front cover of Essay on Exoticism
Essay on Exoticism
An Aesthetics of Diversity
Victor Segalen
Duke University Press, 2002
The “Other”—source of fear and fascination; emblem of difference demonized and romanticized. Theories of alterity and cultural diversity abound in the contemporary academic landscape. Victor Segalen’s early attempt to theorize the exotic is a crucial reference point for all discussions of alterity, diversity, and ethnicity.
Written over the course of fourteen years between 1904 and 1918, at the height of the age of imperialism, Essay on Exoticism encompasses Segalen’s attempts to define “true Exoticism.” This concept, he hoped, would not only replace nineteenth-century notions of exoticism that he considered tawdry and romantic, but also redirect his contemporaries’ propensity to reduce the exotic to the “colonial.” His critique envisions a mechanism that appreciates cultural difference—which it posits as an aesthetic and ontological value—rather than assimilating it: “Exoticism’s power is nothing other than the ability to conceive otherwise,” he writes.
Segalen’s pioneering work on otherness anticipates and informs much of the current postcolonial critique of colonial discourse. As such Essay on Exoticism is essential reading for both cultural theorists or those with an interest in the politics of difference and diversity.
[more]

logo for Duke University Press
Exoticism and the Culture of Exploration, Volume 26
Robert P. Maccubbin and Christa Knellwolf, eds.
Duke University Press
Historians use the phrase “the cult of the exotic” to describe the fascination with the foreign or strange that both led to and was intensified by the eighteenth century’s scientific and imperialistic ventures in the Pacific and elsewhere. This volume offers new historical contexts for encounters both real and imaginary and shows the evolution of Europeans’ ideas about themselves and those cultures they considered exotic. The essays draw on a wide variety of sources—art, architecture, scientific and literary works, journals and diaries, and the European popular cultural and political press—to explore eighteenth-century perceptions of the exotic and to demonstrate just how far-reaching “the cult of the exotic” was.

Contributors. Geraldine Barnes, Alexandra Cook, David Culpin, John Greene, Suzanne Kiernan, Christa Knellwolf, Adrian Mitchell, Lisa O’Connell, David Paxman, Ali Uzay Peker, Glynis Ridley, Nicholas Rogers, Walter Veit

[more]

front cover of On Human Diversity
On Human Diversity
Nationalism, Racism, and Exoticism in French Thought
Tzvetan Todorov
Harvard University Press, 1993

How can we think about peoples and cultures unlike our own? In the early modern period, the fact of human diversity presented Europeans with little cause for anxiety: they simply assumed the superiority of the West. During the eighteenth century this view was gradually abandoned, as thinkers argued that other peoples possessed reason and sensibility, and thus deserved the same respect that Westerners accorded themselves. Since that time, however, Enlightenment belief in the universals of human nature has fallen into disrepute; critics allege that such notions have had disastrous consequences in the twentieth century, ranging from prejudice to persecution and outright genocide.

Tzvetan Todorov, an internationally admired scholar, aims in this book to salvage the good name of the Enlightenment so that its ideas can once more inspire humane thought and action. The question he poses is of urgent relevance to the conflicts of our age: How can we avoid the dangers of a perverted universalism and scientism, as well as the pitfalls of relativism? Since the French were the ideologues of universalism and played a preeminent role in the diffusion of Enlightenment ideas in Europe, Todorov focuses on the French intellectual tradition, analyzing writers ranging from Montaigne through Tocqueville, Michelet, and Renan, to Lévi-Strauss. He shows how theories of human diversity were developed in the eighteenth century, and later systematically distorted. The virtues of Enlightenment thought became vices in the hands of nineteenth-century thinkers, as a result of racism, nationalism, and the search for exoticism. Todorov calls for us to reject this legacy and to strive once again for an acceptance of human diversity, through a "critical humanism" prefigured in the writings of Rousseau and Montesquieu.

This is a work of impressive erudition and insight--a masterly synthesis that can help us think incisively about the racial and ethnic tensions confronting the world today.

[more]


Send via email Share on Facebook Share on Twitter