Walk into any nursery, florist, or supermarket, and you’ll encounter displays of dozens of gorgeous flowers, from chrysanthemums to orchids. At one time these fanciful blooms were the rare trophies of the rich and influential—even the carnation, today thought of as one of the humblest cut flowers. Every blossom we take for granted now is the product of painstaking and imaginative planning, breeding, horticultural ingenuity, and sometimes chance. The personalities of the breeders, from an Indiana farmer to Admiral Lord Gambier’s gardener, were as various and compelling as the beauty they conjured from skilled hybridization.
In Visions of Loveliness: Great Flower Breeders of the Past, Judith Taylor wrote engagingly about the vivid history and characters behind eighteen types of popular flowers. In this companion volume she uncovers information about another eight familiar flowers: poinsettias, chrysanthemums, gladioli, pansies, carnations, water lilies, clematis, and penstemons.
Taylor has tapped into an enormous trove of stories about extraordinary people with vision and skill who added to our enjoyment piece by piece, starting about 150 years ago. This beautifully illustrated book will please flower enthusiasts, gardeners, and history buffs alike.
A nineteenth-century entrepreneur’s bold, innovative marketing helped transform flower gardens into one of America’s favorite hobbies.
“There is much that is hard and productive of sorrow in this sin-plagued world of ours; and, had we no flowers, I believe existence would be hard to be borne.” So states a customer’s 1881 letter—one of thousands James Vick regularly received. Vick’s business, selling flower seeds through the mail, wasn’t unique, but it was wildly successful because he understood better than his rivals how to engage customers’ emotions. He sold the love of flowers along with the flower seeds.
Vick was genuinely passionate about floriculture, but he also pioneered what we now describe as integrated marketing. He spent a mind-boggling $100,000 per year on advertising (mostly to women, his target demographic); he courted newspaper editors for free publicity; his educational guides presaged today’s content marketing; he recruited social influencers to popularize neighborhood gardening clubs; and he developed a visually rich communication and branding strategy to build customer loyalty and inflect their purchasing needs with purchasing desire.
All the makings of natural wonder in your backyard
In 2003 Fred Delcomyn imagined his backyard of two and a half acres, farmed for corn and soybeans for generations, restored to tallgrass prairie. Over the next seventeen years, Delcomyn, with help from his friend James L. Ellis scored, seeded, monitored, reseeded, and burned these acres into prairie. In A Backyard Prairie, they document their journey and reveal the incredible potential of a backyard to travel back to a time before the wild prairie was put into plow rows. It has been said, “Anyone can love the mountains, but it takes a soul to love the prairie.” This book shows us how.
The first book to celebrate a smaller, more private restoration, A Backyard Prairie offers a vivid portrait of what makes a prairie. Delcomyn and Ellis describe selecting and planting seeds, recount the management of a prescribed fire, and capture the prairie’s seasonal parades of colorful flowers in concert with an ever-growing variety of animals, from the minute eastern tailed-blue butterfly to the imperious red-winged blackbird and the reclusive coyote.
This book offers a unique account of their work and their discovery of a real backyard, an inviting island of grass and flowers uncovered and revealed. We often travel miles and miles to find nature larger than ourselves. In this rich account of small prairie restoration, Delcomyn and Ellis encourage the revival of original prairie in our backyards and the patient, beauty-seeking soul sleeping within ourselves.
Between the Flowers: A Novel
Harriette Simpson Arnow Michigan State University Press, 1999 Library of Congress PS3501.R64B47 1999 | Dewey Decimal 813.52
Between the Flowers is Harriette Simpson Arnow's second novel. Written in the late 1930s, but unpublished until 1997, this early work shows the development of social and cultural themes that would continue in Arnow's later work: the appeal of wandering and of modern life, the countervailing desire to stay within a traditional community, and the difficulties of communication between men and women in such a community. Between the Flowers goes far beyond categories of "local color," literary regionalism, or the agrarian novel, to the heart of human relationships in a modernized world. Arnow, who went on to write Hunter's Horn (1949) and The Dollmaker (1952)—her two most famous works—has continually been overlooked by critics as a regional writer. Ironically, it is her stinging realism that is seen as evidence of her realism, evidence that she is of the Cumberland—an area somehow more "regional" than others.
Beginning with an edition of critical essays on her work in 1991 and a complete original edition of Hunter's Horn in 1997, the Michigan State University Press is pleased to continue its effort to make available the timeless insight of Arnow's work with the posthumous publication of Between the Flowers.
One in every seven flowering plants on earth is an orchid. Yet orchids retain an air of exotic mystery—and they remain remarkably misunderstood and underappreciated. The orchid family contains an astonishing array of colors, forms, and smells that captivate growers from all walks of life across the globe. Though undeniably elegant, the popular moth orchid—a grocery store standard—is a bland stand-in when compared with its thousands of more complex and fascinating brethren, such as the Demon Queller, which grows in dark forests where its lovely blooms are believed to chase evil forces away. There is the Fetid Sun-God, an orchid that lures female flies to lay their eggs on its flowers by emitting a scent of rancid cheese. Or the rare, delicate Lizard Orchid, which mimics the appearance of lizards but smells distinctly of goat.
The Book of Orchids revels in the diversity and oddity of these beguiling plants. Six hundred of the world’s most intriguing orchids are displayed, along with life-size photographs that capture botanical detail, as well as information about distribution, peak flowering period, and each species’ unique attributes, both natural and cultural. With over 28,000 known species—and more being discovered each year—the orchid family is arguably the largest and most geographically widespread of the flowering plant families. Including the most up-to-date science and accessibly written by botanists Mark Chase, Maarten Christenhusz, and Tom Mirenda, each entry in The Book of Orchids will entice researchers and orchid enthusiasts alike.
With stunning full-color images, The Book of Orchids is sure to become the go-to reference for these complex, alluring, and extraordinarily adaptable plants.
Throughout the nineteenth and twentieth centuries, wall charts were a familiar classroom component, displaying scientific images at a large scale, in full color. But it's only now that they've been superseded as a teaching tool that we have begun to realize something their ubiquity hid: they are stunning examples of botanical art at its finest.
This beautifully illustrated oversized book gives the humble wall chart its due, reproducing more than two hundred of them in dazzling full color. Each wall chart is accompanied by captions that offer accessible information about the species featured, the scientists and botanical illustrators who created it, and any particularly interesting or innovative features the chart displays. And gardeners will be pleased to discover useful information about plant anatomy and morphology and species differences. We see lilies and tulips, gourds, aquatic plants, legumes, poisonous plants, and carnivorous plants, all presented in exquisite, larger-than-life detail.
A unique fusion of art, science, and education, the wall charts gathered here offer a glimpse into a wonderful scientific heritage and are sure to thrill naturalists, gardeners, and artists alike.
Bulbs for Warm Climates
By Thad M. Howard University of Texas Press, 2001 Library of Congress SB425.H75 2001 | Dewey Decimal 635.94
Bulb gardening in the southwestern and southern United States presents challenges unknown in cooler climates. Bulbs that turn Holland into a kaleidoscope of color droop and fade in our mild winters, hot summers, and uncertain rainfall. Yet hundreds of native and naturalized species of bulbs thrive in these same conditions and offer as many colors, shapes, and fragrances as even the most demanding gardener desires. These are the bulbs that Thad Howard describes in this comprehensive guide to bulbs that will grow in USDA gardening zones 8 and 9.
Writing from more than forty-five years' experience in collecting and cultivating bulbs, Howard offers expert advice about hundreds of little-known, hybrid, and common species and varieties that grow well in warm climates. His species accounts, which are grouped by family, describe each plant and its growing requirements and often include interesting stories from his collecting expeditions. Lovely color photos illustrate many of the species.
Howard also gives reliable information about refrigerating bulbs, using them in the landscape and in containers, choosing scented ones, making potpourri, buying, collecting, cultivating, and hybridizing bulbs, and dealing with pests and diseases. He concludes with lists of plant societies and suppliers and a helpful glossary and bibliography.
From wedding bouquets to funeral wreaths, carnations can be seen everywhere in human culture. Their colorful but delicately folded petals have made them one of the foremost decorative flowers, from the gardens of the Ottoman Empire to American Mothers Day bouquets, via Chinese medicines and French Empresses. In this book, Twigs Way explores the extraordinary history of this inimitable flower.
The author traces the trials and tribulations of early breeders—compelled by florists’ fascinations for the striped and spotted—which led to delightfully colored (and delightfully named) varieties such as Lustie Gallant and Bleeding Swain. She looks at the symbolism of the red and white—and even green—carnations made famous by Oscar Wilde, and glides through many of the rooms in literature and history that we have filled with the carnation’s glorious scent. Travelling from Europe to China, Way explores how carnations have been used by herbalists the world over as a treatment for ailments to both mind and body, and she looks at the many paintings that have attempted to capture their unique complexities. Lavishly illustrated and full of unexpected delights, this book will—like the carnation itself—charm the mind and invigorate the senses.
Drawing its allure from the gold of the sun and the rule of the emperors, the chrysanthemum winds its way through ancient Chinese culture into the gardens of French impressionist painters and onto the pages of American novels. The flower signifies both life and death, as parts of Europe associate it with mourning while others celebrate it for its golden rays that light the autumnal gloom. In this fascinating book, Twigs Way follows the fortunes of the flower through philosophy, art, literature, and death, recounting the stories of the men and women who became captivated by this extraordinary bloom. With a range of vibrant illustrations, including works by Hiroshige, Monet, and Mondrian, Chrysanthemum will captivate lovers of art, flowers, history, and culture.
Darwin's Orchids: Then and Now
Edited by Retha Edens-Meier and Peter Bernhardt University of Chicago Press, 2014 Library of Congress QK495.O64D292 2014 | Dewey Decimal 584.4
For biologists, 2009 was an epochal year: the bicentennial of Charles Darwin’s birth and the 150th anniversary of the publication of a book now known simply as The Origin of Species. But for many botanists, Darwin’s true legacy starts with the 1862 publication of another volume: On the Various Contrivances by Which British and Foreign Orchids Are Fertilised by Insects and on the Good Effects of Intercrossing, or Fertilisation of Orchids. This slim but detailed book with the improbably long title was the first in a series of plant studies by Darwin that continues to serve as a global exemplar in the field of evolutionary botany. In Darwin’s Orchids, an international group of orchid biologists unites to celebrate and explore the continuum that stretches from Darwin’s groundbreaking orchid research to that of today.
Mirroring the structure of Fertilisation of Orchids, Darwin’s Orchids investigates flowers from Darwin’s home in England, through the southern hemisphere, and on to North America and China as it seeks to address a set of questions first put forward by Darwin himself: What pollinates this particular type of orchid? How does its pollination mechanism work? Will an orchid self-pollinate or is an insect or other animal vector required? And how has this orchid’s lineage changed over time? Diverse in their colors, forms, aromas, and pollination schemes, orchids have long been considered ideal models for the study of plant evolution and conservation. Looking to the past, present, and future of botany, Darwin’s Orchids will be a vital addition to this tradition.
Confucius called them the “king of fragrant plants,” and John Ruskin condemned them as “prurient apparitions.” Across the centuries, orchids have captivated us with their elaborate exoticism, their powerful perfumes, and their sublime seductiveness.
But the disquieting beauty of orchids is an unplanned marvel of evolution, and the story of orchids is as captivating as any novel. As acclaimed writer Michael Pollan and National Geographic photographer Christian Ziegler spin tales of orchid conquest in Deceptive Beauties: The World of Wild Orchids, we learn how these flowers can survive and thrive in the harshest of environments, from tropical cloud forests to the Arctic, from semi-deserts to rocky mountainsides; how their shapes, colors, and scents are, as Darwin put it, “beautiful contrivances” meant to dupe pollinating male insects in the strangest ways. What other flowers, after all, can mimic the pheromones and even appearance of female insects, so much so that some male bees prefer sex with the orchids over sex with their own kind?
And insects aren’t the only ones to fall for the orchids’ charms. Since the “orchidelirium” of the Victorian era, humans have braved the wilds to search them out and devoted copious amounts of time and money propagating and hybridizing, nurturing and simply gazing at them. This astonishing book features over 150 unprecedented color photographs taken by Christian Ziegler himself as he trekked through wilderness on five continents to capture the diversity and magnificence of orchids in their natural habitats. His intimate and astonishing images allow us to appreciate up close nature’s most intoxicating and deceptive beauties.
This new distribution list— the first since Winterringer and Evers (1960)— brings up-to-date every vascular plant known to occur in Illinois as a native, naturalized, or escaped species, some 3,001 taxa of vascular plants within the boundaries of the state.
There are 251 pages of distribution maps included in this book. The plants are arranged alphabetically by genus, and under each genus alphabetically by species. The nomenclature follows Mohlenbrock, Guide to the Vascular Flora of Illinois (1975).
In addition, a list of synonyms applied to Illinois taxa by Fernald (1950), Gleason (1952), and Jones (1963) follows the distribution maps.
Finally, in order to gain an understanding of relationships of the plants in the Illinois flora, all 3,001 taxa are arranged in a phylogenetic sequence at the end of the book.
Sandra Knapp University of Chicago Press, 2021 Library of Congress QK495.O64K58 2021 | Dewey Decimal 584.72
Perching on tropical trees, partnering with fungi to reproduce, or deceiving birds and amorous insects to promote pollination, orchids fascinate. In the exquisitely illustrated Extraordinary Orchids, award-winning botanist and writer Sandra Knapp tells the stories behind some of the bizarre lifestyles and interactions that scientists have uncovered among many species of the orchid family.
Orchids deserve such a visual celebration: parts of the orchid flower have shapes unlike any other flowering plant, and the sheer number of species means they have a seemingly endless ability to create ever more fantastical forms. In fact, many orchid common names refer to the shape-shifting forms of their flowers—the “man-orchids” or “monkey-orchids” are so called because of their resemblance to the primate form. Orchids lend themselves to depiction, and botanical artworks of them abound. Who could resist painting or drawing such odd shapes?
Illustrated with stunning artwork, much from the archives of the Natural History Museum in London and never before published, Extraordinary Orchids includes depictions from celebrated botanical artists such as Ferdinand and Franz Bauer, Arthur Harry Church, and Sydney Parkinson, revealing the weird and wonderful lives of this most diverse of plant families.
The Western Mediterranean is home to more than 10,000 plant species, which makes it one of the most important regions in the world for biodiversity. This book is the most comprehensive and up-to-date guide to Western Mediterranean wildflowers, covering southern Europe from the Portuguese Algarve to Italy, and Morocco to Tunisia in North Africa, along with all the islands in between. It features 2,500 plants, and its more than 800 line drawings and color photographs make it the ideal companion for field identification.
From the mixed-grass prairies of the Panhandle in the west, to the Sandhills prairie and mixed-grass prairies in central Nebraska, to the tallgrass prairies in the east, the state is home to hundreds of wildflower species, yet the primary guide to these flowers has been out of print for almost two decades. Now back in a second edition with updated nomenclature, refined plant descriptions, better photographs where improvements were called for, and a new design, Jon Farrar’s Field Guide to Wildflowers of Nebraska and the Great Plains, originally published by NEBRASKAland magazine and the Nebraska Game and Parks Commission, is a visual treat and educational guide to some of the region’s showiest and most interesting wildflowers.
Organizing species by color, Farrar provides scientific, common, and family names; time of flowering; distribution both for Nebraska specifically and for the Great Plains in general; and preferred habitat including soil type and plant community from roadsides to woodlands to grasslands. Descriptions of each species are succinct and accessible; Farrar packs a surprising amount of information into a compact space. For many species, he includes intriguing notes about edibility, medicinal uses by Native Americans and early pioneers, similar species and varieties, hybridization, and changes in status as plants become uncommon or endangered. Superb color photographs allow each of the 274 wildflowers to be easily identified and pen-and-ink illustrations provide additional details for many species.
It is a joy to have this new edition riding along on car seats and in backpacks helping naturalists at all levels of expertise explore prairies, woodlands, and wetlands in search of those ever-changing splashes of color we call wildflowers.
A Flora of Southern Illinois
Robert H. Mohlenbrock Southern Illinois University Press, 1974 Library of Congress QK157.M6 1974 | Dewey Decimal 582.1309773
This book will be of particular interest to those interested in applied fields of biology, such as conservation, forestry, and wild life. The southern twelve counties of Illinois, a total of 4,355 square miles, comprise the area covered in this book. It is an area in which both northern and southern flora specimens abound. A wide variety of plant species grow in this area, and nearly 200 new plants not formerly identified with this area have been included in the listings.
Especially valuable to amateur botanists, the book is an important manual in identifying the plants that make up the native scenery of this region. Seventy-seven illustrations aid in identifying and understanding the plant communities.
E. Buckner Hollingsworth University of Chicago Press, 2004 Library of Congress GT5160.H6 2004 | Dewey Decimal 582.13
First published in 1958, this compendium on the history of flowers has lost almost none of its bloom. With a flair for research and citation, E. Buckner Hollingsworth draws on folklore, poetry, annals of medicine, and gardening manuals to report essential historical information on the domestication of garden favorites before they were grown as ornamental plants. Organized by species, Flower Chronicles brims with literary and historical references, anecdotes, and digressions on the lives of merchants, housewives, perfumers, and surgeons. Though she writes with a light touch, Hollingsworth tackles Greek literature, Shakespeare, De Quincey, and Herrick.
A tremendously entertaining and charming book, not only for its richness of information but because Hollingsworth clearly enjoys her material, Flower Chronicles has an antiquarian feel about it-with line drawings, woodcuts, and translations from the Greek—but the text never feels dated. Out of print for nearly thirty years, Flower Chronicles reemerges as a garden literature classic.
"With humor and literary taste, Mrs. Hollingworth has compiled an astonishing amount of scholarly yet entertaining material from her studies in archaeology and mythology and her researches in ancient pharmacopeias, botanies, cookbooks, herbals, and stillroom books."-New Yorker
"Mrs. Hollingsworth writes gaily and quotes from old books, with a wonderful taste for the curious English of Elizabethan gardeners, and sharp notice of what poets and translators of talent have set down. To this she has added the excitement of discovery of forms not noticed by her predecessors."-New York Herald Tribune Book Review
This, the first of three volumes on the aster family planned for the Illustrated Flora of Illinois series, recognizes 388 species in 119 genera, as well as 20 hybrids and 73 lesser taxa. In Asteraceae, Part 1, author Robert Mohlenbrock presents new and historic information in a clear and easy-to-read style. The volume provides an easy-to-use key to the genera and species and a complete description and nomenclatural and habitat notes for each plant, including its usefulness, if applicable. New nomenclatural combinations are shown for several species. The precise illustrations and detailed information allow for the identification of some of the most difficult to identify plants in the state—goldenrods, asters, artemisias, and fleabanes, among others. Includes 128 original illustrations by Paul Nelson.
In this second volume on the aster family, botanist Robert H. Mohlenbrock recognizes 133 species in 42 genera, as well as 7 hybrids and 29 lesser taxa. Flowering Plants: Asteraceae, Part 2 provides an easy-to-use key to the genera and species and a complete description and nomenclatural and habitat notes for each plant, including its usefulness, if applicable. The book details the most important features of the species and includes common, locally used names. Synonyms that have been applied to species and lesser taxa in Illinois are given for each species.
In addition, Mohlenbrock has identified the overall range for each species in Illinois, compiled from various sources, including examinations of herbarium material and Mohlenbrock’s own field studies. The range is given from the northeastern to the northwestern extremities, south to the southwestern limit, and then eastward to the southeastern limit.
As important to amateurs interested in wildflower identification as to botanists and land planners, this second volume of Mohlenbrock’s Asteraceae is an essential addition to the esteemed Illustrated Flora of Illinois series.
Flowering Plants: Asteraceae, Part 3 is the third and final volume in botanist Robert H. Mohlenbrock’s comprehensive sequence of books on the aster family in Illinois. In this volume, Mohlenbrock identifies 128 species in 49 genera with 11 hybrids and 57 lesser taxa. He provides an easy-to-use key to the genera and species and a complete description and nomenclatural and habitat notes for each plant, including its uses, if applicable. The book details the most important features of the species and includes common, locally used names. Synonyms that have been applied to species and lesser taxa in Illinois are given under each species.
In addition, Mohlenbrock has identified the overall range for each species in Illinois, compiled from various sources, including examinations of herbarium material and Mohlenbrock’s own field studies. The overall range for each species is given from the northeastern to the northwestern extremities, south to the southwestern limit, then eastward to the southeastern limit.
As important to amateurs interested in wildflower identification as to professional botanists and land planners, this last volume of Mohlenbrock’s Asteraceae is an essential addition to the esteemed Illustrated Flora of Illinois series.
This is the fourth volume in The Illustrated Flora of Illinois devoted to dicotyledons, or dicot plants. Dicots are the greatest group of flowering plants, exceeding the monocotyledons, or monocots. Dicots produce a pair of seed leaves during germination while monocots produce only a single seed leaf.
This volume contains four orders and ten families of dicots. The orders included in this volume are Malvales, Urticales, Rhamnales, and Euphorbiales. Within the Malvales are the families Tiliaceae, Sterculiaceae, and Malvaceae. The families Ulmaceae, Moraceae, and Urticaceae comprise the Urticales. Rhamnaceae and Elaeagnaceae make up the Rhamnales. The Euphorbiales include only the Thymelaeceae and the Euphorbiaceae.
The second edition of Flowering Plants: Flowering Rush to Rushes offers new material, including a preface, seventeen new illustrations of the additional species now known from Illinois, a revised list of illustrations, and an appendix of the additions and changes since 1970 in the identification, classification, and location of the plants included in the first edition. This new edition of the first volume in the multi-volume series of The Illustrated Flora of Illinois—which provides a working reference for the identification and classification of these plant forms in the state—includes flowering rushes, arrowheads, pondweeds, naiads, duckweeds, cattails, bur reeds, spiderworts, and rushes.
In his introduction, Robert H. Mohlenbrock defines terms and procedures used in the identification and classification of this group of flowering plants referred to as monocotyledons—plants that produce upon germination a single cotyledon or seed-leaf and are often identified by their tall, slender, grass-like leaves. He outlines the life histories and morphologies of the representative monocots and illustrates the plants’ habits and frequencies in Illinois.
Geared to the amateur as well as the professional botanist, the volume includes a glossary of definitions and identification keys to classify the plants according to order, family, genus, and species. The identifying characteristics of each descending class are also given in detail. The morphology of each species is outlined along with data on frequency of occurrence, related soil and climate conditions, and history of past collections. Among the 125 illustrations are detailed sketches of the important features of each species and maps indicating the geographical locations of each species in Illinois.
A continuation of “The Illustrated Flora of Illinois” series, this volume features Illinois flowering plants. This series is designed to provide a working reference for the identification and classification of all the plant forms found in the state. This series is the first of its kind, as no other study of this sort has been undertaken in any other state, and as such, is an unparalleled contribution to its field.
In his introduction to this volume, Mr. Mohlenbrock discusses some of the terms and procedures used in the identification and classification of the plants. He outlines the life histories and morphologies of some of the representative monocots, and also illustrates some of their habits and frequencies in Illinois. Since these volumes are meant to be used by the amateur as well as the professional botanist, the methods and terms used in the text are explained. The directions for the use of the various identification keys are given so that even the novice plant lover will be able to identify the species encountered. For the uninitiated, a glossary is provided which gives definitions for all terms that might be unfamiliar.
All necessary aids to identification are included in the text itself. The identification keys make it initially possible to classify the plants according to order, family, genus and finally, species and the identifying characteristics of each descending class are given in detail. The morphology of each species is outlined, along with data on frequency of occurrence, related soil and climate conditions and history of past collections, and history of past collections. An illustration showing the more important features of the species in detail is included with the description, as well as a map indicating its geographical locations in Illinois.
This book will be invaluable to students, teachers and professionals; particularly those who are interested in observing the plants in their natural habitat. Those who use it will find it possible to obtain a broad view of changing plant forms as they relate to soil and climate variations throughout the state. And it will provide a delightful diversion for all who enjoy viewing beautiful forms in nature. A walk through the forest will become an opportunity for discovery and appreciation.
This volume, the eighth devoted to flowering plants in the Illustrated Flora of Illinois series, is the third of several devoted to dicotyledons, which include such well-known plants as roses, peas, mustards, mints, nightshades, milkweeds, and asters. Mohlenbrock here represents four orders (Annonales, Berberidales, Nymphaeales, and Sarraceniales) and fifteen families of plants. As in previous volumes in this series, the common names are those used locally in Illinois. An illustration of each species depicts the distinguishing features and the habitat in Illinois.
This sixth volume of dicots contains three orders and eight families. The orders included are Solanales, Campanulales, and Santalales. Within the Solanales are the families Solanaceae, Convolvulaceae, Cuscutaceae, and Polemoniaceae. The Campanulales contain only the family Campanulaceae. The Santalales include the families Celastraceae, Santalaceae, and Viscaceae. As with each volume in this series Mohlenbrock includes a complete plant description, illustrations showing diagnostic features, distribution maps, and ecological notes.
Robert H. Mohlenbrock provides a definitive account of the pokeweed, four-o'clock, carpetweed, cactus, purslane, goosefoot, pigweed, and pink families in Illinois.
Flowering Plants: Pokeweeds, Four-o’clocks, Carpetweeds, Cacti, Purslanes, Goosefoots, Pigweeds, and Pinks is the fifteenth volume of the Illustrated Flora of Illinois series and the ninth devoted to dicots, or plants that have two seed-leaves, or cotyledons, upon germination. Each of the 141 plants is beautifully illustrated by Paul W. Nelson.
Nelson shows the full habitat of the plant and close-ups of various vegetative and reproductive structures that are crucial for the identification of individual species. Each illustration includes detailed drawings of the flowers, fruits, and seeds of the plant covered. Mohlenbrock provides a complete description of each species as well as a discussion of the nomenclature and habitats, and his fifty-three years of experience enable him to present little-known diagnostic features for many species. Range maps show the county distribution of each species in Illinois. Mohlenbrock includes a statement giving the overall range of each species in the United States as well as a detailed key for the identification of the species.
Flowering Plants contains many plants whose obscure flower parts make them exceedingly difficult to identify. The close-up illustrations of these parts will aid the user of the book immensely in identification of the species. Included are several species previously unknown in Illinois.
New illustrations, which include detailed drawings of the flowers, fruits, and seeds are presented for each species covered in this book. Mohlenbrock’s fifty-three years of experience enable him to present little-known diagnostic features for many species.
This eighth volume in the comprehensive Illustrated Flora of Illinois series is the seventh volume devoted to flowering plants (the eighth volume is devoted to ferns) and the second treating dicotyledons, which include such well-known plants as roses, peas, mustards, mints, nightshades, milkweeds, and asters. The previous volume on dicots, Flowering Plants: Hollies to Loasas, was published in 1978.
In the present volume, Mohlenbrock includes three orders of vascular plants encompassing five families. The orders are Salicales and Tamaricales, of the Salicaceae and Tamaricaceae families, and Capparidales, of the Capparidaceae, Resedaceae, and Brassicaceae families. In all, 44 genera and 117species are treated in this volume, each species illustrated in detail.
This book, which was selected by poet John Hodgen for the John Ciardi Prize for Poetry, ranges across rural Florida and Georgia as well as Los Angeles and New York City, include considerations of homesickness, memory, music, alcohol, love, and loss. With a voice at once inquisitive and prescient, Minor meditates on consumption, vice, homesickness, memory, family, and the landscape. Minor’s writing is unerringly lyric and blooming with elegant charm and keen description. This book is an alchemy of fortitude in the face of despair and all the transformative possibility that comes with the hope for a better future.
Flowers in the Dustbin looks at the volatile relations between literature, rock music, and youth subcultures in postwar England. Neil Nehring traces the continuities between the original avant-garde of the twenties and thirties and the postwar youth culture, arguing that anarchism never really disappeared from the world. The author shows that British youth groups like the Mods, the Rockers, Punks, and Teddy Boys and the music that inspired them appear increasingly more acute than their literary counterparts, belying conventional assumptions about the relative powers of "high" and "low" culture. By examining literary texts as part of a larger sampling of cultural forms and their uses in everyday life, Flowers in the Dustbin provides a striking illustration of the significance the field of cultural studies holds for studies in English.
The essays in this volume focus on the different aspects of Italian gardens of the sixteenth and seventeenth centuries. This volume is divided into two parts, with the first part concentrating on the decorations in Roman gardens of the sixteenth centuries, especially the fountains and statue collections, their iconographic programs, and their relationship to contemporary and ancient literature.
The second half of the volume considers two particular sites. The first, a Savoy duke’s villa, is considered through the history of its construction and its relationship to contemporary festivity architecture. The second essay considers a secret garden at the Palazzo Barberini in the 1630s. Also included are illustrations and text from three Barberini manuscripts documenting the plants used in this garden.
Four Seasons of Flowers is an illustrated volume that presents a selection of the manuscripts, herbals, and printed botanical texts from the Rare Book Collection at Dumbarton Oaks. Representing pivotal works in the intellectual history of Europe from the sixteenth to the twentieth centuries, these drawings, books, and manuscripts are among the most significant materials conserved in the Rare Book Reading Room. They offer an illuminating overview of the history of botany as a modern science, from its inception to the present day. Each text is accompanied by a remarkable set of botanical illustrations. Their scientific accuracy and aesthetic beauty testify to the importance of the visual image once the efficacy of the printing press as an instrument for the furtherance of knowledge in the sciences and technology—from anatomy to zoology and from astronomy to botany—had been fully recognized. Botanical illustrations constitute an indispensable source of information for historians of not only botanical sciences but also garden and landscape architecture, thus shedding light on the study of plants in different periods, as well as on the evolution of the visual arts in areas where the representation of the plant world played a central role.
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to the fringed orchids forms part of a series that will cover all the wild orchids of the continental United States and Canada.
Brown provides a description, general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so challenging. For the fringed-lipped orchids, which make up some of the most intriguing and richly colored of all wild orchids, he includes information on fourteen species and thirteen hybrids.
The genus Platanthera is the largest genus of orchids to be found in North America north of Mexico; the fringe-lipped group is found primarily in the eastern U.S. and Canada, extending west to the prairies and Great Plains. The fringed orchids, so-called because of the delicately fringed petals and lips on many of the species, comprise some of the largest and showiest native orchids found in our region. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answering three simple questions—when, where, and how does it grow?—and comparing the living plants with the striking photos in the backpack-friendly laminated guide and the information in the simple key should enable both professional and amateur naturalists to achieve the satisfaction of identifying a specific orchid.
Elizabeth Lawrence occupies a secure place in the pantheon of twentieth-century gardening writers that includes Gertrude Jekyll and Vita Sackville-West of Great Britain and Katherine S. White of the United States. Her books, such as A Southern Garden (1942) and The Little Bulbs (1957), remain in print, continuing to win praise from criticis and to delight an ever-widening circle of readers. In Gardening for Love, Lawrence reveals another world of garden writing, the world of the rural women of the South with whom she corresponded extensively from the late 1950s into the mid-1970s in responce to their advertisements for herbs and ornamental perennials in several market bulletins (published by state departments of agriculture for the benefit of farmers).
It was Eudora Welty who awakened Elizabeth Lawrence's interest in this fascinating topic by putting her name on the mailing list of The Mississippi Market Bulletin, a twice-monthly collection of classified advertisements founded in 1928 and still published today. Lawrence soon discovered market bulletins from the Carolinas and other Southern states, as well as similar bulletins published privately in the North. She began ordering plants from the bulletins, and there ensued a lively exchange of letters wit the women who sold them.
Gardening for Love is Lawrence's exploration of this little-known side of American horticulture and her affectionate tribute to country people who shared her passion for plants. Drawing on the letters she received, sometimes a great many of them from the same persons over many years, she delves into traditional plant lore, herbal remedies, odd and often highly poetic vernacular plant names peculiar to particular regions of the South, and the herb collectors of the mountains of the Carolinas and Georgia. She focuses primarily on the Southeast and the Deep South, but her wide knowledge of both literature and botany gives Gardening for Love a dimension that transcends the category of regional writing.
For gardeners, inspiration can come from the most unexpected places. Perennial enthusiasts around the world might be surprised to find their muse in the middle of a bustling city. Lurie Garden, a nearly three-acre botanic garden in the center of Chicago’s lakefront in Millennium Park, is a veritable living lab of prairie perennials, with a rich array of plant life that both fascinates and educates as it grows, flowers, and dies back throughout the year. Thousands of visitors pass through each year, and many leave wondering how they might bring some of the magic of Lurie to their own home gardens.
With Gardening with Perennials horticulturalist and garden writer Noel Kingsbury brings a global perspective to the Lurie oasis through a wonderful introduction to the world of perennial gardening. He shows how perennials have much to offer home gardeners, from sustainability—perennials require less water than their annual counterparts—to continuity, as perennials’ longevity makes them a dependable staple.
Kingsbury also explains why Lurie is a perfect case study for gardeners of all locales. The plants represented in this urban oasis were chosen specifically for reliability and longevity. The majority will thrive on a wide range of soils and across a wide climatic range. These plants also can thrive with minimal irrigation, and without fertilizers or chemical control of pests and diseases. Including a special emphasis on plants that flourish in sun, and featuring many species native to the Midwest region, Gardening with Perennials will inspire gardeners around the world to try Chicago-style sustainable gardening.
The Cyclamen is a literary and artistic darling, decorating ceramics, pottery, and jewelry, and found in botanical art references dating back to the first century. It is also a favorite of gardeners, growers, and botanists due to its extraordinary capacity for variation, in colors, shapes, fragrances, and flowering periods.
Genus Cyclamen is a celebration of this remarkable plant. Its science-based emphasis on botany and cultivation is complemented by sections on art and history, including twenty-five newly commissioned paintings and over seven hundred photographs. It provides a wealth of information, including taxonomic descriptions, flowering periods, distribution, and habitat, all based on the deep knowledge and practical experiences of the Cyclamen Society and other cyclamen experts. This book will find a wide audience of growers, gardeners, botanists, and enthusiasts, thanks to its all-encompassing coverage of the cyclamen and its informative, but accessible style.
The Himalayan Blue Poppy is a bit of a perennial diva. Spotted in the wild, it turns heads and catches reverent attention, but it is also notoriously fickle, requiring careful cultivation and often refusing to flourish in most climates below 10,000 feet. Together with the other colorful species of the Meconopsis genus, they are some of the most distinctive and most sought-after members of the poppy family. The Genus Meconopsis is the first major revision of the genus since 1934 and the only monograph on the genus in existence. This fully revised text incorporates the discovery of nearly thirty new species with decades of new scholarship. The book is extensively illustrated with striking color photographs and botanical paintings. Species descriptions that include habitat and variation within the genus, as well as detailed distribution maps, make this ideal for botanists, horticulturalists, and gardeners alike.
Beloved for their eye-popping colors that often mark the arrival of spring, tulips are a perennial favorite. The Genus Tulipa combines the latest scientific research with beautiful and useful illustrations, creating a visual delight as fascinating as the flowers themselves. Each species is fully illustrated with botanical paintings, color photographs of the plants in habitat, and distribution maps. In addition, the experts of the Royal Botanic Gardens, Kew, lend their prowess to chapters on everything from cultivation to classification. Checklists of tulip species and their world-wide synonyms, nursery and buying information, and a glossary with diagrams round out this comprehensive guide.
They are sometimes called storksbills and originated in South Africa. They may be star-shaped or funnel-shaped, and they range in color from white, pink, and orange-red to fuchsia and deep purple. The geranium and its many species, much loved and also much loathed, have developed since the seventeenth century into one of the most popular garden plants. In this book, Kasia Boddy tells the story of geranium’s seemingly inexorable rise, unearthing the role it has played in everything from plant-hunting and commercial cultivation to alternative medicine, the philanthropic imagination, and changing styles in horticultural fashion.
Boddy shows how geraniums became the latest fad for wealthy collectors and enterprising nurserymen after they were first collected by Dutch plant-hunters on the sandy flats near present-day Cape Town. She explains that the flower would not be rare for long—scarlet hybrids were soon found on every cottage windowsill and in every park bedding display, and the backlash against the innocent plant followed quickly on the heels of its ubiquity. Today, geraniums can be found throughout the world, grown as annuals in the regions too cold for them to regenerate. In addition to exploring the history of geraniums, Boddy reveals the plant’s other uses, including how they are cultivated and distilled for their scents of citrus, mint, pine, rose, and various spices to use in perfumes. With their edible leaves, they are also used to flavor desserts, cakes, jellies, and teas, and some people believe that certain species provide an effective treatment for a cough.
Featuring over one hundred illustrations, Geranium shows how the plant is portrayed in painting, literature, film, and popular culture, and provides an intriguing example of the global industrialization of plant production.
Zeus, Medusa, Hercules, Aphrodite. Did you know that these and other dynamic deities, heroes, and monsters of Greek and Roman mythology live on in the names of trees and flowers? Some grow in your local woodlands or right in your own backyard garden.
In this delightful book, botanist Peter Bernhardt reveals the rich history and mythology that underlie the origins of many scientific plant names. Unlike other books about botanical taxonomy that take the form of heavy and intimidating lexicons, Bernhardt's account comes together in a series of interlocking stories. Each chapter opens with a short version of a classical myth, then links the tale to plant names, showing how each plant "resembles" its mythological counterpart with regard to its history, anatomy, life cycle, and conservation. You will learn, for example, that as our garden acanthus wears nasty spines along its leaf margins, it is named for the nymph who scratched the face of Apollo. The shape-shifting god, Proteus, gives his name to a whole family of shrubs and trees that produce colorful flowering branches in an astonishing number of sizes and shapes.
Amateur and professional gardeners, high school teachers and professors of biology, botanists and conservationists alike will appreciate this book's entertaining and informative entry to the otherwise daunting field of botanical names. Engaging, witty, and memorable, Gods and Goddesses in the Garden transcends the genre of natural history and makes taxonomy a topic equally at home in the classroom and at cocktail parties.
The seventeenth century heralded a golden age of exploration, as intrepid travelers sailed around the world to gain firsthand knowledge of previously unknown continents. These explorers also collected the world’s most beautiful flora, and often their findings were recorded for posterity by talented professional artists. The Golden Age of Botanical Art tells the story of these exciting plant-hunting journeys and marries it with full-color reproductions of the stunning artwork they produced. Covering work through the nineteenth century, this lavishly illustrated book offers readers a look at 250 rare or unpublished images by some of the world’s most important botanical artists.
Truly global in its scope, The Golden Age of Botanical Art features work by artists from Europe, China, and India, recording plants from places as disparate as Africa and South America. Martyn Rix has compiled the stories and art not only of well-known figures—such as Leonardo da Vinci and the artists of Empress Josephine Bonaparte—but also of those adventurous botanists and painters whose names and work have been forgotten. A celebration of both extraordinarily beautiful plant life and the globe-trotting men and women who found and recorded it, The Golden Age of Botanical Art will enchant gardeners and art lovers alike.
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, these pocket guides to grass-pinks and their companions form part of a series that will cover all the wild orchids of the continental United States and Canada.
Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. For the grass-pinks and companions he includes information on 16 species, 2 additional varieties, and 7 hybrids.
Grass-pinks, with their showy pink to white flowers, are some of the most conspicuous wild orchids encountered in the prairies, bogs, and open wetlands of eastern North America. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answering three simple questions—when, where, and how does it grow?—and comparing the living plant with the striking photos in the backpack-friendly laminated guide should enable both professional and amateur naturalists to achieve the satisfaction of identifying a specific orchid.
With its Rocky Mountain foothills, hardwood forests, many rivers and streams, low mountains, sand dunes, cypress swamps, and wide swaths of rangeland and pastureland, the Great Plains state of Oklahoma is one of only four with more than ten ecoregions. Tallgrass, mixed-grass, and shortgrass prairies are native to large areas; rainfall and temperature are quite variable; and elevations drop from 5,000 to 300 feet. This diversity ensures that Oklahoma is host to hundreds of species of wildflowers, yet no guidebook to these botanical riches has been available in recent years. Patricia Folley’s beautifully photographed and carefully compiled Guide to Oklahoma Wildflowers fills this gap.
Folley has photographed and described the two hundred wildflower species that are most commonly seen along roadsides and in parks throughout the state. She provides at least two photos for each plant, showing the entire plant as it occurs in the wild, outside of cultivation, along with a close-up of its flower. Each plant is keyed to a particular geographical location and a particular family, and an index to colors is a further aid to identification. If a species is native—such as big bluestem, the defining grass of Oklahoma’s tallgrass prairies—Folley presents this information in the text along with time of blooming, size and color of blooms, preferred habitat, and common and scientific names for all species.
Oklahoma contains vast plains, elevated rocky plateaus, and forested mountains. Botanizing one’s way across the Sooner State reveals celestial lilies in the east, prickly poppies in the west, Dutchman’s breeches in the northeast, large-flowered evening primrose in central and southwest areas, Indian pink in the southeast, walking-stick cholla in the Panhandle, and purple prairie clover statewide. Gardeners, teachers, tourists, and naturalists of all levels of expertise will enjoy this guide’s concise text and vibrant photos.
Unrivaled in the temperate latitudes of the world, China’s rich flora comprises 30,000 species of plants, and nowhere is this floral richness more evident than in western China. With its lush forests, meandering rivers, and majestic mountains, the west of China has been a center of plant exploration for over two centuries, giving rise to many well-known species of trees, shrubs, perennials, and bulbs that populate our parks and botanical institutes, including rhododendron, orchids, peonies, and roses.
Guide to the Flowers of Western China describes and illustrates more than two thousand species, from the common to the endemic to the extremely rare. Plant families are arranged following the latest DNA-based classification, making this pictorial guide— the largest and most comprehensive on western China ever published—essential for gardeners and plant scientists.
Celebrating the wealth of western China’s vast flora, this magnificent volume will enable the horticulturally inclined traveler (or armchair traveler) to identify many of the plants encountered in the wild.
With a name that references Aphrodite and colors that range from muted to majestic, it is easy to see why the Cypripedium, commonly known as the slipper orchid, is one of the most loved orchids. Now readers can learn what it takes to fully appreciate and care for this genus.
Hardy Cypripedium presents the fifty species and one hundred hybrids of the slipper orchid through more than three hundred photos. It also provides plant descriptions, ecology, distribution, and cultivation methods. Sections on history, morphology, and conservation round out the guide. Professional and amateur growers, as well as fans of orchids of all types, will find a wealth of useful information in this beautiful book.
Exploring the economics, science, and cultural significance of houseplants, a many-tendrilled history of our domestic, pot-bound companions.
Our penchant for keeping houseplants is an ancient practice dating back to the Pharaohs. House Plants explores the stories behind the plants we bring home and how they were transformed from wild plants into members of our households.
A billion-dollar global industry, house plants provide interaction with nature and contribute to our health, happiness, and well-being. They also support their own miniature ecosystems and are part of the home biome.
Featuring many superb illustrations, House Plants explores both their botanical history and cultural impact, from song (Gracie Fields’s “Biggest Aspidistra in the World”), literature (Orwell’s Keep the Aspidistra Flying), and cinema (Audrey II in Little Shop of Horrors) to fashion, technology, contemporary design, and painting.
In Search of Lost Roses
Thomas Christopher University of Chicago Press, 2002 Library of Congress SB411.65.O55C48 2002 | Dewey Decimal 635.933734
Once upon a time—before the 1860s—people loved old roses like "Pearl of Gold," "Marchionesse of Lorne," or "Autumn Damask." Then along came the hybrid tea roses, which were easier to arrange, more dramatic, and longer-blooming, and the old roses were all but forgotten. Now the lovely, subtle-hued, richly perfumed old roses are making a comeback, thanks to the efforts of a stubborn band of eccentric characters who rescued them from back alleys, ramshackle cottages, and overgrown graveyards across the country. Thomas Christopher tells us the fascinating stories of the old roses—how they were created and made their way to America—and the unforgettable people who "rustle" them from abandoned lots and secret gardens today, revelling in the mystery of an "unknown yellow."
An archive of never-before-published illustrations of insects and plants painted by a pioneering naturalist
During his lifetime (1751–ca. 1840), English-born naturalist and artist John Abbot rendered more than 4,000 natural history illustrations and profoundly influenced North American entomology, as he documented many species in the New World long before they were scientifically described. For sixty-five years, Abbot worked in Georgia to advance knowledge of the flora and fauna of the American South by sending superbly mounted specimens and exquisitely detailed illustrations of insects, birds, butterflies, and moths, on commission, to collectors and scientists all over the world.
Between 1816 and 1818, Abbot completed 104 drawings of insects on their native plants for English naturalist and patron William Swainson (1789–1855). Both Abbot and Swainson were artists, naturalists, and collectors during a time when natural history and the sciences flourished. Separated by nearly forty years in age, Abbot and Swainson were members of the same international communities and correspondence networks upon which the study of nature was based during this period.
The relationship between these two men—who never met in person—is explored in John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration. This volume also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand. Originally intended as a companion to an earlier survey of insects from Georgia, the newly rediscovered Turnbull manuscript presents beetles, grasshoppers, butterflies, moths, and a wasp. Most of the insects are pictured with the flowering plants upon which Abbot thought them to feed. Abbot’s journal annotations about the habits and biology of each species are also included, as are nomenclature updates for the insect taxa.
Today, the Turnbull drawings illuminate the complex array of personal and professional concerns that informed the field of natural history in the eighteenth and nineteenth centuries. These illustrations are also treasured artifacts from times past, their far-flung travels revealing a world being reshaped by the forces of global commerce and information exchange even then. The shared project of John Abbot and William Swainson is now brought to completion, signaling the beginning of a new phase of its significance for modern readers and scholars.
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to ladies’-tresses is the first in a series that will cover all the wild orchids of the United States and Canada.
Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. He includes information on 256 species, 3 additional varieties, and 7 hybrids.
Wild ladies’-tresses occur from British Columbia, with the hooded ladies’-tresses, Spiranthes romanzoffiana, to Florida, with Eaton’s-ladies’-tresses, S. eatonii. The newest species to science, Spiranthes stellata, the starry ladies’-tresses, is featured. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answer three simple questions—when, where, and how does it grow? Then compare the living plant with the striking photos in these backpack-friendly laminated guides and consult the keys that Brown has created. Following these steps should enable both professional and amateur naturalists to achieve the satisfaction of identifying specific orchids in their native environment.
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to lady’s-slippers is the first in a series that will cover all the wild orchids of the United States and Canada.
Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. For the lady’s-slippers he includes information on 12 species, 2 additional varieties, and 6 hybrids.
Wild lady’s-slippers grow from Alaska, with the spotted lady’s-slipper, Cypripedium guttatum, to Texas, with the ivory-lipped lady’s-slipper, C. kentuckiense. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answer three simple questions—when, where, and how does it grow? Then compare the living plant with the striking photos in these backpack-friendly laminated guides and consult the keys that Brown has created. Following these steps should enable both professional and amateur naturalists to achieve the satisfaction of identifying specific orchids in their native environment.
The Life of Plants
E. J. H. Corner University of Chicago Press, 2003 Library of Congress QK45.2.C67 2002 | Dewey Decimal 580
E. J. H. Corner's perennial favorite The Life of Plants, copiously stocked with now-classic botanical illustrations, is one of the most fascinating and original introductions to the world of plants ever produced—from the botanist to the amateur, no reader will finish this book without gaining a much richer understanding of plants, their history, and their relationship with the environments around them.
The lily is a flower of contradictions. It represents both life and death, appearing at weddings and funerals. In their pure white form, lilies are a symbol of innocence, chastity, and purity of heart, but in contrast, the highly fragrant and intensely colored orange lilies symbolize passion. In Lily, Marcia Reiss explores these paradoxes, tracing the flower’s cultural significance in art, literature, religion, and popular entertainment throughout history.
Reiss journeys from the tomb carvings of ancient Egypt to the paintings of Claude Monet, Georgia O’Keeffe, and Salvador Dalí, exploring the lily as a subject of fascination and obsession. Unearthing many absorbing facts and fables about the blossom, she examines its use in cuisine and reveals them to have been a source of food and medicine in China for centuries. While Reiss focuses her attention on true lilies and the ornamental hybrids breeders have derived from them, she also provides extensive information about a wide variety of popular lilies, including daylilies, lilies of the valley, water lilies, and calla lilies. Filled with striking illustrations of these gorgeous plants, Lily is a book for gardeners and lily admirers alike.
“A few garden writers offer prose that goes beyond how to spade and spray to convey the experience and pleasures of gardening. The late Elizabeth Lawrence was such a writer.”—Southern Living
“First published in 1957 and out-of-print for many years, this is a delightfully written and enormously informative introduction to the fascinating variety of little bulbs available to the gardener. The author discusses a wide variety of plants, both familiar and little-known, including crocuses, species daffodils, hardy cyclamen and lily-family members such as Brodiaea, Bessera, and Calochortus.”—American Horticulturist
The publishing of the Flora Graeca was a landmark event in 1830. Only 25 copies were published, due to the book’s size of 10 double folio volumes and its numerous illustrations, and it cost over £620, a colossal sum at the time. The Flora Graeca brought together beautiful renderings of the fruits of the travels of British scientist John Sibthorp, who made multiple trips to the eastern Mediterranean in the early nineteenth century to collect a rich array of exotic floral specimens. Now The Magnificent Flora Graeca chronicles Sibthorp’s immense undertaking, including brilliant selections from his groundbreaking volume.
The story of the expeditions of Sibthorp and his renowned illustrator Ferdinand Bauer is a tale replete with larger-than-life characters and adventures on land and sea. Harris profiles the lives of Sibthorp, Bauer, and other leading characters, and explores the Flora Graeca’s rich cultural and scientific legacy. Sibthorp’s pioneering adventures unearthed floral specimens previously unknown to science, as he collected the originals of such popular garden flowers as the Crocus flavus ssp. flavus, the parent of the Golden Yellow; and Cyprus’s Cyclamen persicum, the parent of the widely grown garden cyclamens species.
This new volume, drawn from photographs of Sibthorp’s remarkably well-preserved specimens and luminous reproductions of the original watercolors and engravings by Bauer, features more images from the Flora Graeca than have ever been published since its first printing.
A fascinating treasure of floral wonders, The Magnificent Flora Graeca is an essential addition to the bookshelf for the plant lover or anyone curious about the natural history behind their beloved garden retreats.
Put the power of a garden planning pro to work for you! Northern Garden Symphony offers explanations and illustrations of the sequential blooms of ornamental perennials as a tool for garden design. The idea of sequential blooming, Fairbanks-famous author Cyndie Warbelow explains, is similar to the workings of a musical symphony, in which at least a portion of its stunning constituent plants is blooming at all times, even though they are not all blooming together. Given that perennial plants bloom for limited and specific periods of time during the growing season, Warbelow notes, it is crucial that a garden be designed with sequential blooming in mind. Yet this concept can often overwhelm and discourage gardeners.
Using narrative, figures, photographs, and a groundbreaking set of layout charts that can aid even the most experienced horticulturist in the process of flower garden planning, Northern Garden Symphony gives gardeners the tools they need to be a successful northern perennial gardener.
In recent years the Náyari (Cora) people of northwestern Mexico have experienced violence at the hands of drug producers and traffickers. Although a drug economy may seem potentially lucrative to such peasants, spreading violence tied to this trade threatens to destroy their community. This book argues that the source of the problem lies not solely in drug trafficking but also in the breakdown of traditional political authority.
By studying the history of religious practices that legitimate such authority, Philip Coyle shows that a contradiction exists between ceremonially based forms of political authority and the bureaucratic and military modes of power that have been deployed by outside governments in their attempts to administer the region. He then shows how the legitimacy of traditional authority is renewed or undermined through the performance of ceremonies.
Coyle explores linkages between long-term political and economic processes and changes in Náyari ceremonial life from Spanish contact to the present day. As a participant-observer of Náyari ceremonies over a ten-year period, he gained an understanding of the history of their ceremonialism and its connections to practically every other aspect of Náyari life. His descriptions of the Holy Week Festival, mitote ceremonies, and other public performances show how struggles over political legitimacy are intimately tied to the meanings of the ceremonies. With its rich ethnographic descriptions, provocative analyses, and clear links between data and theory, Coyle's study marks a major contribution to the ethnography of the Indians of western Mexico and Latin America more generally. It also provides unusual insight into the violence raging across the Mexican countryside and helps us understand the significance of indigenous people in a globalizing world.
A wide-ranging natural and cultural history of orchids.
Approximately eight percent of all the Earth’s flowering species are orchids. Known for their beautiful flowers, delicate forms, and sweet fragrances, orchids are unlike any other flower. Orchids have been contemplated by philosophers, celebrated by artists, and cultivated or even eaten by millions. They occupy our thoughts, stories, greenhouses, supermarkets, and homes. Orchid surveys all of this and more as Dan Torre explores the intriguing and multifaceted natural and cultural history of orchids.
Orchid: A Cultural History
Jim Endersby University of Chicago Press, 2016 Library of Congress SB409.48.E64 2016 | Dewey Decimal 635.9344
At once delicate, exotic, and elegant, orchids are beloved for their singular, instantly recognizable beauty. Found in nearly every climate, the many species of orchid have carried symbolic weight in countless cultures over time. The ancient Greeks associated them with fertility and thought that parents who ingested orchid root tubers could control the sex of their child. During the Victorian era, orchids became deeply associated with romance and seduction. And in twentieth-century hard-boiled detective stories, they transformed into symbols of decadence, secrecy, and cunning. What is it about the orchid that has enthralled the imagination for so many centuries? And why do they still provoke so much wonder?
Following the stories of orchids throughout history, Jim Endersby divides our attraction to them into four key themes: science, empire, sex, and death. When it comes to empire, for instance, orchids are a prime example of the exotic riches sought by Europeans as they shaped their plans for colonization. He also reveals how Charles Darwin’s theory of evolution became intimately entangled with the story of the orchid as he investigated their methods of cross-pollination. As he shows, orchids—perhaps because of their extraordinarily diverse colors, shapes, and sizes—have also bloomed repeatedly in films, novels, plays, and poems, from Shakespeare to science fiction, from thrillers to elaborate modernist novels.
Featuring many gorgeous illustrations from the collection of the Royal Botanic Gardens, Kew, Orchid: A Cultural History tells, for the first time, the extraordinary story of orchids and our prolific interest in them. It is an enchanting tale not only for gardeners and plant collectors, but anyone curious about the flower’s obsessive hold on the imagination in history, cinema, literature, and more.
10-PACK IN A POP DISPLAYFrom 1843, when the first collections were made, until 1987, when an amateur botanist discovered the only known Iowa site for spring ladies tresses, thirty-two species of orchids have been recorded in Iowa. The state’s wild orchids range in size from the three-inch-tall delicately blossomed nodding pogonia of the eastern woodlands to the three-foot-tall floral spike of the western prairie fringed orchid and in color from whites and pale pastels to buttery yellows and passionate pinks. Flower shapes run the gamut, too, from the tight-lipped parsimony of the fall coral-root to the cheerful roundness of the yellow lady’s-slipper.Along with superb color photographs of all thirty-two species, this latest addition to Iowa’s series of laminated guides includes common and scientific names, habitat (prairie, woodland, wetland) and distribution, height, approximate time of blooming, status, and potential for hybridization. Bill Witt devotes a separate panel to species missing and presumed extirpated; photos of orchids from nearby states illustrate these lost species. Because orchids have highly specific requirements for germination, growth, and reproduction, the conversion of natural lands for agricultural development has resulted in such loss of habitat that all but a handful of orchid species are now considered threatened or endangered; two orchid species are now known to live in just one site each; and three species have likely been wiped out. Orchids in Your Pocket is a welcome reminder of the beauty and fragility of these native species and their prairie, woodland, and wetland homes.
There’s no more breathtaking signal of summer’s onset than the blooming of peonies. Stunningly beautiful and relatively easy to grow, peonies are a favorite flower everywhere they can be cultivated and for good reason: the heady fragrances and enchanting colors of a peony-rich display create an immersive experience that has enamored generations of garden lovers across the world. This passion is on full display each June at the historic Peony Garden of the University of Michigan’s Nichols Arboretum.
Originally planted in 1922, the Nichols Arboretum Peony Garden now boasts North America’s largest public collection of heirloom herbaceous peonies. The Peony Garden has become a sacred space for the Ann Arbor community, a not-to-be-missed sensation when it erupts each season, as the Ann Arbor Observer once wrote, in “a riot of color, of crimson, rose and shell pink intermingled with fluffy pompoms of creamy white.” The rather short period of peak bloom—about two fleeting weeks each year—only seems to intensify the garden’s appeal, drawing thousands of visitors annually to this spectacular “living museum” on campus that showcases upwards of 10,000 blossoms.
Richly illustrated with hundreds of striking color photos, Passion for Peonies collects short essays that celebrate the story of the Nichols Arboretum Peony Garden as well as the rich social history of peony gardening that it is an integral part of. Together these pieces comprise a love letter both to a magical public space at the University of Michigan and to the broader history and culture of peony gardening. The book will appeal to readers interested in the University of Michigan, the history of public gardens, and of course peonies!
Perennial Gardens for Texas
By Julie Ryan University of Texas Press, 1998 Library of Congress SB434.R93 1998 | Dewey Decimal 635.93209764
A perennial garden is an ever-changing source of delight. Each season brings new colors and textures in flowers and foliage. As the years go by, perennial plantings mature and interweave into forms more beautiful and surprising than a season's growth of annuals can ever give. Best of all, a perennial garden can grow almost anywhere with plants suited to local soils, temperatures, and rainfall.
This book is a complete guide to perennial gardening in Texas and similar regions of eastern New Mexico, Oklahoma, Arkansas, Louisiana, Mississippi, Alabama, Georgia, Florida, and the Carolinas. In Part One, Julie Ryan offers a historical sketch of cottage gardens and perennial borders, with a sampler of some of their modern variations. In Part Two, she defines the major ecological regions of Texas and, with words and color photographs, takes you on a tour of lovely public and private gardens in each region.
You'll find all the "how to" information for creating your own garden in Part Three. Ms. Ryan describes and pictures over 300 flowering perennials, bulbs, foliage plants, and old roses suitable for Texas gardens, with lists of companion annuals, vines, shrubs, and small trees. Accompanying charts provide quick reference to each plant's preferred regions and cultivation requirements. In addition, Ms. Ryan discusses how to design a garden and select plants, prepare the beds, and deal with garden pests. She concludes with substantial lists of resources, including mail-order suppliers of perennials, bulbs, and old roses.
In the dark, bitter days of winter, when the ground lies frozen and snow-covered, it can be hard to believe that mere months before, gardens and window boxes were bursting forth with fragrant, colorful blossoms. Today on the frosty walk home, at least we can pick up cut flowers at the store to remind us of the spring to come. But before the technological miracles of hothouses and refrigeration, flowers could only be captured for the winter months by artists and painters. Some of the finest flower-pieces ever painted were by Dutch and Flemish artists in the seventeenth century, which depict flowers in vases of metal and porcelain, sometimes with insects and butterflies nestling in petals or clinging to stalks. From these flower-pieces we can see what Europeans of the time considered desirable flowers: the rose, iris, carnation, lily, snowdrop, violet, fritillary, narcissus, tulip, daffodil, and hyacinth—many of which are still our favorites today.
Alongside lush color botanical illustrations, Pick of the Bunch presents the social history of these flora—how they arrived in our gardens; how they were bought, acquired and displayed; and who were their devotees and cultivators. The book delves into their symbolic associations in classical and Christian traditions and examines the complex language of flowers employed by the Victorians. Beautiful to behold and engagingly written, Pick of the Bunch is a wonderful gift for any garden lover and will be a warm, much needed glimpse of spring and summer throughout the cold, barren months.
Heather Angel University of Chicago Press, 2016 Library of Congress QK926.A54 2016 | Dewey Decimal 571.8642
From the wings of moths to the feet of hoverflies and the head feathers of nectar-seeking birds, the process of pollination is a natural marvel. How do the many annuals and perennials and shrubs and trees that populate the globe manage to lure the aid of bees and butterflies and other creatures at exactly the appropriate time? Pollination Power offers a unique, truly bird’s-eye view of the wonders of pollination at work.
In stunning full-color images, employing the latest photographic techniques, esteemed photographer Heather Angel has captures the intimate interactions of plants with their floral pollinators. The plants come not only from Angel’s Surrey backyard and the Royal Botanic Garden at Kew, but from twenty countries where Angel has travelled—from the rich floral kingdoms of the Cape of South Africa to the diversity of China and the Americas. The photos illustrate the varied techniques that flowers use to communicate with their pollinators. Some, for example, change color when the flower no longer has rewards to offer. Others control precisely when pollinators enter or leave by timing when they open and close their petals or when they emit a scent. This fascinating array of pollination repertoires crossfertilizes Angel’s photos with a descriptive text.
Featuring both common and exotic plants and temperate and tropical floral, Pollination Power will entice anyone with a passion for botanicals, from gardeners to botanists alike.
Prairie plants are among the toughest of all ornamentals. While they fascinate gardeners with their beauty and versatility, they require little maintenance. They are highly resistant to insect and disease damage, and they need not be replanted every year.
In recent years, the idea of growing prairie plants has gained increasing appeal among gardeners. Bob and Beatrice Smith have prepared this practical growing guide—based on their more than fourteen years of experience and experimentation—for all people who wish to grow prairie plants. The Smiths, who have grown all the plants they discuss here, share their wealth of experience with the reader. They recommend the best sites, tell how to plan and prepare the site and how to treat and plant seeds, and share important tips on propagation, transplanting, and managing the prairie garden or landscape. To aid in both planning and identification, the book includes full-color illustrations of all seventy plants.
For centuries common primroses have spread breathtaking carpets of pale lemon yellow across the globe, the first sign of spring. Abundant, edible, and beneficial for many ailments, they have supported civilization’s social and cultural foundations. When undaunted plant hunters risked their lives to introduce the many Himalayan primroses of breathtaking beauty, the primrose gained iconic status. Capable of endless variation, primroses have captured the attention of gardeners, plant breeders, and scientists, while artists and poets have found them essential as both subject matter and muse. William Shakespeare introduced us to the “the primrose path,” a pleasurable but destructive route, in several of his plays, and Charles Darwin spent more than thirty years working with primroses to solve an elegant evolutionary mystery.
This book tells the story of how primroses became so successful, circling the Earth, adapting to human civilization, and yet holding their own on inaccessible craggy summits where they may never be seen. Bringing together facts, folklore, and beautiful images from around the world, Primrose is a delightful guide to this hugely popular flower.
Iowa is the only state that lies entirely within the natural region of the tallgrass prairie. Early documents indicate that 95 percent of the state—close to 30 million acres—was covered by prairie vegetation at the time of Euro-American settlement. By 1930 the prairie sod had been almost totally converted to cropland; only about 30,000 acres of the original “great green sea” remained. Now, in this gracefully illustrated manual, Shirley Shirley has created a step-by-step guide to reconstructing the natural landscape of Iowa and the Upper Midwest.
Chapters on planning, obtaining and selecting plants and seeds, starting seeds indoors, preparing the site, planting, and maintenance set the stage for comprehensive species accounts. Shirley gives firsthand information on soil, moisture, sun, and pH requirements; location, size, and structure; blooming time and color; and propagation, germination, and harvesting for more than a hundred wildflowers and grasses.
Shirley's sketches—all drawn from native plants and from seedlings that she grew herself—will be valuable for even the most experienced gardener. While other books typically feature only the flowering plant, her careful drawings show the three stages of the seedlings, the flower, and the seedhead with seeds as well as the entire plant. This practical and attractive volume will help anyone dedicated to reconstructing the lost “emerald growth” of the historic tallgrass prairie.
A Rock Garden in the South
Elizabeth A. Lawrence Duke University Press, 1990 Library of Congress SB459.L38 1990 | Dewey Decimal 635.96720975
As readers and critics around the country agree, any new book by the renowned garden writer Elizabeth Lawrence is like finding a buried treasure. A Rock Garden in the South will not disappoint. Released posthumously, this book is not only a welcome addition to the Lawrence canon, but fills an important gap in the garden literature on the middle South. Lawrence, in her usual exquisite prose, deals with the full range of rock gardening topics in this work. She addresses the unique problem of cultivating rock gardens in the South, where the growing season is prolonged and humidity and heat are not conducive to such planting. She describes her own experiences in making a rock garden, with excellent advice on placing stones, constructing steps, ordering plants, and making cuttings. At the same time, what she writes about here is in large part of interest to gardeners everywhere and for gardens with or without rocks. As always, she thoroughly discusses the plants she has tried—recommending bulbs and other perennials of all sorts, annuals, and woody plants—with poetic descriptions of the plants themselves as well as specific and useful cultural advice. A Rock Garden in the South includes an encyclopedia of plants alphabetized by genus and species and divided into two parts: wood and non-woody plants.
Could a book by any other name smell as sweet? Absolutely not. The rose is the world’s favorite flower—and always has been. It is our greatest floral symbol of love and romance, and it is a bloom that touches our hearts as the flower most often chosen to celebrate significant milestones—weddings, anniversaries, births, and indeed, deaths. In this book, Catherine Horwood traces the botanical, religious, literary, and artistic journeys of the rose across the centuries, from battles to bridal bouquets.
From Cleopatra’s rose petal–filled bed to Nijinsky’s Spectre de la Rose, from the highly prized Attar of Rose oil so beloved by the ancient Persians to the rosy scents of top perfume labels today, from Shakespearean myths about the War of the Roses to the significance of roses in Queen Elizabeth I’s embroidered dresses, and even to blockade-running during the Napoleonic Wars to satisfy Empress Josephine’s passion for collecting her favorite flower, Rose blossoms with the many stories of our ardor for this botanical family. Featuring a bower of illustrations and drawing on an array of sources as rich and many-hued as roses themselves, Horwood’s tale opens our eyes and noses to the world’s major rose-growing nations. With operatic tales of medieval bestsellers, nurserymen’s rivalries, and changing tastes in our personal flower beds, Rose is certain to woo both gardeners and non-gardeners alike.
"An engaging botanical overview of flowers."-New York Times Book Review
In The Rose's Kiss, Peter Bernhardt presents a fascinating and wide-ranging look at the natural history of flowers—how they look, what they do, and their often hidden interactions with the surrounding environment and other living organisms upon which they depend for their survival. You'll discover why flowers are so colorful, how they evolved, and how insects exploit them for their nectar. This is a book for all flower lovers, from naturalists and gardeners to poets and botanists.
Flowers bring joy and beauty to our lives, from the smallest patch of daisies outside our window to the elaborate floral decorations on display at weddings, banquets, and funerals. As well as offering aesthetic benefits, they teach us much about how the world works -- each blossom is a living factory that manufactures organs and compounds ranging from the flavonoids that make a rose red to the pollen that gives us hayfever.In The Rose's Kiss, botanist Peter Bernhardt rekindles our sense of wonder at the plant life all around us. He presents a fascinating and wide ranging look at the natural history of flowers -- their forms and functions as well as their hidden interactions with the surrounding environment and the other living organisms they depend upon for survival. Using both familiar and exotic examples, he examines: flower architecture, including the wonderfully descriptive names of floral parts and their respective roles in a plant's life-cycle the secret exchange between a bud and its environment that determines blooming time and the lifespan of individual blossoms colors, scents, and other mechanisms that plants use to attract pollinators and keep them returning season after season the incredible diversity of organisms that pollinate plants -- cockroaches, flies, moths, parrots, hummingbirds, bats, and others extinct plants and their fossil blossoms, showing the evolution of flowering plants over the past 125 million years and much moreDelightfully interwoven with intriguing facts and stories from history, folklore, and mythology, The Rose's Kiss is a wonderful example of literary science writing at its best. It should hold wide appeal for nature lovers, garden enthusiasts, and anyone interested in learning more about the inner workings of the natural world.
Robert H. Mohlenbrock. Illustrated by Paul Nelson Southern Illinois University Press, 1999 Library of Congress QK495.C997M63 | Dewey Decimal 584.8409773
Sedges: Carex is the fourteenth volume of the Illustrated Flora of Illinois series and the sixth and last volume devoted to monocots, or plants that have a single seed-leaf, or cotyledon, upon germination. For each of the 159 species of Carex in Illinois, there is a full illustration showing the habit of the plant and close-ups of various vegetative and reproductive structures that are crucial for the identification of the individual species. There is also a complete description of each species as well as a discussion of the nomenclature and habitats. Range maps show the county distribution of each species in Illinois. A detailed key is provided for identification of the species.
Unique in several respects, Carex is by far the most numerous genus of plants in Illinois. Because of the vast number of species, the similarity of many of the species, and the relatively small size of the critical reproductive structures, the members of this genus are extremely confusing to identify. This book, with its detailed descriptions, key, and precise illustrations, should aid the interested person in the identification of these plants.
Since more than three-fourths of the species of Carex in Illinois are inhabitants of wetlands, an understanding of the genus is critical for those working in wetlands. Amateur and professional botanists will find the information extremely valuable, as well as environmental and conservation groups, garden clubs, farm bureaus, home extension groups, scout organizations, and school libraries. Persons working in natural areas programs and in rare and endangered species programs and those working on environmental impact assessments and wildlife management projects will also find the information pertinent.
Originally published in 1982, this bestselling collection of gardening writing by William Lanier Hunt--one of the South’s leading gardening writers and horticulturalists--is now available for the first time in paperback. Arranged by months of the year, Southern Gardens, Southern Gardening is filled with useful, commensense instruction, as well as the wisdom and art of gardening.
Speaking of Flowers is an innovative study of student activism during Brazil's military dictatorship (1964–85) and an examination of the very notion of student activism, which changed dramatically in response to the student protests of 1968. Looking into what made students engage in national political affairs as students, rather than through other means, Victoria Langland traces a gradual, uneven shift in how they constructed, defended, and redefined their right to political participation, from emphasizing class, race, and gender privileges to organizing around other institutional and symbolic forms of political authority.
Embodying Cold War political and gendered tensions, Brazil's increasingly violent military government mounted fierce challenges to student political activity just as students were beginning to see themselves as representing an otherwise demobilized civil society. By challenging the students' political legitimacy at a pivotal moment, the dictatorship helped to ignite the student protests that exploded in 1968. In her attentive exploration of the years after 1968, Langland analyzes what the demonstrations of that year meant to later generations of Brazilian students, revealing how student activists mobilized collective memories in their subsequent political struggles.
Back in print just in time for spring! Originally published in 1948, this is the germinal text on nearly 250 species of spring wildflowers found in West Virginia. Common or English names and scientific or Latin names are given for each species. The descriptions are in two sections: The first description includes the meaning of the name of the flower, uses, habitats, and ranges in West Virginia. Secondly, the plant itself is described in deep detail to help in identification. Each description is accompanied by a facing page detailed line drawing. This book is a must have for those interested in the beauty and science of West Virginia's spring flora. The author, Earl L. Core, also co-wrote the four-volume Flora of West Virginia. He received his bachelor's and master's degrees from West Virginia University and his doctorate from Columbia. He was a biology professor at WVU where the 75-acre arboretum managed by the university bears his name. The illustrator, William A. Lunk, received his doctorate at the University of Michigan and went on to become curator of their University Museums.
Virginia Woolf famously began one of her greatest novels: “Mrs Dalloway said she would buy the flowers herself.” Of course she would: why would anyone surrender the best part of the day to someone else? Flowers grace our lives at moments of celebration and despair. “We eat, drink, sing, dance, and flirt with them,” writes Kakuzo Okakura. Flowers brighten our homes, our parties, and our rituals with incomparable notes of natural beauty, but the “nature” in these displays is tamed and conscribed. Randy Malamud seeks to understand the transplanted nature of cut flowers—of our relationship with them and the careful curation of their very existence. It is a picaresque, unpredictable ramble through the world of flowers, but also the world itself, exploring painting, murals, fashion, public art, glass flowers, pressed flowers, flowery church hats, weaponized flowers, deconstructed flowers, flower power, and much more.
From iconic paintings by Vincent van Gogh to their much-spat seeds at baseball games, the massive, golden blossoms of sunflowers have become a part of our literary and visual cultures and daily lives, inspiring artists and poets and used by advertisers to promote countless products. But sunflowers are only the most recognizable members of the world’s largest family of plants, Asteraceae, which includes lettuce, chrysanthemums, asters, dahlias, and weeds. And in this book, Stephen A. Harris unearths the extraordinary history of this entire sunflower bouquet.
Unraveling the interplay between human cultures and the biology of these spectacular blooms over the last six thousand years, Sunflowers explores our persistent fascination with this family and how our uses of the plants have changed over millennia. Found in almost all habitats, from the driest deserts and tallest mountains to grasslands and urban wastelands, the sunflower family includes more than 32,000 species. It produces hugely popular and economically valuable ornamental flowers, as well as familiar flavorings such as tarragon and artemesia, and its members are also used in the production of antimalarial drugs, artificial sweeteners, insecticide, and fish poisons. Illustrated with many rarely seen images of the sunflower family, this beautiful volume sheds surprising new light on these familiar, sunniest of flowers.
Texas Wildflowers: A Field Guide
By Campbell and Lynn Loughmiller; updated by Joe Marcus; foreword to the first edition by Lady Bird Johnson University of Texas Press, 2018 Library of Congress QK188.L68 2018 | Dewey Decimal 582.1309764
With more than 175,000 copies sold, Texas Wildflowers has established itself as the go-to guide for identifying the state’s roadside flowers. This new edition has been completely reorganized by flower colors (and within each color section, by flowering season) to make it even easier to identify the flowers you see as you travel through Texas. Every wildflower is illustrated with a beautiful full-color photograph—over 250 of which are new to this edition. All of the descriptive identifying information is presented in a consistent format—common and botanical names, plant and leaves, flowers and fruit, flowering season, habitat and range, and notes.
What hasn’t changed is the book’s sturdy binding, which will hold up through years of active use, and its wealth of information, which has been thoroughly updated by the expert staff of the Lady Bird Johnson Wildflower Center:
300 species descriptions, including engaging comments about the plants’ natural histories, landscape uses, edible or medicinal properties, and folklore
A map of Texas’s vegetational areas
Glossaries that define and illustrate botanical terms
A bibliography of books for learning more about wildflowers
Indexes to common and botanical plant names, as well as plant families, that distinguish between native and non-native species
As Lady Bird Johnson observed in the foreword, Texas Wildflowers “makes me want to reach for my sunhat, put on my walking shoes, take this knowledge-filled book, and fare forth to seek and discover!”
A long time ago, you could only find them on the slopes of remote mountain ranges in Asia, but today they are the very symbol of modern genetics, a species unrivalled for the variety of colors and forms that breeders can create: tulips. In this book, Celia Fisher traces the story of this important and highly popular plant, from its mountain beginnings to its prevalence in the gardens of Mughal, Persian, and Ottoman potentates; from its migration across the Silk Road to its explosive cultivation in the modern European world.
Fisher looks at how tulips’ intensely saturated color has made them an important species for botanists and gardeners. Initially rare in sixteenth century Netherlands, tulips sparked such frenzy among aristocratic collectors that they caused the first economic bubble and collapse. Exploring the ways cultivators have created one hybrid after another—in an astonishing range of colors and shapes—Fisher also shows how tulips have inspired art and literature throughout the centuries, from Ottoman Turkey to the paintings of the Dutch Masters, from Alexandre Dumas’s novel The Black Tulip to contemporary artist David Cheung painting them atop pages of the Financial Times. Stunningly illustrated, this book offers a unique cultural history of one of our most important flowers.
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, these pocket guides to the twayblades and adder’s-mouths form part of a series that will cover all the wild orchids of the continental United States and Canada.
Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. For the twayblades and adder’s-mouths he includes information on 21 species, 1 additional variety, and 2 hybrids.
Most twayblades and adder’s-mouths are relatively small plants with tiny green flowers, but a few have richly colored blooms or particularly interesting habits that attract the native orchid enthusiast. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answering three simple questions—when, where, and how does it grow?—and comparing the living plant with the striking photos in the backpack-friendly laminated guide should enable both professional and amateur naturalists to achieve the satisfaction of identifying a specific orchid.
A visual guide to the wildflowers that inhabit the mountains and valleys of northern and central Utah every spring and summer. A must for the hiker, biker, or lover of the outdoors. Includes over 100 full-color photographs.
Vascular Plants of Minnesota was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A definitive reference to the 2,010 vascular plant species (ferns, conifers, and flowering plants) currently found in Minnesota. The maps of he Atlas section show the geographic distribution of each plant, allowing the reader to visualize—for the first time—exactly where a species occurs in the state. Historical plant collections as well as records from detailed surveys conducted in the 1970s and 1980s by the Minnesota DNR, The Nature Conservancy, and individual researchers are included in this volume.
The flora of Minnesota is of special interest because it represents the western limits of the vast eastern deciduous forest flora, the northern and eastern boundaries of the flora of the prairies and great plains, and the southwestern limits of the northern coniferous forest. These three contrasting continental floras meet more sharply in Minnesota than in other regions.
The Checklist section provides both an authoritative summary of the nomenclature of Minnesota plants and extensive references to taxonomic literature. As such, it is the most complete list ever prepared for the entire state. Arranged alphabetically, group within group, the Checklist provides both Latin and common names for all species, subspecies, and varieties.
Gerald B. Ownbey is an emeritus professor in the Department of Plant Biology at the University of Minnesota, Twin Cities. As the curator of the University Herbarium for more than thirty years, he developed its collection of almost 750,000 specimens to make it the largest in the Midwest. Professor Ownbey is the author of Common Wild Flowers of Minnesota (University of Minnesota Press, 1971).
Thomas Morley is also an emeritus professor in the Department of Plant Biology at the University of Minnesota, Twin Cities. In addition to introducing hundreds of students to Minnesota flora in his popular course "Minnesota Plant Life," he is widely recognized for his pioneering efforts to protect remnants of Minnesota's native habitats. Professor Morley is the author of Spring Flora in Minnesota (University of Minnesota Press, 1966).
Gardeners of today take for granted the many varieties of geraniums, narcissi, marigolds, roses, and other beloved flowers for their gardens. Few give any thought at all to how this incredible abundance came to be or to the people who spent a good part of their lives creating it. These breeders once had prosperous businesses and were important figures in their communities but are only memories now. They also could be cranky and quirky.
In the eighteenth and nineteenth centuries, new and exotic species were arriving in Europe and the United States from all over the world, and these plants often captured the imaginations of the unlikeliest of men, from aristocratic collectors to gruff gardeners who hardly thought of themselves as artists. But whatever their backgrounds, they all shared a quality of mind that led them to ask “What if?” and to use their imagination and skills to answer that question themselves. The newest rose from China was small and light pink, but what if it were larger and came in more colors? Lilac was very nice in its way, but what if its blossoms were double and frilly?
While there are many books about plant collectors and explorers, there are none about plant breeders. Drawing from libraries, archives, and the recollections of family members, horticultural historian Judith M. Taylor traces the lives of prominent cultivators in the context of the scientific discoveries and changing tastes of their times. Visions of Loveliness is international in scope, profiling plant breeders from many countries—for example, China and the former East Germany—whose work may be unknown to the Anglophone reader.
In addition to chronicling the lives of breeders, the author also includes chapters on the history behind the plants by genus, from shrubs and flowering trees to herbaceous plants.
Burdened by poverty, illiteracy, and vulnerability as Mexican immigrants to California's Coachella Valley, three generations of González men turn to vices or withdraw into depression. As brothers Rigoberto and Alex grow to manhood, they are haunted by the traumas of their mother's early death, their lonely youth, their father's desertion, and their grandfather's invective. Rigoberto's success in escaping—first to college and then by becoming a writer—is blighted by his struggles with alcohol and abusive relationships, while Alex contends with difficult family relations, his own rocky marriage, and fatherhood.
Descending into a dark emotional space that compromises their mental and physical health, the brothers eventually find hope in aiding each other. This is an honest and revealing window into the complexities of Latino masculinity, the private lives of men, and the ways they build strength under the weight of grief, loss, and despair.
Wild Orchids of Texas
By Joe Liggio and Ann Orto Liggio University of Texas Press, 1999 Library of Congress QK495.O64L539 1999 | Dewey Decimal 584.409764
Best of Show Award, Society for Technical Communication International
From the East Texas swamps and forests to the Edwards Plateau canyons and the Trans-Pecos mountains, Texas hosts a surprising number of native orchids. Their exquisite beauty endears them to everyone from wildflower lovers to professional botanists and conservationists.
This beautifully illustrated book presents all 54 wild orchids of Texas. The species descriptions that accompany Joe Liggio's lovely color photos discuss the plant's flowers, blooming season, pollinators, typical habitats, and range (also shown by map), including its distribution within and beyond Texas. The species are grouped by genus and also listed by color, county, and habitat for easy reference.
In addition to the species accounts, the authors offer a general natural history of Texas orchids that discusses such topics as pollination and reproduction, special growing requirements, and threats to orchids from loss of habitats and careless collecting. They also describe the many orchid habitats in Texas and the species that grow in each. This wide variety of information, which has never before been collected in one volume for a general readership, makes this book the essential guide to Texas' wild orchids.
Originally published in 1999, Wildflowers and Other Plants of Iowa Wetlands was the first book to focus on the beauty and diversity of the wetland plants that once covered 1.5 million acres of Iowa. Now this classic of midwestern natural history is back in print with a new format and all-new photographs, just as Iowa’s wetlands are getting the respect and attention they deserve.
In clear and accessible prose, authors Sylvan Runkel and Dean Roosa provide common, scientific, and family names; the Latin or Greek meaning of the scientific names; habitat and blooming times; and a complete description. Plants are presented by habitat (terrestrial or aquatic), then refined by habit (e.g., emergent, floating, or submerged) or taxonomic group (e.g., ferns and allies or trees, shrubs, and vines). Particularly interesting is the information on the many ways in which Native Americans and early pioneers used these plants for everything from pain relief to tonics to soup and the ways that wildlife today use them for food and shelter. Each of the more than 150 species accounts is accompanied by a brilliant full-page color photograph by botanist Thomas Rosburg, who has also updated the nomenclature and descriptions for certain species.
After decades of being considered an enemy of the settler, the farmer, and the citizen, Iowa’s wetlands have come into their own. We are finally caring for these important habitats. Runkel and Roosa’s updated field companion will be a valuable guide to today’s preservation and restoration initiatives.
Winner, Carroll Abbott Memorial Award, Native Plant Society of Texas, 2002
Many visitors to Texas beaches see only the sands between the surf and the first low dunes. Because few plants grow there, it's easy to get the impression that Texas beaches consist mostly of barren sand—while just the opposite is true. Beyond the dunes grow an amazing variety and abundance of native plants. Many of them, like Indian Blanket, Goldenrod, and Seaside Gerardia, produce great splashes of flowering color. Others display more modest flowers or are interesting for their growing habits. In all, over seven hundred species of flowering plants grow on Texas beaches and islands.
This handy field guide will aid you in identifying some 275 common and/or noteworthy flowering plants of the Texas beaches and islands from the Rio Grande to the Louisiana border. Each plant is illustrated by a color photograph, accompanied by a description of its appearance, habitat, and blooming time. The plants are grouped by families, which in turn are arranged according to relationships and similarities for easy reference. An introduction to beach habitats and plant life, references for further reading, and a glossary of terms make this book fully useful for everyone who wants a good, general understanding of beach plant life and wildflowers.
You'll find them throughout the year in Houston—lyre-leaf sage, Drummond skullcap, silver-leaf nightshade, snow-on-the-prairie, lemon beebalm, scarlet pimpernel, plains wild indigo, spring ladies'-tresses, deer pea vetch.
These wildflowers and hundreds of other species flourish in this part of Texas, but until this book was published in 1993 no guide had focused exclusively on the Houston area. John and Gloria Tveten spent years seeking out both the common and the rare flowers. They describe here more than 200 plants. A color photograph of each one will make identification easy.
The guide is arranged by color, with each entry tracing the history and lore of a species. Many plants—for example, prairie Indian plantain and self-heal—were used by Native Americans for medicinal purposes. Others, like poke-weed and wapato, are edible. Southern dewberry and giant ragweed are used as natural dyes. And some, like rattlebush and milkweed, are poisonous.
At the end of each species account is a list of key identifying characteristics for quick reference in the field. Summaries of plant families are also included, as well as tips on where and when to look for wildflowers.
Wildflowers of the Mountain West
Richard M. Anderson, Jay Dee Gunnell, Jerry L. Goodspeed Utah State University Press, 2012 Library of Congress QK133.A53 2012 | Dewey Decimal 582.130978
Many recreational hikers have stopped along the trail to admire a wildflower only to wonder what, exactly, they are looking at. Wildflowers of the Mountain West is a useful field guide that makes flower identification easy for the general outdoor enthusiast.
Many available plant guides are too technical or cumbersome for non-specialists to embrace. Covering New Mexico, Colorado, Wyoming, Idaho, Utah, Nevada and Oregon, this book is perfect for the enthusiasts who has little botanical knowledge but would like to know more about the wildflowers they are seeing. Organized by flower color for easy reference, plant records include the common and scientific names, a description of typical characteristics, habitat information and distribution maps, look-alike species, color photographs, and informative commentary. In addition, the book provides a useful introduction to the Mountain West region, along with line drawings to illustrate basic flower parts, shapes, and arrangements; a glossary of common botanical terms; a quick search key; and an index.
The book is spiral-bound, making it easy to bring along while hiking, backpacking, or biking, and stunning full color photographs make visual confirmation of flower type simple and straightforward.
This classic of midwestern natural history is back in print with a new format and new photographs. Originally published in 1989, Wildflowers of the Tallgrass Prairie introduced many naturalists to the beauty and diversity of the native plants of the huge grasslands that once stretched from Manitoba to Texas. Now redesigned with updated names and all-new photographs, this reliable field companion will introduce tallgrass prairie wildflowers to a new generation of outdoor enthusiasts in the Upper Midwest.
Each species account is accompanied by a brilliant full-page color photograph by botanist Thomas Rosburg. In clear, straightforward, and accessible prose, authors Sylvan Runkel and Dean Roosa provide common, scientific, and family names; the Latin or Greek meaning of the scientific names; habitat and blooming times; and a complete description of plant, flower, and fruit. Particularly interesting is the information on the many ways in which Native Americans and early pioneers used these plants for everything from pain relief to dyes to hairbrushes.
Runkel and Roosa say that prairies can be among the most peaceful places on earth; certainly they are among the most beleaguered. Wildflowers of the Tallgrass Prairie will inspire both amateurs and professionals with the desire to learn more about the wonders of the prairie landscape.
In the Aleutian Islands, wildflowers are king. Persistent low temperatures mean trees are unable to thrive, and so swaths of open tundra serve as the dramatic stage for a stunning variety of flowers. Wildflowers of Unalaska Island is the only guide to this flora, covering more than 160 species of flowering plants in a backpack-friendly book.
Each species is introduced and clearly defined and is accompanied by a photograph and line drawings. Many of these plants occur across a wide range of coastal Alaska; others are unique to the Aleutians. The introduction includes background on the unique geologic history, climate, and habitats of the archipelago to fully round out the user’s appreciation of the dramatic environment in which these hardy plants thrive.
Describing more than 1,100 species, this is a comprehensive guide to wildflowers in Wisconsin and parts of Minnesota, Michigan, Illinois, Indiana, Iowa, and Ontario. A new introduction to this second edition discusses wildflowers in the context of their natural communities. Packed with detailed information, this field guide is compact enough to be handy for outdoors lovers of all kinds, from novice naturalists to professional botanists. It includes:
• more than 1,100 species from 459 genera in 100 families
• many rare and previously overlooked species
• 2,100 color photographs and 300 drawings
• Wisconsin distribution maps for almost all plants
• brief descriptions including distinguishing characteristics of the species
• Wisconsin status levels for each species of wildflower (native, invasive, endangered, etc.)
• derivation of Latin names.
In this book, Peter Bernhardt takes us on a grand tour of the botanical realm, weaving engaging descriptions of the lovely shapes and intriguing habits of flowering plants with considerations of broader questions, such as why there are only six basic shapes of flowers and why the orchid family is so numerous and so bizarre. Everyone from amateur naturalists and gardeners to plant scientists will find Wily Violets and Underground Orchids a lively guide to botanical lore.
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to the woodland and bog rein orchids forms part of a series that will cover all the wild orchids of the continental United States and Canada.
Brown provides a description, general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so challenging. For the woodland and bog rein orchids, which make up some of the most delicate and subtly colored of all wild orchids, he includes information on nineteen species, four subspecies and varieties, and seven hybrids.
The genus Platanthera is the largest genus of orchids to be found in North America north of Mexico; the woodland and bog rein orchids comprise a significant group of species found throughout much of temperate U.S. and Canada. The luminously green rein orchids, so-called because of the resemblance of some of the flowers to the reins used on horses, are especially abundant in rich woodlands, wetlands, and bogs in the more northerly and cooler habitats. Most are easy to identify based upon their general appearance, range, and time of flowering. Answering three simple questions—when, where, and how does it grow?—and comparing the living plants with the striking photos in this backpack-friendly laminated guide and the information in the simple key should enable both professional and amateur naturalists to achieve the satisfaction of identifying a specific orchid.
Part visual history, part memoir, You Can Crush the Flowers is a chronicle of the 2011 Egyptian Revolution and its aftermath, as it manifested itself not only in the art on the streets of Cairo but also through the wider visual culture that emerged during the revolution. Marking the ten-year anniversary of the revolution, celebrated Egyptian-Lebanese artist Bahia Shehab tells the stories that inspired both her own artwork and the work of her fellow revolutionaries. Shehab narrates the events of the revolution as they unfolded, describing on one hand the tactics deployed by the regime to drive protesters from the street—from the use of tear gas and snipers to brute force, intimidation techniques, and virginity tests—and on the other hand the retaliation by the protesters online and on the street in marches, chants, street art, and memes. Throughout this powerful and moving account, which includes over one hundred images, Shehab responds to all these aspects of the revolution as both artist and activist. The result bears witness to the brutality of the regime and pays tribute to the protestors who bravely defied it.