front cover of Authorizing Early Modern European Women
Authorizing Early Modern European Women
From Biography to Biofiction
James Fitzmaurice
Amsterdam University Press, 2022
The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modern women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwives, visual artists or poets and playwrights, stand out for their roles as active practitioners of their own arts and for their accomplishments as creators. Whether they delivered infants or governed as monarchs, or produced embroideries, letters, paintings or poems, their visions, the authors argue, have endured across the centuries. As the title of the volume suggests, the essays gathered here participate in a wider conversation about the relation between biography, historical fiction, and the growing field of biofiction (that is, contemporary fictionalizations of historical figures), and explore the complicated interconnections between celebrating early modern women and perpetuating popular stereotypes about them.
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front cover of Major Women Writers of Seventeenth-Century England
Major Women Writers of Seventeenth-Century England
James Fitzmaurice, Carol L. Barash, Eugene R. Cunnar, Nancy A. Gutierrez, and Josephine A. Roberts, Editors
University of Michigan Press, 1997
Many would find it difficult to name a woman writer in England before Jane Austen, even though women were writing as early as the time of Chaucer. It was during the seventeenth century, however, that women writers ceased to be viewed as odd or remarkable and became accepted as regular and often respected members of the literary world. The enormous commercial and artistic success of Aphra Behn's plays on the London stage of the 1670s and '80s marked the end of the time where only men were literary luminaries. Major Women Writers of Seventeenth-Century England brings together in one volume a rich assortment of writing by the women Behn influenced, as well as those who preceded her. Collected are works by Aphra Behn, Elizabeth Cary, Margaret Cavendish, Anne Finch, Aemelia Lanyer, Katherine Philips, Ester Sowernam, Rachel Speght, and Mary Wroth.
The texts included are newly edited and rely on the best manuscripts and editions of the time. They are accompanied by clear introductions, helpful explanatory notes, and a range of illustrations from the period. The book will appeal to all those with an interest in the rich literary record of the period.
Editors: James Fitzmaurice, Northern Arizona University; Josephine A. Roberts, Louisiana State University; Carol L. Barash, Seton Hall University; Eugene R. Cunnar, New Mexico State University; and Nancy A. Gutierrez, Arizona State University.
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