front cover of Fierce and Delicate
Fierce and Delicate
Essays on Dance and Illness
Renée K. Nicholson
West Virginia University Press, 2021
Memoir about ballet and illness from a creative writing teacher whose career as a ballerina was stopped by rheumatoid arthritis.

Renée Nicholson’s professional training in ballet had both moments of magnificence and moments of torment, from fittings of elaborate platter tutus to strange language barriers and unrealistic expectations of the body. In Fierce and Delicate, she looks back on the often confused and driven self she had been shaped into—always away from home, with friends who were also rivals, influenced by teachers in ways sometimes productive and at other times bordering on sadistic—and finds beauty in the small roles she performed. When, inevitably, Nicholson moved on from dancing, severed from her first love by illness, she discovered that she retained the lyricism and narrative of ballet itself as she negotiated life with rheumatoid arthritis.

An intentionally fractured memoir-in-essays, Fierce and Delicate navigates the traditional geographies of South Florida, northern Michigan, New York City, Milwaukee, West Virginia, and also geographies of the body—long, supple limbs; knee replacements; remembered bodies and actual. It is a book about the world of professional dance and also about living with chronic disease, about being shattered yet realizing the power to assemble oneself again, in a new way.
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front cover of Fierce and Indomitable
Fierce and Indomitable
The Protohistoric Non-Pueblo World in the American Southwest
Edited by Deni J. Seymour
University of Utah Press, 2016

Trending upward as an archaeological field of study, protohistoric mobile groups provide fascinating new directions for cutting-edge research in the American Southwest and beyond. These mobile residents represent the ancient and ancestral roots of many modern indigenous peoples, including the Apaches, Jumano, Yavapai, and Ute. These important protohistoric and historic mobile people have tended to be ignored because their archaeological sites were deemed too difficult to identify, too scant to be worthy of study, and too different to incorporate. This book brings together information from a diverse collection of authors working throughout the American Southwest and its fringes to make the bold statement that these groups can be identified in the archaeological record and their sites have much to contribute to the study of cultural process, method and theory, and past lifeways. Mobile groups are integral for assessing the grand reorganizational events of the Late Prehistoric period and are key to understanding colonial contact and transformations. Now, the only analyses, overviews, and class lectures that will be considered comprehensive will be those that address the presence of these many widespread mobile peoples. 

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front cover of Fierce and True
Fierce and True
Plays for Teen Audiences
Children’s Theatre Children’s Theatre Company
University of Minnesota Press, 2010
Established in 1965, the Children's Theatre Company (CTC) of Minneapolis earned its reputation as the flagship theater for young people in this country by staging plays that both entertained and challenged children and their families. Around the age of twelve, however, young people tended to stop coming to CTC, perceiving that they had outgrown what the theater could offer them.

In an effort to reach out to and engage these young people, the CTC began to commission and produce plays aimed at a twelve- to eighteen-year-old audience, focusing on the complexities, idiosyncrasies, and epic dilemmas in the lives of young people. Fierce and True collects four of these critically acclaimed plays: Anon(ymous) by Naomi Iizuka, The Lost Boys of Sudan by Lonnie Carter, Five Fingers of Funk by Will Power, and Prom by Whit MacLaughlin and New Paradise Laboratories.

Professional, full-length works not about teens so much as they are written for them. Ambitious, surprising, and complex, these plays speak directly to teens without pandering to them; they engage, challenge, and respect teenage minds. Diverse and utterly unique, these playwrights are bound together by the excellence of their craft and the power of their storytelling. Fierce and True both redefines the field of theater for young people and provides an invaluable resource for theater professionals, educators, and the teens they serve.
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