebrates values commonly associated with modern, not postmodern criticism, applying them to contemporary works in a series of fresh and unusual inquiries. Galligan finds important implications for criticism in work from the physical sciences that are rarely touched on by American intellectuals, such as Gerald M. Edelman's Bright Air, Brilliant Fire: On the Matter of the Mind and Roger Penrose's The Emperor's New Mind: Concerning Computers, Minds, and the Laws of Physics. Likewise, he finds illumination in the works of novelists that American critics have largely ignored—Josef Skvorecky, George V. Higgins, Mary Lee Settle, Robertson Davies.
As a consequence of dealing with these "unusual" texts, Galligan presents a refreshing interpretation of a number of important concepts: language is grounded in talk; all literary criticism is subjective and tentative because reading is a highly subjective enterprise; and, most important, the world is real and any truth is indeed better than make-believe. He moves from a rejection of criticism in the service of ideology to an affirmation of criticism in the service of truthfulness.
The ideas celebrated in The Truth of Uncertainty are timeless and valuable. Galligan returns to the text and provides a penetrating critique of the state of contemporary criticism, which has abandoned truth for ideology. The result is an eloquent salute to literature itself.
Whether the subject is Jack Ruby, Willie Nelson, or his own leukemia-stricken son Mark, when it comes to looking at the world through another person's eyes, nobody does it better than Gary Cartwright. For over twenty-five years, readers of Texas Monthly have relied on Cartwright to tell the stories behind the headlines with pull-no-punches honesty and wry humor. His reporting has told us not just what's happened over three decades in Texas, but, more importantly, what we've become as a result.
This book collects seventeen of Cartwright's best Texas Monthly articles from the 1980s and 1990s, along with a new essay, "My Most Unforgettable Year," about the lasting legacy of the Kennedy assassination. He ranges widely in these pieces, from the reasons for his return to Texas after a New Mexican exile to profiles of Kris Kristofferson and Willie Nelson. Along the way, he strolls through San Antonio's historic King William District; attends a Dallas Cowboys old-timers reunion and the Holyfield vs. Foreman fight; visits the front lines of Texas' new range wars; gets inside the heads of murderers, gamblers, and revolutionaries; and debunks Viagra miracles, psychic surgery, and Kennedy conspiracy theories. In Cartwright's words, these pieces all record "the renewal of my Texas-ness, a rediscovery of Texas after returning home."
Turning Points in Modern Times focuses on events after 1917: the rise of Nazism on the Right and authoritarianism on the Left. Bracher provides an incisive framework for understanding the great ideological confrontation of this century--democracy versus totalitarianism in the forms of fascism, Nazism, and communism. His analysis of the outcomes underscores the significance and power of democratic values and governments.
The doyen of German political history, Karl Dietrich Bracher extends the argument against dictatorship that runs through his life's work, offers a blueprint for dealing with the recent past of the communist East German State (DDR), looks at the true facts of the Stasi collaboration, and challenges misperceptions of Hitler, Stalin, and others. He demonstrates the kinship between fascism and communism, considers Weimar and liberalism, assesses the legacy of Nazism, and outlines the ethos of democracy. In all this Bracher exposes the twentieth-century threats to the democratic state so that they can never again subvert representative government.
A founder of the new history of Germany, which considers the larger context for Hitler and illuminates events through the theories of social science and the values of liberalism and democracy, Bracher writes in the tradition of Acton, Burckhardt, Croce, and Dahrendorf. This is a vital history lesson for our turbulent times, when once more democracy is on the march after a twilight century.
The essays in Twenty Square Feet of Skin tell their stories through the body—encased as it is in “that greatest of organs, that membrane that protects the individual from the universe”—as Megan Baxter’s entrée to and home within the larger world that surrounds her. What does a tattoo mean? How can plastic surgery transform? What is the history of pedicures? Where does the mind wander on a long run? Through every example, Baxter writes toward a greater understanding of how self-knowledge is forged through physical experiences.
With the input of Prince, Walt Whitman, Don Johnson, Andrew Wyeth, Meriwether Lewis, and others, Baxter reflects on love, identity, and belonging by looking closely at her skin, toenails, and DNA. Playful, wandering, and deeply felt, Twenty Square Feet of Skin weaves a strange, rich tapestry of flesh and bones, art and body, skin and scar. In embracing the beauty and peril of physicality in crystalline detail, Baxter asks us all to ponder what makes us human within these frail, flawed, powerful, and wonderful bodies of ours.
Bergon presents a powerful array of rural and small-town Westerners who often see themselves as part of a region and a way of life most Americans aren’t aware of or don’t understand, their voices unheard, their stories untold. In these essays, Westerners from the diverse heritage of the San Joaquin Valley include California’s legendary Fred Franzia, the maker of the world’s best-selling Charles Shaw wines dubbed “Two-Buck Chuck,” and Darrell Winfield, a Dust Bowl migrant and lifelong working cowboy who for more than thirty years reigned as the iconic Marlboro Man. Their voices help us understand the complexities of today’s rural West, where Old West values intersect with New West realities. This is the West (and America today)—a region in conflict with itself.
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