When, in the 1970’s, Sister Prudence Allen, RSM began to investigate philosophical thought on woman, the question was considered to be, at best, a marginal area for philosophical research. Rather, it was seen as a sociological, anthropological, psychological, or political issue. This book confirms that today, partly due to Allen’s groundbreaking work, the complementarity of man and woman is an important and fruitful area of research in philosophy providing an evaluative framework that enriches and challenges many other disciplines. No one could have foreseen the centrality of her research for questions of gender theory that are, in the third decade of the 21st century, in the forefront of public attention. In the present volume, leading authors in the area of sex/gender complementarity reflect upon and further develop various aspects of Allen’s research. In 16 original, scholarly essays, some contributors build upon Allen’s project of exploring “the concept of woman” throughout the history of philosophy. Others explore the work of 20th century philosophers, most of them Christian Personalists, whom Allen credits with significant influence on the development of integral gender complementarity, such as Karol Wojtyła/ John Paul II, Jacques Maritain, Edith Stein, Emmanuel Mounier, W. Norris Clarke, SJ, and Bernard Lonergan, SJ. Still other contributors consider Marian spirituality, analogies between Benedictine spirituality and the physiological realities of a woman’s body during pregnancy, seminary education in the writings of Allen and others, and the impact of Allen’s work on the real lives of women in families, the Church, and professional life. Upon completing her magisterial, three-volume work, The Concept of Woman, Allen passed the baton to a new generation of scholars, stating, “The next phases will be developed by those who themselves take the argument further and deeper in their own research, writing, living, and lecturing.” The present volume takes up the baton, carrying Allen’s work forward and paying tribute to the lifetime achievement of a great scholar.

"What if truth were a woman?" asked Nietzsche. In ancient Greek thought, truth in language has a special relation to the female by virtue of her pre-eminent art-form—the one Freud believed was even invented by women—weaving. The essays in this book explore the implications of this nexus: language, the female, weaving, and the construction of truth.

The Homeric bard—male, to be sure—inherits from Indo-European culture the designation of his poetry as a weaving, the female's art. Like her tapestries, his "texts" can suspend, reverse, and re-order time. He can weave the content from one world into the interstices of another.

The male poet shares the ambiguous power of the female Muses whose speech he channels. "We can say false things like to real things, and whenever we wish, we can utter the truth."