front cover of Fighting Words
Fighting Words
Black Women and the Search for Justice
Patricia Hill Collins
University of Minnesota Press, 1998
When Black Feminist Thought by Patricia Hill Collins was published in 1990, reviewers called it "remarkable," "rich and valuable," and proclaimed, "with the publication of this book, Black feminism has moved to a new level." Now, in Fighting Words, Collins expands and extends the discussion of the "outsider within" presented in her earlier work, investigating how effectively Black feminist thought confronts the injustices African American women currently face. Collins takes on a broad range of issues-poverty, mothering, white supremacy and Afrocentrism, the resegregation of American society by race and class, the ideas of Sojourner Truth and how they can serve as a springboard for more liberating social theory. Contrasting social theories that support unjust power relations of race, class, gender, and nation with those that challenge inequalities, Collins investigates why some ideas are granted the status of "theory" while others remain "thought." "It is not that elites produce theory while everyone else produces mere thought," she writes. "Rather, elites possess the power to legitimate the knowledge that they define as theory as being universal, normative, and ideal." Collins argues that because African American women and other historically oppressed groups seek economic and social justice, their social theories may emphasize themes and work from assumptions that are different from those of mainstream American society, generating new angles of vision on injustice. Collins also puts such oppositional social theory to the test: while the words of these theories may challenge injustice, do the ideas make a difference in the lives of the people they claim to represent? Throughout, Collins provides an essential understanding of how "outsiders" resist mainstream perspectives, and what the mainstream can learn from such "outsiders." Historically situated yet transcending the specific, Fighting Words provides a new interpretive framework for both thinking through and overcoming social injustice. "In her perceptive book, Fighting Words, Patricia Hill Collins, a leading scholar in critical theory, argues that intellectuals who break with conventional wisdom are more of a threat to the establishment than their numbers might suggest." Joe R. Feagin in The Chronicle of Higher Education "Fighting Words is a treatise, if you will, encouraging all black women to engage in dialogue and to reach out to each other, regardless of education, income, or class. Fighting Words is an amazing work in the way it seamlessly combines the histories of black women and feminism. Even more impressive is the way Collins blends her personal experiences as a black woman, educator, and sociologist. Collins is all about telling the truth, now. That is probably why Fighting Words is such a revelation." Black Issues Book Review "Fighting Words ably demonstrates that Collins is still our leading theorist. Those who understand black women in terms of reductionist categories and who need to read this book probably won't. But it gives the rest of us another sharp implement with which to saw at the ropes." Women's Review of Books "Collins argues that the political gains of black women's 'talking back' now must be measured against changes brought on by the postmodern criticism of social science and Afrocentricism. Collins calls for a critical social theory that not only encourages black women's full participation in social life but actually grounds its own authority in its ability to enable black women's full participation." American Journal of Sociology "Collins' exploration of the question, 'What is knowledge?' demonstrates the value of a perspective that brings together the complex interrelationships of race, gender and social ranking. The text is both counter-theoretical and practical­­a readable, persuasive and important source. Highly recommended." The Diversity Factor "Advances a much needed discussion, beyond feminism and identity politics for black women and, presumably, for women of color generally." National Women's Studies Association Journal "Hill Collins provides a refreshing new look at theory that is not mired in obscure language but purposely written in multiple languages to welcome a broader audience. By using accessible/inclusive language and drawing on many schools of intellectual thought, she informs and educates across disciplines ­ a unique characteristic in academia. She delivers a critical and passionate work that is inspiring to a new generation of scholars and renews the spirit of existing scholars." Gender and Society "Collins has offered an excellent text that helps us understand not only Black feminist thought and its relationship to Black women's experiences, but also how it may help those of us truly working for social justice." Feminist Collections "This book has many suggestive ideas and well-thought-through social theoretical analyses. In line with her earlier work, Collins continues to argue that group positions generate epistemological standpoints from which people ask and answer questions of social knowledge in different ways. She considers whether recent theories of Black women as having 'intersectional' positions is a better conceptualization of the specific standpoint of Black women. Collins's book offers much to think about and to discuss for those involved in struggles generated by encounters and events beyond theory." Hypatia "This is a work that is both theoretically rich and yet deeply personal in its expressive voice. Collins points us toward the construction of new critical theoretical approaches that can effectively advance the struggles for social justice. Fighting Words is a powerful and passionate work." --Manning Marable Patricia Hill Collins is Charles Phelps Taft Professor of Sociology in the Department of African American Studies at the University of Cincinnati.
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front cover of Fighting Words
Fighting Words
Independent Journalists in Texas
By James McEnteer
University of Texas Press, 1992

Fighting Words profiles five journalists who published the truth as they saw it, no matter how their reporting angered politicians, social and religious leaders, or other journalists.

The five journalists are William Brann (1855–1898), Don Biggers (1868–1957), John Granbery (1874–1953), Archer Fullingim (1902–1984), and Stoney Burns [Brent Stein] (1942–2011). Though they lived in different eras, all these men dealt with issues that society continues to face—racism, official corruption, religious freedom, educational reform, political extremism of the left and right, the clash of urban and rural values, and the fear of change. Their lives and work constitute a unique, alternative perspective on Texas history and the history of journalism itself.

In addition to the troubling questions they raised on social issues, these independent journalists challenge us, as they challenged the mainline media of their own times, to define the function of journalism and to examine the mandate of the First Amendment. We may doubt the wisdom of some of their convictions, but not the courage they needed to express them in the face of ridicule, hostility, intimidation, and even death. More than the specific causes they fought for, the independents’ passion for truth and their absolute belief in free speech constitute their greatest legacy to us and to journalism.

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Fighting Words
Polemics and Social Change in Literary Naturalism
Ira Wells
University of Alabama Press, 2013
An entirely new understanding of what literary naturalism is and why it matters
 
Ira Wells, countering the standard narrative of literary naturalism’s much-touted concern with environmental and philosophical determinism, draws attention to the polemical essence of the genre and demonstrates how literary naturalists engaged instead with explosive political and cultural issues that remain fervently debated today. Naturalist writers, Wells argues in Fighting Words, are united less by a coherent philosophy than by an attitude, a posture of aggressive controversy, which happens to cluster loosely around particular social issues. To an extent not yet appreciated, literary naturalists took controversial—and frequently contrarian—positions on a wide range of literary, political, and social issues.
 
Frank Norris, for instance, famously declared the innate inferiority of female novelists and frequently wrote about literature in tones suggestive of racial warfare. Theodore Dreiser once advocated, with deadly earnestness, a program of state-run infanticide for disabled or unwanted children. Richard Wright praised the Stalin-Hitler agreement of 1939 as “a great step toward peace.” While many of their arguments were irascible, attention-seeking, and self-consciously inflammatory, the combative spirit that fueled these outbursts remains central to the canonical texts of the movement.
 
Wells considers Frank Norris’s The Octopus in light of the emerging discourses of environmentalism and ecological despoliation, and examines the issue of abortion in Theodore Dreiser’s An American Tragedy. A chapter on Richard Wright’s Native Son takes issue with traditional humanistic readings of its protagonist by analyzing the disturbing relationship between terrorism and lynching as a crime and punishment that resists formal incorporation into the law.
 
By highlighting the contentious rhetoric that infuses the canonical texts of literary naturalism, Fighting Words opens up a wide-ranging and interdisciplinary interrogation of racial, sexual, and environmental polemics in American culture.
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