By the late 1970s, state communism was everywhere in retreat. First in Eastern Europe, then in China and the Soviet Union, party leaders were compelled to devise fundamental departures from the economic procedures and structures they had confidently installed at the outset of their revolutionary victories. Perhaps no country departed more rapidly from communist economic structures than China.
Within five years of Mao Zedong’s death, reformers led by Deng Xiaoping had dismantled the people’s communes and created a range of markets that established the institutional foundations for a new form of socialism. But, unlike the Soviets and Eastern Europeans, the Chinese reformers refused to consider parallel changes in political institutions. The demonstrations in Beijing in 1989 made it clear that post-Mao economic policies had created unavoidable political consequences for the society and its leaders. In individual case studies, the twelve contributors to this volume document the uneven decollectivization and decentralization of China’s economy in the post-Mao years and the great diversity of the social and political consequences. They deal with the effects of the more materialistic and individualistic reward system on both public and private life in the countryside and in urban settings and the new expectations that economic changes engendered.
Famous and seductive, female stage performers haunted French public life in the century before and after the Revolution. This pathbreaking study delineates the distinctive place of actresses, dancers, and singers within the French erotic and political imaginations. From the moment they became an unofficial caste of mistresses to France's elite during the reign of Louis XIV, their image fluctuated between emasculating men and delighting them.
Drawing upon newspaper accounts, society columns, theater criticism, government reports, autobiographies, public rituals, and a huge corpus of fiction, Lenard Berlanstein argues that the public image of actresses was shaped by the political climate and ruling ideology; thus they were deified in one era and damned in the next. Tolerated when civil society functioned and demonized when it faltered, they finally passed from notoriety to celebrity with the stabilization of parliamentary life after 1880. Only then could female fans admire them openly, and could the state officially recognize their contributions to national life.
Daughters of Eve is a provocative look at how a culture creates social perceptions and reshuffles collective identities in response to political change.
The "Queen City" of Texas they called her—or the "Octopus of the Gulf." Galveston from 1845 to 1860 was the center of culture in Texas—or the monster with an economic strangle hold on all Texas trade. It was a gracious city with wide paved streets, impressive buildings, and neat gardens; yet it was also a pestilence-ridden place where no sanitary code was ever enforced and where one in every two children died before reaching maturity. Its citizens, avid for culture and knowledge, attended concerts and plays in great numbers and exhibited an eager interest in science and history; yet they could not be brought to support the school system. Galveston was a city where no person in need was ever left uncared for, where the sick and needy—strangers or friends—were succoured; yet no free Negro was safe from legalized abduction and forced enslavement, and the city served as a center for the revived African slave trade.
Earl Fornell makes the charming, colorful, cosmopolitan, contradictory city of Galveston the focal point of his study of the Texas Gulf Coast on the eve of the Civil War. The years 1845-1860 were crucial for this area; during that period the economy became more and more dependent upon slave labor, and thus the stage was set for secession.
Dr. Fornell describes with clarity the interrelated events, the decisions, and the conflicts that went into the development of Galveston and the Texas Gulf Coast during these years. He portrays the people and their way of life. He introduces us to some of the notables who helped to shape the destiny of Texas: Sam Houston, the old general; Lorenzo Sherwood, the golden-tongued propounder of radical economic doctrines; Willard Richardson, Hamilton Stuart, Ferdinand Flake, and Edward Cushing, the newspapermen whose writing both reflected and guided the thought of their fellow citizens; Arthur Lynn, the British consul whose observing and compassionate nature brought him onto the stage of Galveston history with striking frequency and whose voluminous letters provide a rich source for historical details; and William Ballinger, a minor player on the stage but one whose conscience and interests mirrored those of many other thoughtful Galvestonians.
Always present, affecting and affected by virtually every aspect of life on the Coast, the slave-labor problem grew ever more acute as the expanding railroad system laid more and more of the land open for development. Dr. Fornell shows with keen insight how it eventually forced Texans into a position where conflict with the federal government was unavoidable and the decision to secede from the Union inevitable.
The late Earl W. Fornell, a native of Wisconsin, held B.A. and M.A. degrees in political science from the New School for Social Research, the M.A. degree in political history from Columbia University, and the Ph.D. degree in political history from Rice University. He taught at Columbia, Amarillo College, Rice, and Lamar State College of Technology.
A Brill classic now in paperback from SBL Press
This critical edition of the Life of Adam and Eve in Greek is based on all available manuscripts. In the introduction the history of previous research is summarized, and the extant manuscripts are presented. Next comes a description of the grammatical characteristics of the manuscripts’ texts, followed by a detailed study of the genealogical relationships between them, resulting in a reconstruction of the writing’s history of transmission in Greek. On the basis of all this information, the Greek text of the Life of Adam and Eve in its earliest attainable stage, is established.
Features:
In 1754, Charles de Raymond, chevalier of the Royal and Military Order of Saint Louis and a captain in the Troupes de la Marine wrote a bold, candid, and revealing expose; on the French colonial posts and settlements of New France. On the Eve of the Conquest, more than an annotated translation, includes a discussion on the historical background of the start of the French and Indian War, as well as a concise biography of Raymond and Michel Le Courtois de Surlaville, the army colonel at the French court to whom the report was sent. The events surrounding Raymond's controversial year as commandant of the post (now Fort Wayne, Indiana) in 1749-50, his disputed recall by Governor General Jacques-Pierre de Taffanel de La Jonquier, and the subsequent friction between La Jonquiere's successor, Ange de Menneville Duqesne, and Raymond are presented in detail and illustrated by translations of their correspondence.
“A thoughtful, nuanced study of how Chileans remember the traumatic 1973 coup by Augusto Pinochet against Salvador Allende and the nearly two decades of military government that followed. . . . In light of the recent revelations of American human rights abuses of Iraqi prisoners, [Stern’s] insights into the legacies of torture and abuse in the Chilean prisons of the 1970s certainly have contemporary significance for any society that undergoes a national trauma.”—Publishers Weekly
“This outstanding work of scholarship sets a benchmark in the history of state terror, trauma, and memory in Latin America.”—Thomas Miller Klubock, American Historical Review
“This is a book of uncommon depth and introspection. . . . Steve J. Stern has not only advanced the memory of the horrors of the military dictatorship; he has assured the place of Pinochet’s legacy of atrocity in our collective conscience.”—Peter Kornbluh, author of The Pinochet File: A Declassified Dossier on Atrocity and Accountability
“Steve J. Stern’s book elegantly recounts the conflicted recent history of Chile. He has found a deft solution to the knotty problem of evenhandedness in representing points of view so divergent they defy even the most careful attempts to portray the facts of the Pinochet period. He weaves a tapestry of memory in which narratives of horror and rupture commingle with the sincere perceptions of Chileans who remember Pinochet’s rule as salvation. The facts are there, but more important is the understanding we gain by knowing how ordinary Chileans—Pinochet’s supporters and his victims—work through their unresolved past.”—John Dinges, author of The Condor Years: How Pinochet and His Allies Brought Terrorism to Three Continents
Finalist, 2018 Miller Williams Poetry Prize
Walking with Eve in the Loved City is an ambitious collection. Using a variety of male figures—Jeff Goldblum, Ringo Starr, the poet’s uncle Billy, to name a few—these poems skillfully interrogate masculinity and its cultural artifacts, searching for a way to reconcile reverence for the father figure with a crisis of faith about the world as run by men. And yet, despite the gravity of the subjects these poems engage, this is a hopeful, frequently funny book that encourages the reader to look deeply at the world, and then to laugh if she can.
Roy Bentley often accomplishes this work through a careful balancing of honesty and misdirection, as when in the poem “Can’t Help Falling in Love” the real drama of the narrative—the appearance of an affair between the speaker’s father and a drive-in restaurant carhop—operates as a backdrop for the eight-year-old speaker’s puerile attraction to the woman; or when the vampire Nosferatu (a frequent figure in the poems) materializes in a trailer park, his immortality becoming a lens through which to process the speaker’s righteous anger about wealth and poverty.
God too features prominently—as does doubt. Drawing from the vernacular of his childhood, Bentley accesses the simultaneous austerity and lyrical opulence of the King James Bible to invent stories in which the last note struck is often a call to pay kinder attention. More than anything, these poems serve as humanistic advocates, using the power of narrative—film, interview, imagination, memoir—to highlight how people matter.
Walking with Eve in the Loved City invites the reader to join in this watching and witnessing, to take part in renewing how we see.
This book, a condensed translation of the prize- winning Jacqueries et révolution dans la Chine du XXe siècle, focuses on “spontaneous” rural unrest, uninfluenced by revolutionary intellectuals. Yet it raises issues inspired by the perennial concerns of revolutionary leaders, such as peasant “class consciousness” and China’s modernization.
The author shows that the predominant forms of protest were directed not against the landowning class but against agents of the state. Foremost among them, resistance to taxation had little to do with class struggle. By contrast, protest by poor agricultural laborers and heavily indebted households was extremely rare. Other forms of social protest were reactions less to social exploitation than to oppression by local powerholders. Peasant resistance to the late Qing “new policy” reforms did indeed impede China’s modernization. Decades later, peasant efforts to evade conscription, while motivated by abuses and inequities, weakened the anti-Japanese resistance.
The concluding chapter stresses persistent features of rural protest. It suggests that twentieth-century Chinese peasants were less different from seventeenth- or eighteenth-century French peasants than might be imagined and points to continuities between pre- and post-1949 rural protest.
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