front cover of Black Music
Black Music
Harlem Renaissance
Samuel A., Jr. Floyd
University of Tennessee Press, 1993
This work provides an in-depth look at the role of black music within the Harlem Renaissance movement, suggesting its primacy to Renaissance philosophy and practice. Floyd holds that the music of this period was also the source of certain ambivalent attitudes on the part of the black leadership. The book features essays on various subjects including musical theatre, Duke Ellington, black music and musicians in England, concert singers and the interrelationships between black painters and music. It also includes a music bibliography of works composed during the period. 
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front cover of Music in Black American Life, 1600-1945
Music in Black American Life, 1600-1945
A University of Illinois Press Anthology
Compiled by Laurie Matheson. Introduction by Sandra Jean Graham
University of Illinois Press, 2022
This first volume of Music in Black American Life collects research and analysis that originally appeared in the journals American Music and the Black Music Research Journal, and in the University of Illinois Press's acclaimed book series Music in American Life. In these selections, experts from a cross-section of disciplines engage with fundamental issues in ways that changed our perceptions of Black music. The topics includes the culturally and musically complex Black music-making of colonial America; string bands and other lesser-known genres practiced by Black artists; the jubilee industry and its audiences; and innovators in jazz, blues, and Black gospel.

Eclectic and essential, Music in Black American Life, 1600–1945 offers specialists and students alike a gateway to the history and impact of Black music in the United States.

Contributors: R. Reid Badger, Rae Linda Brown, Samuel A. Floyd Jr., Sandra Jean Graham, Jeffrey Magee, Robert M. Marovich, Harriet Ottenheimer, Eileen Southern, Katrina Dyonne Thompson, Stephen Wade, and Charles Wolfe

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