front cover of The European Identity
The European Identity
Historical and Cultural Realities We Cannot Deny
Stephen Green
Haus Publishing, 2015
What—if anything—do the twenty-eight member states of the European Union have in common? Amidst all the variety, can one even speak of a European identity? In this timely book, Stephen Green explores these questions and argues for the necessity of the European voice in the international community.

Green points out that Europeans can readily define the differences that separate them from others around the globe, but they have yet to clearly define their own similarities across member states. He argues that Europe has something distinctive and vitally important to offer: the experience of a unique journey through centuries of exploration and conflict, errors and lessons, soul-searching and rebuilding—an evolution of universal significance.

Coming at a time when the divisions in European culture have been laid bare by recent financial crises and calls for independence, The European Identity identifies one of the biggest challenges for all of the member states of the European Union.
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logo for Intellect Books
European Identity in Cinema
Edited by Wendy Everett
Intellect Books, 1995
The identity of European cinema, like the identity of Europe itself, is multiple, complex, and fascinating. Providing both a general survey of contemporary European cinema production, distribution and exhibition and detailed critical analysis of specific films, directors, and national cinemas, this volume offers a stimulating and thought-provoking contribution to current film debate.

While the book’s critical essays offer keen insight into the complex identities of European cinema, its combination of breadth and detail, and its interdisciplinary focus and background ensure its wider relevance to anyone interested in questions of contemporary culture and European affairs in general. Its stylistic clarity and freedom from jargon make it readable and accessible.
 
The essays have been written by respected academics working in a number of disciplines including Film and Media Studies, Modern Languages, and Cultural Studies.

Topics include questions of memory and identity; filmic autobiography and first-person narration; cultural identity; peripheral voices; popular film and political film. Individual directors, and different national cinemas, including those of France, Germany, Northern Ireland, Russia, Scotland and Spain, are viewed in a wider pan- European context.
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